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Author: Edward Fordham Spence
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 352
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Book Description
Author: Edward Fordham Spence
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 352
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Book Description
Author: E. f. s. of the Westminster Gazette
Publisher: IndyPublish.com
ISBN: 9781428013049
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Author: Howard Sherman
Publisher: Bloomsbury Publishing
ISBN: 1350123463
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
A work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form. This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved. Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community. 80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond.
Author: Edward Fordham Spence
Publisher: Forgotten Books
ISBN: 9780428980504
Category : Literary Collections
Languages : en
Pages : 348
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Excerpt from Our Stage and Its Critics Hilst reading the proof-sheets of these articles Ihave been oppressed by the thought that they give a gloomy idea about the state of our Stage. Yet I am naturally sanguine. Indeed, no one taking a deep interest in our drama could have written for a score or so of years about it unless of a naturally sanguine temperament. There has been great progress during my time, yet we still are far from possessing a modern national drama creditable to us. Some imagine that the British have no inborn genius for writing drama, or acting it, and look upon those dramatists and players whose greatness cannot be denied as mere exceptions to a rule. Without alleging that at the moment we have a Shakespeare, a Garrick or a Siddons, I assert confidently that we own dramatists and players able, if rightly used, to make our theatre worthy of our country and also that the misuse of them is appalling. For very many years the history of the English stage has been chiefly a record of waste, of gross commercialism and of honest efforts ruined by adherence to mischievous traditions the Scottish and Irish stage have been mere reflections of our own. At the moment Ireland is making a brave and remarkably successful effort at emancipation, and during the last few years has laid the foundations of a National Theatre and built a good deal upon them. Scotland lags a little, yet the energy and enthusiasm of Mr Alfred Wareing and the citizens of Glasgow have enabled them to create an institution not unlikely to serve as the home of a real Scots drama. They offer to the native playwright an opportunity of showing that a national drama - not a drama merely echoing the drama of other lands - lies inherent in the race. Who knows that they may not induce that wayward man of genius, J. M. Barrie, to become the parent of Scots drama by honestly and sincerely using his rare gifts as dramatist in an effort to express the pathos and the humour, the courage and the shyness, the shrewdness and the imagination, and also the less agreeable qualities and characteristics of our brothers across the border. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Edward Fordham Spence
Publisher: Createspace Independent Publishing Platform
ISBN: 9781722632625
Category :
Languages : en
Pages : 214
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Our Stage and Its Critics By "E.F.S." of "The Westminster Gazette" By Edward Fordham Spence CHAPTER I THE DRAMATIC CRITIC His Qualifications The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic. After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel." During the last few years we have had plays in Russian, Japanese, Bavarian patois, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect. Latin drama we hear at Westminster; a Greek company came to the Court but did not act. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Author: Gerald Nachman
Publisher: Univ of California Press
ISBN: 0520268016
Category : Performing Arts
Languages : en
Pages : 490
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Book Description
"Nachman provides a three-dimensional portrait of the man and the show that were part of our national consciousness for over two decades...a detailed analysis on why Sullivan mattered; Nachman is a natural storyteller...a nuanced description of Sullivan's America. Nachman's style is always accessible...a delight for anyone interested in popular culture"—Ron Simon, Curator of Television and Radio, The Paley Center for Media "A shining gem....One of those rare books you can open anywhere...and be highly entertained. As Ed himself might have said, 'Don't miss it if you can.'"—Dick Cavett, talk show host and online columnist for NYTimes/Opinion
Author: Edward Fordham Spence
Publisher: Pinnacle Press
ISBN: 9781374950221
Category : Fiction
Languages : en
Pages : 258
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Catherine Burroughs
Publisher: Taylor & Francis
ISBN: 1000815986
Category : Performing Arts
Languages : en
Pages : 745
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Book Description
The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.
Author: Michael R. Booth
Publisher: Cambridge University Press
ISBN: 9780521453752
Category : Drama
Languages : en
Pages : 268
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Book Description
This book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provinence broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema.
Author: Henry OTTLEY (the Younger?.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
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Book Description
