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Author: Caroline van Eck
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 368
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Book Description
Author: Caroline van Eck
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 368
Get Book
Book Description
Author: Gary Huafan He
Publisher: Taylor & Francis
ISBN: 1000888894
Category : Architecture
Languages : en
Pages : 279
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Book Description
This project is born out of similar questions and discussions on the topic of organicism emergent from two critical strands regarding the discourse of organic self-generation: one dealing with the problem of stopping in the design processes in history, and the other with the organic legacy of style in the nineteenth century as a preeminent form of aesthetic ideology. The epistemologies of self-generation outlined by enlightenment and critical philosophy provided the model for the discursive formations of modern urban planning and architecture. The form of the organism was thought to calibrate modernism’s infinite extension. The architectural organicism of today does not take on the language of the biological sciences, as they did in the nineteenth and twentieth centuries, but rather the image of complex systems, be they computational/informational, geo/ecological, or even ontological/aesthetic ‘networks’. What is retained from the modernity of yesterday is the ideology of endless self-generation. Revisiting such a topic feels relevant now, in a time when the idea of endless generation is rendered more suspect than ever, amid an ever increasing speed and complexity of artificial intelligence (AI) networks. The essays collected in this book offer a variety of critiques of the modernist idea of endless growth in the fields of architecture, literature, philosophy, and the history of science. They range in scope from theoretical and speculative to analytic and critical and from studies of the history of modernity to reflections of our contemporary world. Far from advocating a return to the romantic forms of nineteenth-century naturphilosophie, this project focuses on probing organicism for new forms of critique and emergent subjectivities in a contemporary, 'post'-pandemic constellation of neo-naturalism in design, climate change, complex systems, and information networks. This book will be of interest to a broad range of researchers and professionals in architecture and art history, historians of science, visual artists, and scholars in the humanities more generally.
Author: Paul Dobraszczyk
Publisher: Routledge
ISBN: 131713141X
Category : Architecture
Languages : en
Pages : 296
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Book Description
The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart – for the first time – the global reach of iron’s architectural reception, from the first debates on how iron could be incorporated into architecture’s traditional aesthetics to the modernist cleaving of its structural and ornamental roles. The book is divided into three sections. Formations considers the rising tension between the desire to translate traditional architectural motifs into iron and the nascent feeling that iron buildings were themselves creating an entirely new field of aesthetic expression. Exchanges charts the commercial and cultural interactions that took place between British iron foundries and clients in far-flung locations such as Argentina, Jamaica, Nigeria and Australia. Expressing colonial control as well as local agency, iron buildings struck a balance between pre-fabricated functionalism and a desire to convey beauty, value and often exoticism through ornament. Transformations looks at the place of the aesthetics of iron architecture in the late nineteenth and early twentieth centuries, a period in which iron ornament sought to harmonize wide social ambitions while offering the tantalizing possibility that iron architecture as a whole could transform the fundamental meanings of ornament. Taken together, these chapters call for a re-evaluation of modernism’s supposedly rationalist interest in nineteenth-century iron structures, one that has potentially radical implications for the recent ornamental turn in contemporary architecture.
Author: David Gebhard
Publisher: Hennessey & Ingalls
ISBN:
Category : Architecture
Languages : en
Pages : 108
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Book Description
While the formidable reputation of his father overshadows him, Lloyd Wright (1890-1972) and his work are drawing more and more attention. This, the only monograph on his buildings and projects, grew out of an 1971 exhibition held at UC Santa Barbara. After an apprenticeship under Irving Gill, Lloyd Wright moved to Los Angeles, where he was landscaper and construction supervisor for several of his father's projects, including the Hollyhock House. His own work took off from his father's, being even bolder and more expressionistic, perhaps a reflection of his early work in the department at Paramount Pictures. His most famous building is the Sowden house, while other projects include the first two shells for the Hollywood Bowl and the Wayfarers Chapel in Palos Verdes.
Author: James Eglinton
Publisher: Bloomsbury Publishing
ISBN: 056716778X
Category : Religion
Languages : en
Pages : 240
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Book Description
This book explores the organic motif found throughout the writings of the Dutch Calvinist theologian Herman Bavinck (1854-1921). Noting that Bavinck uses this motif at key points in the most important loci of theology; Christology, general and special revelation, ecclesiology and so forth; it seems that one cannot read him carefully without particular attention to his motif of choice: the organic. By examining the sense in which Bavinck views all of reality as a beautiful balance of unity-in-diversity, James Eglinton draws the reader to Bavinck's constant concern for the doctrine of God as Trinity. If God is the Father, the Son and the Holy Spirit, Bavinck argues, the creation must be more akin to an organism than a machine. Trinity and organism are thus closely linked concepts. Eglinton critiques and rejects the 'two Bavincks' (one orthodox and the other modern) hermeneutic so commonplace in discussions of Bavinck's theology. Instead, this book argues for a reunited Herman Bavinck as a figure committed to the participation of historic orthodox theology in the modern world.
Author: Gevork Hartoonian
Publisher: Routledge
ISBN: 1351957430
Category : Architecture
Languages : en
Pages : 514
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Book Description
Focusing on six leading contemporary architects: Peter Eisenman, Frank Gehry, Bernard Tschumi, Zaha Hadid, Rem Koolhaas and Steven Holl, this book puts forward a unique and insightful analysis of "neo-avant-garde" architecture. It discusses the spectacle and excess which permeates contemporary architecture in reference to the present aesthetic tendency for image making, but does so by applying the tectonic of theatricality discussed by the 19th-century German architect Gottfried Semper. In doing so, it breaks new ground by opening up a dialogue between the study of the past and the design of the present. The work of each discussed architect is seen as addressing a historiographical problem. To this end, and this is the second important aspect of this book, the chosen buildings are discussed in terms of the thematic of the culture of building (the tectonic of column and wall for example) rather the formal, and this through a discussion that is informed by the latest available theories. Having set the aesthetic implication of the processes of the digitalization of architecture, the book's conclusion highlights "strategies" by which architecture might postpone the full consequences of digitalization, and thus the becoming of architecture as ornament on its own right.
Author: Jose Araguez
Publisher: Actar D, Inc.
ISBN: 1638400202
Category : Architecture
Languages : en
Pages : 176
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Book Description
Spatial Infrastructure is a collection of essays crafting a self-consistent project that recasts architectural thinking as a form of knowledge by addressing a number of fundamental questions relevant to the reading of works across styles, time-periods, and geographic boundaries. José Aragüez's second book revolves around a new concept in architecture, spatial infrastructure , that operates both as a design tool capable of projecting architectural thinking forward, and as an analytical category that shifts our understanding of the history of the field and contemporary production. Taken together, the collection of essays presented here investigates some of the most intractable issues pertaining to architectural discourse, while also examining scientific, critical, and cultural dimensions where relevant. Key subjects include a building’s discursive building, engineering patents and spatial disposition in architecture, typological invention and sponge surfaces, “the organic” at the intersection of architecture and philosophy, imageability in the context of an evolving market economy, language vis-à-vis self-determinacy in creative practices, a building’s spatial kernel, and the possibility of architectural metacriticality. Building upon each other to engender a coherent and distinct outlook on twentieth-century and contemporary architecture, these essays put forth a strong argument for architectural thinking that emerges from intimate knowledge of its capacities, as well as an ability to maintain epistemological clarity and integrity when purporting to expand our horizons of understanding.
Author: Gevork Hartoonian
Publisher: Cambridge Scholars Publishing
ISBN: 1443865958
Category : Architecture
Languages : en
Pages : 227
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Book Description
Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian’s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in this volume are those regularly addressed by most critics revisiting modern architectural history. Individual chapters are dedicated to N. Pevsner, H. R. Hitchcock, and S. Giedion, an economy of selection that is formative for a critical understanding of the canon established by these historians. Themes such as periodization, autonomy, and time are discussed, and the coda of the final chapter expands on the scope of “critical historiography” popularised by Kenneth Frampton and Manfredo Tafuri.
Author: Ariyuki Kondo
Publisher: Routledge
ISBN: 1317322517
Category : Architecture
Languages : en
Pages : 224
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Book Description
During the second half of the eighteenth century British architecture moved away from the dominant school of classicism in favour of a more creative freedom of expression. At the forefront of this change were architect brothers Robert and James Adam. Kondo’s work places them within the context of eighteenth-century intellectual thought.
Author: Catherine R. Osborne
Publisher: University of Chicago Press
ISBN: 022656116X
Category : Religion
Languages : en
Pages : 310
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Book Description
In the mid-twentieth century, American Catholic churches began to shed the ubiquitous spires, stained glass, and gargoyles of their European forebears, turning instead toward startling and more angular structures of steel, plate glass, and concrete. But how did an institution like the Catholic Church, so often seen as steeped in inflexible traditions, come to welcome this modernist trend? Catherine R. Osborne’s innovative new book finds the answer: the alignment between postwar advancements in technology and design and evolutionary thought within the burgeoning American Catholic community. A new, visibly contemporary approach to design, church leaders thought, could lead to the rebirth of the church community of the future. As Osborne explains, the engineering breakthroughs that made modernist churches feasible themselves raised questions that were, for many Catholics, fundamentally theological. Couldn’t technological improvements engender worship spaces that better reflected God's presence in the contemporary world? Detailing the social, architectural, and theological movements that made modern churches possible, American Catholics and the Churches of Tomorrow breaks important new ground in the history of American Catholicism, and also presents new lines of thought for scholars attracted to modern architectural and urban history.
