Robert Rauschenberg PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Robert Rauschenberg PDF full book. Access full book title Robert Rauschenberg by Sara Sinclair. Download full books in PDF and EPUB format.
Author: Sara Sinclair
Publisher: Columbia University Press
ISBN: 0231549954
Category : Art
Languages : en
Pages : 465
Get Book
Book Description
Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art. The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.
Author: Sara Sinclair
Publisher: Columbia University Press
ISBN: 0231549954
Category : Art
Languages : en
Pages : 465
Get Book
Book Description
Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art. The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.
Author: Matthew Partington
Publisher: A&C Black
ISBN: 0857852000
Category : Antiques & Collectibles
Languages : en
Pages : 224
Get Book
Book Description
Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts.
Author: Dominic Johnson
Publisher: Bloomsbury Publishing
ISBN: 1137322225
Category : Performing Arts
Languages : en
Pages : 320
Get Book
Book Description
Across a series of 12 in-depth interviews with a diverse range of major artists, Dominic Johnson presents a new oral history of performance art. From uses of body modification and physical extremity, to the creation of all-encompassing personae, to performance pieces lasting months or years, these artists have provoked and explored the vital limits between art and life. Their discussions with Johnson give us a glimpse of their artistic motivations, preoccupations, processes, and contexts. Despite the diversity of art forms and experiences featured, common threads weave between the interviews: love, friendship, commitment, death and survival. Each interview is preceded by an overview of the artist's work, and the volume itself is introduced by a thoughtful critical essay on performance art and oral history. The conversational tone of the interviews renders complex ideas and theoretical propositions accessible, making this an ideal book for students of theatre and performance, as well as for artists, scholars and general readers.
Author: Matthew Partington
Publisher: A&C Black
ISBN: 0857851993
Category : Antiques & Collectibles
Languages : en
Pages : 224
Get Book
Book Description
Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts.
Author: Ronald J. Grele
Publisher: Bloomsbury Publishing USA
ISBN: 0313390185
Category : History
Languages : en
Pages : 312
Get Book
Book Description
What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. Ronald Grele is the dean of oral history in the United States, and Envelopes of Sound is the volume by which others will continue to be judged. Its contributions to methods and to meaning are still the place to start a serious discussion, whether with scholars or with high school students interviewing their grandparents. Paul M. Buhle Director, Oral History of the American Left New York University Grele's early, groundbreaking book on oral history remains a classic. It continues to challenge the practitioner to be more self-conscious of and attentive to the nuances of the oral history interview. Sherna Berger Gluck Director, Oral History California State University, Long Beach What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It calls upon oral historians to begin to step back, to think seriously about what it is they do, and to ask what kind of documentation it is that they produce and how they can make it better. This volume merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. It moves from relatively easy and simple considerations to increasingly complex issues. Envelopes of Sound can be used by a variety of students in discplines ranging from history and sociology to anthropology and contemporary literature, and it can be used in a variety of ways to raise issues on a number of theoretical levels.
Author:
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 104
Get Book
Book Description
This selection of thirty-six paintings, sculptures, drawings, and prints from the collection of Louise Reinhardt Smith attests to her astute eye for important works of art. Each full-color illustration is accompanied by a commentary that eloquently illuninates the essential context of the art and provides new insights into the collection as a group. These discussions are supplemented with full catalogue notes, references, and an exhibition history.
Author:
Publisher:
ISBN: 9781910144633
Category : Art
Languages : en
Pages : 264
Get Book
Book Description
Oral History and Art: Painting forms part of a series of three books - the other two focus on Photography and Sculpture - drawn from oral history transcripts in the collection of the Archives of American Art, Smithsonian Institution. Containing complete transcripts of exclusive interviews with Edward Hopper, Bruce Marden, Agnes Martin, Robert Rauschenberg, Larry Rivers and Frank Stella - artists whose work has profoundly changed both our understanding of the world and the course of art itself - these texts are essential reading for anyone involved in the study of the creative process. With the immediacy of everyday conversation, the personality of each artist becomes visible as they recount their artistic influences, their working processes, and their personal lives and experiences.
Author: Tom Spurgeon
Publisher: Fantagraphics Books
ISBN: 1606999338
Category : Comics & Graphic Novels
Languages : en
Pages : 698
Get Book
Book Description
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Author: Patricia J. Cooper
Publisher: Texas Tech University Press
ISBN: 9780896724105
Category : Biography & Autobiography
Languages : en
Pages : 164
Get Book
Book Description
"The quilts are beautiful, the faces worn but kind . . . the insights affecting." --New York Times Book Review"The women who speak through the book shared a vision, a strength, and a spirit that few of us will ever know or understand." --Christian Science Monitor"You can't always change things. Sometimes you don't have no control over the way things go. Hail ruins the crops, or fire burns you out. And then you're just given so much to work with in a life and you have to do the best you can with what you've got. That's what piecing is. The materials is passed on to you or is all you can afford to buy . . . that's just what's given to you. Your fate. But the way you put them together is your business. You can put them in any order you like." --Mary White, from the IntroductionFirst published in 1977, The Quilters chronicles the lives and quilts of pioneer women of Texas and New Mexico at the turn of the twentieth century. Compelling black and white portraits of the women accompany their moving oral histories, while thirty-six color photographs showcase the quilts.This award-winning book was the basis of the Broadway play Quilters, nominated for seven Tony Awards.Patricia Cooper taught at the University of California at Berkeley until her death in 1987.Norma Bradley Allen is a freelance writer who lives in Cedar Hill, Texas.
Author: Donald A. Ritchie
Publisher: Oxford University Press
ISBN: 0199996369
Category : History
Languages : en
Pages : 560
Get Book
Book Description
In the past sixty years, oral history has moved from the periphery to the mainstream of academic studies and is now employed as a research tool by historians, anthropologists, sociologists, medical therapists, documentary film makers, and educators at all levels. The Oxford Handbook of Oral History brings together forty authors on five continents to address the evolution of oral history, the impact of digital technology, the most recent methodological and archival issues, and the application of oral history to both scholarly research and public presentations. The volume is addressed to seasoned practitioners as well as to newcomers, offering diverse perspectives on the current state of the field and its likely future developments. Some of its chapters survey large areas of oral history research and examine how they developed; others offer case studies that deal with specific projects, issues, and applications of oral history. From the Holocaust, the South African Truth and Reconciliation Commissions, the Falklands War in Argentina, the Velvet Revolution in Eastern Europe, to memories of September 11, 2001 and of Hurricane Katrina, the creative and essential efforts of oral historians worldwide are examined and explained in this multipurpose handbook.
