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Author: M. Fahey
Publisher: Springer
ISBN: 0230308805
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama, with analyses of Othello , Titus Andronicus , King Henry IV Part 1 , Macbeth , Hamlet , and The Tempest.
Author: M. Fahey
Publisher: Springer
ISBN: 0230308805
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama, with analyses of Othello , Titus Andronicus , King Henry IV Part 1 , Macbeth , Hamlet , and The Tempest.
Author: Kent T. Van den Berg
Publisher: University of Delaware Press
ISBN: 9780874132441
Category : Drama
Languages : en
Pages : 204
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Book Description
Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art.
Author: Sidney Homan
Publisher: Bucknell University Press
ISBN: 9780838750094
Category : Drama
Languages : en
Pages : 246
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Book Description
A metadramatic study of nine of Shakespeare's plays, focusing on aesthetic metaphors created by the union of the playwright, actor-character, and audience.
Author: Ralph Berry
Publisher: Springer
ISBN: 1349035637
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
Author: Ralph Berry
Publisher: Routledge
ISBN: 131540947X
Category : Literary Criticism
Languages : en
Pages : 124
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Book Description
First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession — the dominant motif.
Author: Mark Stavig
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 368
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Book Description
1995 marks the 400th anniversary of the probable first production of Shakespeare's Romeo and Juliet and A Midsummer Night's Dream. Though the similarities between these two plays have long been recognized, surprisingly little has been written on what they have in common. As Mark Stavig points out, not only do these plays share a self-consciously poetic approach to drama and a common topic -- the troubles of young lovers living in a hostile familial and societal context -- but they also share a framework of Renaissance metaphor built on gender oppositions and unities. In the primarily public and rational world of late sixteenth century England, interest in the more poetic and subjective dimensions of human experience was growing. Elizabethan writers, including Shakespeare, were searching for ways to communicate what Theseus somewhat skeptically calls the forms of things unknown' -- that realm of experience that can be expressed best (or perhaps only) through the language of metaphor. While recent Shakespeare criticism has tended to oversimplify Shakespeare's handling of gender by seeing him either as a supporter or an opponent of patricarchy, Stavig finds a more complex conception of gender in Shakespeare's psychology of love and in his depiction of society, nature and the cosmos. To appreciate these patterns of metaphor, we must understand the Petrarchism and neo-Platonism that were undergoing a resurgence in the 1590s. What emerges in Stavig's exploration is neither a scientific system nor a set of beliefs, but rather a flexible structure of metaphors that provides the context for a fresh and rewarding approach to these plays.
Author: Marjorie B. Garber
Publisher: New Haven : Yale University Press
ISBN: 9780300017069
Category : Drama
Languages : en
Pages : 226
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Book Description
Author: Myron Stagman
Publisher: Cambridge Scholars Publishing
ISBN: 1443816183
Category : Literary Criticism
Languages : en
Pages : 130
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Book Description
An occasional prefigurement and echo was hardly unknown before Shakespeare. But the vast echoism—continuing forward and backward references—utilized in certain Shakespearean tragedies, was rare if unknown before him. Who, even now, does this? Two examples of messages conveyed via metaphoric resonance: (1) an element of the weight metaphoric trail in Coriolanus: The protagonist says scornfully to the Citizens in the first Act: He that depends upon your favours swims with fins of lead. In the second Act, Coriolanus more cautiously, deceptively, remarks to the plebeians' tribune Brutus: Your people, I love them as they weigh. The full import of this statement would be lost without knowledge of the metaphoric resonance, which tells us he is not impartial. (2) Richard II, Act II, scene 1: John of Gaunt begins his famous prophesying-and-punning speech to King Richard: “O, how [my] name fits my composition! ... gaunt in being old. ... and therein fasting, hast thou made me gaunt. Gaunt am I for the grave, gaunt as a grave.” Shakespeare set up other prophesies in the play with this one by John of Gaunt. Thus, in the fourth scene of Act II, a Captain declares, “And lean-look'd prophets whisper fearful change.” The playwright has been criticized for having Gaunt pun at such a time, but name a better way for the playful Shakespeare to tip off the audience to a shrewdly resonant “lean-look'd prophets” two scenes away.
Author: Wendy Coppedge Sanford
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Ann Thompson
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
