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Author: Kiki Selioni
Publisher: HELLINOEKDOTIKI
ISBN:
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
The focus of this book rests on an investigation into the links between Laban and Aristotle and aims at proposing a new approach to movement training for the actor. In contrast to the standard Platonic reading, Laban’s development is best understood through the conceptual framework of Aristotle. This not only provides a more secure theoretical approach, but a practical one as well, which establishes the art of movement as a science. This investigation intends to establish Laban’s philosophical foundation upon a reading of Aristotle’s Poetics, and in particular, on the reading of the Poetics by contemporary Greek philosopher Stelios Ramfos in his two-volume book ΜIΜΗΣΙΣ ΕΝΑΝΤΙΟΝ ΜΟΡΦΗΣ Ἐξήγησις είς το Περί Ποιητικής τοῦ Ἀριστοτέλους (MIMESIS VERSUS FORM Exegesis about Aristotle’s Poetics) (1991-1992). What is significant about Stelios Ramfos’ exegesis is that he attempts an analysis and interpretation of the concepts of the Poetics in terms of theatre performance. Ιt is this emphasis on performance that makes the task I have embarked upon possible. The discussion will serve as a critical framework that will propose a new way of applying Laban’s movement concepts to the movement training for actors in practice. The research methodology is also practical. I will therefore also develop and present a performance that attempts to apply Laban’s terms, as these are discussed, in relation to Aristotle, and in relation to the new methodology as well as a syllabus of practical classes addressing actor movement training in both kinaesthesia and characterization. The ultimate goal of the project is to contribute an approach that can inform the way Laban’s concepts are taught and provide suggestions for structuring technical movement classes for actors.
Author: Kiki Selioni
Publisher: HELLINOEKDOTIKI
ISBN:
Category : Performing Arts
Languages : en
Pages : 237
Get Book
Book Description
The focus of this book rests on an investigation into the links between Laban and Aristotle and aims at proposing a new approach to movement training for the actor. In contrast to the standard Platonic reading, Laban’s development is best understood through the conceptual framework of Aristotle. This not only provides a more secure theoretical approach, but a practical one as well, which establishes the art of movement as a science. This investigation intends to establish Laban’s philosophical foundation upon a reading of Aristotle’s Poetics, and in particular, on the reading of the Poetics by contemporary Greek philosopher Stelios Ramfos in his two-volume book ΜIΜΗΣΙΣ ΕΝΑΝΤΙΟΝ ΜΟΡΦΗΣ Ἐξήγησις είς το Περί Ποιητικής τοῦ Ἀριστοτέλους (MIMESIS VERSUS FORM Exegesis about Aristotle’s Poetics) (1991-1992). What is significant about Stelios Ramfos’ exegesis is that he attempts an analysis and interpretation of the concepts of the Poetics in terms of theatre performance. Ιt is this emphasis on performance that makes the task I have embarked upon possible. The discussion will serve as a critical framework that will propose a new way of applying Laban’s movement concepts to the movement training for actors in practice. The research methodology is also practical. I will therefore also develop and present a performance that attempts to apply Laban’s terms, as these are discussed, in relation to Aristotle, and in relation to the new methodology as well as a syllabus of practical classes addressing actor movement training in both kinaesthesia and characterization. The ultimate goal of the project is to contribute an approach that can inform the way Laban’s concepts are taught and provide suggestions for structuring technical movement classes for actors.
Author: Katia Savrami
Publisher: Cambridge Scholars Publishing
ISBN: 1443860905
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
This book critically analyses the work of Zouzou Nikoloudi, a major Greek choreographer (1917–2004), and the way she presented, with her company Chorica, the choral odes of ancient Greek drama, especially tragedy. It also sheds light on the theoretical underpinnings of Nikoloudi’s choreographic work, the result of her own research on this central problem in contemporary performances of ancient Greek drama, particularly the manner in which the ancient Greek chorus may be revived. More specifically, the book provides answers to several key questions concerning Nikoloudi’s work, namely: What were her views about ancient dramatic art and how were they influenced by the School of Koula Pratsika and Expressionist Dance? Which elements from her own training did she apply to her teaching method for actors and dancers and to what extent do these elements correspond to our existing knowledge about ancient Greek tragic drama? How did she integrate her embodied experiences and aesthetics into praxis while choreographing with her company? The book examines the work of Nikoloudi in relation to ancient Greek views of tragedy and the ways in which those views have been reinterpreted in contemporary dance practice, thus elucidating both the work of a distinguished twentieth-century Greek choreographer and our understanding of classical Greek aesthetic theories.
Author: Kevin J. Wetmore, Jr.
Publisher: McFarland
ISBN: 0786457791
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties—both practical and ideological—that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women’s drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities.
Author: Ben Spatz
Publisher: Routledge
ISBN: 0429881770
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Blue Sky Body: Thresholds for Embodied Research is the follow-up to Ben Spatz's 2015 book What a Body Can Do, charting a course through more than twenty years of embodied, artistic, and scholarly research. Emerging from the confluence of theory and practice, this book combines full-length critical essays with a kaleidoscopic selection of fragments from journal entries, performance texts, and other unpublished materials to offer a series of entry points organized by seven keywords: city, song, movement, theater, sex, document, politics. Brimming with thoughtful and sometimes provocative takes on embodiment, technology, decoloniality, the university, and the politics of knowledge, the work shared here models the integration of artistic and embodied research with critical thought, opening new avenues for transformative action and experimentation. Invaluable to scholars and practitioners working through and beyond performance, Blue Sky Body is both an unconventional introduction to embodied research and a methodological intervention at the edges of contemporary theory.
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0190909749
Category : Music
Languages : en
Pages : 1001
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Book Description
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
Author: Jacob Lopes Cardozo
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
Author: Aristotle
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 422
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Book Description
Author: Aristotle
Publisher: Lulu.com
ISBN: 1773563610
Category :
Languages : en
Pages : 379
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Book Description
Author: Kevin Killeen
Publisher: OUP Oxford
ISBN: 0191510580
Category : Literary Criticism
Languages : en
Pages : 784
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Book Description
The Bible was, by any measure, the most important book in early modern England. It preoccupied the scholarship of the era, and suffused the idioms of literature and speech. Political ideas rode on its interpretation and deployed its terms. It was intricately related to the project of natural philosophy. And it was central to daily life at all levels of society from parliamentarian to preacher, from the 'boy that driveth the plough', famously invoked by Tyndale, to women across the social scale. It circulated in texts ranging from elaborate folios to cheap catechisms; it was mediated in numerous forms, as pictures, songs, and embroideries, and as proverbs, commonplaces, and quotations. Bringing together leading scholars from a range of fields, The Oxford Handbook of the Bible in Early Modern England, 1530-1700 explores how the scriptures served as a generative motor for ideas, and a resource for creative and political thought, as well as for domestic and devotional life. Sections tackle the knotty issues of translation, the rich range of early modern biblical scholarship, Bible dissemination and circulation, the changing political uses of the Bible, literary appropriations and responses, and the reception of the text across a range of contexts and media. Where existing scholarship focuses, typically, on Tyndale and the King James Bible of 1611, The Oxford Handbook of the Bible in England, 1530-1700 goes further, tracing the vibrant and shifting landscape of biblical culture in the two centuries following the Reformation.
Author: John Hodgson
Publisher: Routledge
ISBN: 1135860939
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Like Picasso in painting, Stravinsky in music, or Stanislavski in theatre, Rudolf Laban (1879–1958) has been a seminal influence in contemporary arts. This is the first major study of Laban's movement theories and practice, exploring the ideas on mastering movement and giving the reader a practical understanding of balance and harmony in the human body – the core of Laban's thinking. John Hodgson looks at the different phases of Laban's life and writings to show that Laban's thoughts about human movement and its mastery and control are the building blocks for a practical understanding of how the human body can create both beauty and purity through movement.
