Italian Fifteenth- to Seventeenth-century Drawings

Italian Fifteenth- to Seventeenth-century Drawings PDF Author: Anna Forlani Tempesti
Publisher: Metropolitan Museum of Art
ISBN: 9780870996061
Category : Drawing
Languages : en
Pages : 401

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Book Description
Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.

Italian Fifteenth- to Seventeenth-century Drawings

Italian Fifteenth- to Seventeenth-century Drawings PDF Author: Anna Forlani Tempesti
Publisher: Metropolitan Museum of Art
ISBN: 9780870996061
Category : Drawing
Languages : en
Pages : 401

Get Book

Book Description
Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993143
Category : Drawing
Languages : en
Pages : 334

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Book Description


The Robert Lehman Collection: Italian fifteenth- to seventeenth-century drawings

The Robert Lehman Collection: Italian fifteenth- to seventeenth-century drawings PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages :

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17th Century Italian Drawings in the Metropolitan Museum of Art

17th Century Italian Drawings in the Metropolitan Museum of Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991841
Category : Drawing
Languages : en
Pages : 302

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Book Description
This volume describes and reproduces 379 drawings by Italian artists of the seventeenth century in The Metropolitan Museum of Art. The most brilliant draughtsmen of this period--Annibale Carracci, G.B. Castiglione, Pietro da Cortona, Guercino, Carlo Maratti, and Salvator Rosa--are well represented in the Museum's collection, and the book offers a survey of Italian baroque draughtsmanship. It includes innovative work by Carracci, as well as drawings by such late baroque masters as Sebastiano Ricci and Francesco Solimena. Four hundred five illustrations are contained in this inventory. Entries for the drawings provide essential bibliographical references, provenance, and a discussion of the purpose of the drawing when known. -- Inside jacket flap.

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum

The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum PDF Author: Teylers Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 600

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Book Description


15th and 16th Century Italian Drawings in the Metropolitan Museum of Art

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art New York
ISBN: 9780870993152
Category : Art
Languages : en
Pages : 330

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Book Description


Drawings from New York Collections

Drawings from New York Collections PDF Author: Bean
Publisher:
ISBN: 9780300200775
Category :
Languages : en
Pages : 0

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Book Description
This exhibition is the second in a comprehensive series inaugurated in November 1965, which illustrates the art of drawing through the resources of public and private collections located in New York City and its suburbs. Organized jointly by The Pierpont Morgan Library and The Metropolitan Museum of Art, the exhibitions alternate between the two institutions, the first, of the Italian Renaissance, having been shown at The Metropolitan Museum of Art, and the second which took place at the Morgan Library. Each exhibition is commemorated in a catalogue, in which every drawing is fully described and illustrated. This series was a cooperative venture in which the Metropolitan's late director, James J. Rorimer, took particular pleasure, participating actively in its planning, reading with a close critical eye the printer's proof of the first catalogue, and presiding at the inaugural exhibition. We shall carry on the projected series, but with a deep sense of loss. Italian painting of the seventeenth century aroused little enthusiasm among Americans in the first half of the twentieth century. It is all the more gratifying that we have been able to assemble so representative a selection of drawings of the period from within our immediate area. To be sure, we have been fortunate as before in being able to borrow from collectors who began their buying as Europeans, but it is also evident that recently in this country museums and their patrons increasingly appreciate seventeenth-century Italian drawings and paintings. This book was originally published in 1967 and has gone out of print. This edition is a print-on-demand version of the original book.]

Drawings from New York Collections. Vol. 2, The Seventeenth Century in Italy

Drawings from New York Collections. Vol. 2, The Seventeenth Century in Italy PDF Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 236

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The Court Artist in Seventeenth-Century Italy

The Court Artist in Seventeenth-Century Italy PDF Author: Elena Fumagalli
Publisher: Viella Libreria Editrice
ISBN: 8867284371
Category : Art
Languages : en
Pages : 278

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Book Description
Up to now the theme of the artist in the service of Italian courts has been examined in various studies focused mostly on the High Renaissance, as though the phenomenon was relevant only to the XV and XVI centuries. It actually lasted much longer, spanning the whole longue durée of the lives of the courts of the ancient regime. The present volume intends to fill this gap, presenting for the first time a comprehensive examination of the subject of the court artist from sixteenth to seventeenth century and the transformations of this role. “Court artist” is here defined as one who received a regular salary, and was therefore attached to the court by a more or less exclusive service relationship. The book is divided in six chapters: each of them examines the position of the court artist in the service of the most important ruling families in Italy (the Savoy in Turin, the Gonzaga in Mantua, the Este in Modena, the Della Rovere in Pesaro and Urbino, the Medici in Florence) and in papal Rome, a particular and unique center of power.