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Author:
Publisher: BRILL
ISBN: 9004365745
Category : History
Languages : en
Pages : 339
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Book Description
Multiple accounts of how theories of human psychology and of image-making influenced each other in a decisive period in the history of philosophy and art.
Author:
Publisher: BRILL
ISBN: 9004365745
Category : History
Languages : en
Pages : 339
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Book Description
Multiple accounts of how theories of human psychology and of image-making influenced each other in a decisive period in the history of philosophy and art.
Author: Mardi Jon Horowitz
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 424
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Book Description
Author: Michel Denis
Publisher:
ISBN:
Category : Cognition
Languages : en
Pages : 248
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Book Description
Denis explores the role of imagery in reasoning, in resolving problems and in planning human action, and more generally, in human thought. The text is designed for the upper-level undergraduate or postgraduate in cognitive psychology or neuroscience.
Author: Michel Denis
Publisher:
ISBN: 9780745008646
Category : Cognition
Languages : en
Pages : 228
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Book Description
Author: Martha Blassnigg
Publisher: Amsterdam University Press
ISBN: 9048519438
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
Light Image Imagination is an anthology of text- and image-essays by international scholars and artists who lead critical discourses in audio-visual media history, practice and theory. The main focus of the contributions lies in discourses and topics around 19th and 20th century innovations in arts, media and technology, and their media-archaeological and philosophical foundations. It juxtaposes text and image-essays to stimulate dialogue and associative interconnections in order to discuss the creation, perception and projection of images (both mental and material) and their specific relationship with light and imagination. A key feature of both the individual contributions and the book as a whole is that disciplinary boundaries are challenged in order to amplify and enrich the thinking about mediated images. The anthology is accessible to a broad readership and will appeal especially to a constituency that views the boundaries between science, art and technology as a permeable and exciting territory to explore. The contributing authors and artists work at the interdisciplinary intersections of the Arts, Sciences and Humanities. Their expertise includes film and media theory, media archaeology, cinema history and theory, philosophy, history of science and technology, astronomy, computer music, literature studies, neuroscience, psychology, art history, art practice (painting, photography, film, video, digital arts; music composition).
Author: Cesare Cornoldi
Publisher: Oxford University Press on Demand
ISBN: 0195099486
Category : Religion
Languages : en
Pages : 206
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Book Description
The first volume in the "Counterpoints" series. This text examines the relationships between perception and mental imagery, which have given rise to one of the most vigorously debated areas in psychology.
Author: Barbara Maria Stafford
Publisher: University of Chicago Press
ISBN: 0226770524
Category : Art
Languages : en
Pages : 309
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Book Description
Publisher description
Author: Colin MCGINN
Publisher: Harvard University Press
ISBN: 0674040813
Category : Philosophy
Languages : en
Pages : 220
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Book Description
The guiding thread of this book is the distinction McGinn draws a distinction between perception and imagination, showing what the differences are, arguing that imagination is a sui generis mental faculty. His overall claim is that imagination pervades our mental life, obeys its own distinctive principles, and merits much more attention.
Author: Michelle Karnes
Publisher: University of Chicago Press
ISBN: 022652759X
Category : History
Languages : en
Pages : 283
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Book Description
In Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
Author: R.H. Logie
Publisher: Elsevier
ISBN: 9780080867342
Category : Psychology
Languages : en
Pages : 432
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Book Description
This book represents the research efforts of individuals whose scientific expertise lies in reflection on what Sartre described as reflective acts. Theory in the cognitive psychology of mental imagery, endeavors not only being able to describe the contents and nature of mental imagery, but also being able to understand the underlying functional cognition. Psychologists need not solely rely on the techniques of introspection, and the last two decades have seen highly creative developments in techniques for eliciting behavioural data to be complemented by introspective reports. This level of sophistication has provided singular insights into the relationship between imagery and other consequential and universal aspects of human cognition: perception, memory, verbal processes and problem solving. The recognition that imagery, despite its ubiquitous nature, differs between individuals both in prevalence and in kind, and the dramatic rise in cognitive science has provided the additional potential for integrating our understanding of cognitive function with our understanding of neuroanatomy and of computer science. All of these relationships, developments and issues are dealt with in detail in this book, by some of the most distinguished authors in imagery research, working at present in both Europe and the USA.
