Gigs from Hell

Gigs from Hell PDF Author: Sleazegrinder
Publisher: Headpress
ISBN: 9781900486347
Category : Art
Languages : en
Pages : 196

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Book Description
Foreword by Vadge Moore, drummer for the Dwarves From the darkest rat hole basements to flash arenas, here is a wild ride through Rock's worst moments. Rife with confessionals, Gigs from Hell strips the mythology and starry-eyed allure of life on the road to its barest essentials - puke, rip-offs, come-downs and the odd stab at glory. Collected and translated from drunken rock-speak by music writer Sleazegrinder, this book offers a rare glimpse at what it's really like to tour, record and survive in the cut-throat music industry. Illustrated.

Gigs from Hell

Gigs from Hell PDF Author: Sleazegrinder
Publisher: Headpress
ISBN: 9781900486347
Category : Art
Languages : en
Pages : 196

Get Book

Book Description
Foreword by Vadge Moore, drummer for the Dwarves From the darkest rat hole basements to flash arenas, here is a wild ride through Rock's worst moments. Rife with confessionals, Gigs from Hell strips the mythology and starry-eyed allure of life on the road to its barest essentials - puke, rip-offs, come-downs and the odd stab at glory. Collected and translated from drunken rock-speak by music writer Sleazegrinder, this book offers a rare glimpse at what it's really like to tour, record and survive in the cut-throat music industry. Illustrated.

Truly Rotten Gigs from Hell

Truly Rotten Gigs from Hell PDF Author: Patricia Shih
Publisher: Xlibris Corporation
ISBN: 1450041450
Category : Music
Languages : en
Pages : 294

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Book Description


Gigs

Gigs PDF Author: Paul Chevigny
Publisher: Routledge
ISBN: 9780203323434
Category : History
Languages : en
Pages : 256

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Book Description
Gigs provides a fascinating account of a unique victory for musicians against repressive entertainment licensing laws. It provides a much-needed study of the social, political, cultural and legal conditions surrounding a change in law and public attitudes toward vernacular music in New York City. This second edition includes a new preface by Hamish Birchall and an introduction by the series editors, Guy Osborn and Steve Greenfield, as well as an afterword by the author, and it will be essential reading for all those interested in the history of social attitudes toward the popular arts and the use of constitutional litigation for social change.

Headpress

Headpress PDF Author: David Kerekes
Publisher: Critical Vision
ISBN: 9781900486262
Category : Art
Languages : en
Pages : 164

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Book Description
The leading journal devoted to all aspects of popular culture and cult media, Headpress 25 turns its attention to the Dream, or Flicker, Machine. Featuring interviews with William Burroughs and Paul Bowles, Headpress 25 also includes a detailed look at the neglected life and career of the late Luis de Jesus, a star of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature Blood Sucking Freaks, to numerous hardcore porn features, of which the most notorious is The Anal Dwarf.

I Dreamed I Was a Very Clean Tramp

I Dreamed I Was a Very Clean Tramp PDF Author: Richard Hell
Publisher: Harper Collins
ISBN: 0062190857
Category : Biography & Autobiography
Languages : en
Pages : 223

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Book Description
“In his poetic memoir, Hell takes us on a tour of a lost world and stakes out his place in cultural history.”—Los Angeles Times “A rueful, battle-scarred, darkly witty observer of his own life and times.”—New York Times The sharp, lyrical, and no-holds- barred autobiography of the iconoclastic writer and musician Richard Hell, charting the childhood, coming of age, and misadventures of an artist in an indelible era of rock and roll. From an early age, Richard Hell dreamed of running away. He arrived penniless in New York City at seventeen; ten years later he was a pivotal voice of the age of punk, cofounding such seminal bands as Television, The Heartbreakers, and Richard Hell and the Voidoids—whose song "Blank Generation" remains the defining anthem of the era, an era that would forever alter popular culture in all its forms. How this legendary downtown artist went from a bucolic childhood in the idyllic Kentucky foothills to igniting a movement that would take over New York and London's restless youth culture—cementing CBGB as the ground zero of punk and spawning the careers of not only Hell himself, but a cohort of friends such as Tom Verlaine, Patti Smith, the Ramones, and Debby Harry—is a mesmerizing chronicle of self-invention, and of Hell's yearning for redemption through poetry, music, and art. An acutely rendered, unforgettable coming-of-age story, I Dreamed I Was a Very Clean Tramp evokes with feeling, lyricism, and piercing intelligence both the world that shaped him and the world he shaped.

Who the Hell's in It

Who the Hell's in It PDF Author: Peter Bogdanovich
Publisher: Ballantine Books
ISBN: 0307757838
Category : Biography & Autobiography
Languages : en
Pages : 546

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Book Description
Peter Bogdanovich, known primarily as a director, film historian and critic, has been working with professional actors all his life. He started out as an actor (he debuted on the stage in his sixth-grade production of Finian’s Rainbow); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director). Now, in his new book, Who the Hell’s in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among them: Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart. Bogdanovich captures—in their words and his—their work, their individual styles, what made them who they were, what gave them their appeal and why they’ve continued to be America’s iconic actors. On Lillian Gish: “the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress.” On Marlon Brando: “He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon—the recognizable human commodity each new film was built around . . . The funny thing is that Brando’s charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. ” Jerry Lewis to Bogdanovich on the first laugh Lewis ever got onstage: “I was five years old. My mom and dad had a tux made—I worked in the borscht circuit with them—and I came out and I sang, ‘Brother, Can You Spare a Dime?’ the big hit at the time . . . It was 1931, and I stopped the show—naturally—a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed—they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning.” John Wayne to Bogdanovich, on the early years of Wayne’s career when he was working as a prop man: “Well, I’ve naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I’d been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford’s need for a goose-herder just seemed to fit my pistol.” These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich’s book is a celebration and a farewell.

Pat Patrick

Pat Patrick PDF Author: Bill Banfield
Publisher: Rowman & Littlefield
ISBN: 1442229748
Category : Music
Languages : en
Pages : 167

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Book Description
Saxophonist, multi-wind player, arranger, composer, music director, theater works producer, educator, and visionary, Pat Patrick performed with Duke Ellington’s and Quincy Jones’ orchestras, Thelonious Monk, Mongo Santamaria, Nat King Cole, James Moody, Eric Dolphy, Marvin Gaye, Patti Labelle, and Billy Taylor. Most of his career, however, was spent laying down the baseline grooves on the baritone saxophone with the indefinable Sun Ra Archestra for over 35 years. Based on research in the recently opened archive of personal papers, artifacts, scrapbooks, music, news clippings and photographs, Pat Patrick: American Musician and Cultural Visionary, explores the life and influence of this important musical man-behind-the-scenes. Musicologist Bill Banfield weaves a treasure trove of primary source material—including interviews with Patrick's family, friends, and associates—into a tapestry of Patrick’s remarkable life as the musical right hand of some of America’s greatest Black musical artists.

The Rough Guide to Rock

The Rough Guide to Rock PDF Author: Peter Buckley
Publisher: Rough Guides
ISBN: 1858284570
Category : Dictionaries
Languages : en
Pages : 1234

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Book Description
Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.

How to Become a Guitar Player from Hell

How to Become a Guitar Player from Hell PDF Author: Jason Earls
Publisher: Lulu.com
ISBN: 0615159583
Category : Music
Languages : en
Pages : 142

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Book Description
This book covers almost every guitar technique used by modern guitar virtuosos and explains them in simple terms anyone can understand. Topics include arpeggios, finger tapping, artificial and muted harmonics, exotic scales and chords, modes, "outside" playing, and more, along with never before published methods such as the "wah-wham" technique, unorthodox tremolo bar manipulations, and out-of-the-box thinking exercises. Extensive musical examples are provided in tablature form, no traditional music reading skills necessary. Topics tangential to guitar playing yet still of interest to guitarists are also included, such as how to find band members, taking care of your hands, how to get gigs, and more. The author draws upon his 20 years of guitar playing experience to provide genuine "insider" information, much of which has never appeared elsewhere. Guitarists of all levels will find a plethora of knowledge within this book to dramatically improve their proficiency on the instrument.

So, You Think You're Funny?

So, You Think You're Funny? PDF Author: David Membrila
Publisher: eBookIt.com
ISBN: 1456638742
Category : Performing Arts
Languages : en
Pages : 197

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Book Description
A comprehensive guide to writing funny, specifically geared toward middle/high school students, adults, teachers, pastors, motivational speakers, wanna be comics, and amateur/semi-professional comedians.