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Author: Antony Griffiths
Publisher:
ISBN:
Category : Printmakers
Languages : en
Pages : 244
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Book Description
Goethe's lifetime (1749-1832) was a period of extraordinary importance in the history of German printmaking. From a style which had been strongly derivative of French and Dutch prototypes, German printmakers evolved a distinctive approach of their own. Etching remained the principal vehicle of the period but the invention of lithography introduced another medium which was explored with great subtlety by German artists. Over 200 works by nearly 70 artists are described in this illustrated catalogue, showing the great richness and diversity of production and examining the way in which patronage and the print market operated at the time.
Author: Antony Griffiths
Publisher:
ISBN:
Category : Printmakers
Languages : en
Pages : 244
Get Book
Book Description
Goethe's lifetime (1749-1832) was a period of extraordinary importance in the history of German printmaking. From a style which had been strongly derivative of French and Dutch prototypes, German printmakers evolved a distinctive approach of their own. Etching remained the principal vehicle of the period but the invention of lithography introduced another medium which was explored with great subtlety by German artists. Over 200 works by nearly 70 artists are described in this illustrated catalogue, showing the great richness and diversity of production and examining the way in which patronage and the print market operated at the time.
Author: Antony Griffiths
Publisher:
ISBN:
Category : Printmakers
Languages : en
Pages : 244
Get Book
Book Description
Goethe's lifetime (1749-1832) was a period of extraordinary importance in the history of German printmaking. From a style which had been strongly derivative of French and Dutch prototypes, German printmakers evolved a distinctive approach of their own. Etching remained the principal vehicle of the period but the invention of lithography introduced another medium which was explored with great subtlety by German artists. Over 200 works by nearly 70 artists are described in this illustrated catalogue, showing the great richness and diversity of production and examining the way in which patronage and the print market operated at the time.
Author: Evanghelia Stead
Publisher: BRILL
ISBN: 9004543015
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
Author: MitchellBenjamin Frank
Publisher: Routledge
ISBN: 1351565664
Category : Art
Languages : en
Pages : 222
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Book Description
The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art.
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
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Book Description
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Author: Kerrianne Stone
Publisher: NewSouth
ISBN: 1742247369
Category : Art
Languages : en
Pages : 336
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Book Description
The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
Author: Christiana Payne
Publisher: Routledge
ISBN: 135115902X
Category : Art
Languages : en
Pages : 240
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Book Description
In the century following the foundation of the Royal Academy in 1768, British art had an international reputation: prints spread knowledge of the work of British artists around the globe, and it was widely seen as the product of a modern, commercial society, and much admired by artists as diverse as Goya in Spain, Delacroix in France, and Bierstadt in America. In recent years, scholars working on this period have become increasingly aware of the international context of their subject, but there has been no systematic analysis of the reception of British art abroad. This collection of essays looks at the uses made of the paintings of Reynolds, Hogarth, Lawrence and their contemporaries on the continent of Europe, and in the colonies and ex-colonies of Australia and America. The authors go beyond the simple issue of 'influence' to consider how ideas and artistic conventions originating in the British Isles were adapted, appropriated or resisted in these new environments. In the process, some surprising views of British art emerge, demonstrating how a multi-faceted view from the outside can correct and enrich the narrative produced within a national school, and revealing some of the important connections that are obscured when art is studied, as it so often is, within narrow national boundaries.
Author: Christina K. Lindeman
Publisher: Taylor & Francis
ISBN: 1351768069
Category : Art
Languages : en
Pages : 231
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Book Description
The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.
Author: Annette Richards
Publisher: University of Chicago Press
ISBN: 022681677X
Category : Music
Languages : en
Pages : 347
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Book Description
This book examines the renowned portrait collection assembled by C. P. E. Bach, J. S. Bach’s second son. One of the most celebrated German composers of the eighteenth century, C. P. E. Bach spent decades assembling an extensive portrait collection of some four hundred music-related items—from oil paintings to engraved prints. The collection was dispersed after Bach’s death in 1788, but with Annette Richards’s painstaking reconstruction, the portraits once again present a vivid panorama of music history and culture, reanimating the sensibility and humor of Bach’s time. Far more than a mere multitude of faces, Richards argues, the collection was a major part of the composer’s work that sought to establish music as an object of aesthetic, philosophical, and historical study. The Temple of Fame and Friendship brings C. P. E. Bach’s collection to life, giving readers a sense of what it was like for visitors to tour the portrait gallery and experience music in rooms thick with the faces of friends, colleagues, and forebears. She uses the collection to analyze the “portraitive” aspect of Bach’s music, engaging with the influential theories of Swiss physiognomist Johann Caspar Lavater. She also explores the collection as a mode of cultivating and preserving friendship, connecting this to the culture of remembrance that resonates in Bach’s domestic music. Richards shows how the new music historiography of the late eighteenth century, rich in anecdote, memoir, and verbal portrait, was deeply indebted to portrait collecting and its negotiation between presence and detachment, fact and feeling.
Author: James J. Sheehan
Publisher: Oxford University Press
ISBN: 0190285672
Category : History
Languages : en
Pages : 272
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Book Description
Combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century. On a broader level, it illuminates the origin and character of the museum's central role in modern culture. James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany's old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation's revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display. The first study of its kind, this highly accessible book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture.
