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Author: James D. Herbert
Publisher:
ISBN: 9780300050684
Category : Art
Languages : en
Pages : 224
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Book Description
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.
Author: James D. Herbert
Publisher:
ISBN: 9780300050684
Category : Art
Languages : en
Pages : 224
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Book Description
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.
Author: Sarah Whitfield
Publisher: Thames & Hudson
ISBN: 9780500202272
Category : Art
Languages : en
Pages : 216
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Book Description
Even though public and critical reaction to the first exhibited fauvist works was one of hostility and astonishment, fauvist paintings are today among the most loved of all twentieth-century art. Here are the artists--their works, relationships, achievements, affinities, and critics. 170 illustrations.
Author: Catherine C. Bock Weiss
Publisher: Routledge
ISBN: 1317947762
Category : Art
Languages : en
Pages : 793
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Book Description
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Georges Duthuit
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
The eleventh volume in the series "The Documents of Modern Art" edited by Robert Motherwell.
Author: ?stein Sj?ad
Publisher: Routledge
ISBN: 135157793X
Category : Art
Languages : en
Pages : 190
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Book Description
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
Author: Heinz Widauer
Publisher: Wienand Verlag
ISBN: 9783868321678
Category : Fauvism
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Albertina, Vienna, September 20, 2013-January 12, 2014.
Author: Nathalia Brodskaya
Publisher: Parkstone International
ISBN: 1780428065
Category : Art
Languages : en
Pages : 200
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Book Description
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
Author: Dita Amory
Publisher: Metropolitan Museum of Art
ISBN: 1588397653
Category : Art
Languages : en
Pages : 195
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Book Description
During the summer of 1905, Henri Matisse and André Derain went on holiday in Collioure, a modest French fishing village fifteen miles from the Spanish border. This groundbreaking book examines how two artists, entranced by the shifting light and stunning imagery of the eastern Mediterranean, laid the groundwork for the movement known as Fauvism (from the French fauve, or “wild beast”). Featuring more than 70 paintings, watercolors, and drawings produced by Matisse and Derain during their stay, the book also brings to life their personal and artistic revelations with 21 of their letters, published here for the first time in English. Vivid and engaging texts detail their daring experiments with color, form, structure, and perspective; the scandal their paintings caused when they were exhibited several months later; and how, despite the jeering remarks from critics, these works changed the course of French painting. Emphasizing as never before the legacy of that summer, this publication shows how the two artists’ radical investigations galvanized their contemporaries, and how this strain of modernism, created almost by accident, resonates even into the present day.
Author: Judi Freeman
Publisher:
ISBN:
Category : Fauvism
Languages : en
Pages : 362
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Book Description
This text is devoted to the colourful landscapes produced during the Fauvist period of 1904-1908. An essay on the emergence of the Fauve landscape is followed by four essays devoted to individual sites and such topics as Fauvism's impact on tourism and politics. Another essay concentrates on the critical landscape, in essence the critics' reception of these paintings. Matisse, Braque, Derain, Vlaminck, Dufy, Marquet, Manguin and Friesz are represented with examples of their works.
Author: Professor and Head of Art History Steve Edwards
Publisher: Yale University Press
ISBN: 9780300102307
Category : Art
Languages : en
Pages : 476
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Book Description
02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.
