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Author: Jennifer Hall-Witt
Publisher: UPNE
ISBN: 9781584656258
Category : History
Languages : en
Pages : 412
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Book Description
A vibrant look at changes in British elite culture through the lens of opera-going
Author: Jennifer Hall-Witt
Publisher: UPNE
ISBN: 9781584656258
Category : History
Languages : en
Pages : 412
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Book Description
A vibrant look at changes in British elite culture through the lens of opera-going
![Fashionable Follies a comedy, in five acts [and in prose]. PDF](https://books.google.com/books/content/images/frontcover/MdFZAAAAcAAJ?fife=w80-h100)
Author: Joseph HUTTON (Dramatic Writer.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Richard Cumberland (LL.D., Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
![Fashionable Levities, a comedy in five acts [and in prose]. PDF](https://books.google.com/books/content/images/frontcover/7M9ZAAAAcAAJ?fife=w80-h100)
Author: Leonard MACNALLY (Barrister-at-Law)
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Richard Thompson Ford
Publisher: Simon and Schuster
ISBN: 1501180088
Category : Crafts & Hobbies
Languages : en
Pages : 464
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Book Description
A law professor and cultural critic offers an eye-opening exploration of the laws of fashion throughout history, from the middle ages to the present day, examining the canons, mores and customs of clothing rules that we often take for granted
Author: Ulinka Rublack
Publisher: Bloomsbury Publishing
ISBN: 1474249906
Category : Art
Languages : en
Pages : 421
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Book Description
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
Author: Thomas Holcroft
Publisher:
ISBN:
Category :
Languages : en
Pages : 58
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Book Description
Author: Susan Broadhurst
Publisher: A&C Black
ISBN: 1441144714
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
The term liminal refers to a marginalized space of fertile chaos and creative potential where nothing is fixed or certain. Liminal performance is an emerging genre which has surfaced only in recent times and describes a range of interdisciplinary, highly experimental, performative works in theatre and performance, film and music-performances which can be seen to prioritize the body, the technological and the primordial. Broadhurst argues that traditional and contemporary critical and aesthetic theories are ultimately deficient in interpreting liminal performance. This revolutionary work first surveys traditional aesthetics in the writings of Kant, Nietzsche and Heidegger and juxtaposes them with contemporary aesthetics in the writings of Foucault, Derrida, Baudrillard and Lyotard. A series of case studies follows and, Broadhurst concludes with a summary description of liminal performances as an emerging genre. Works discussed in detail include: Pina Bausch's Tanztheater, the innovative Theatre of Images of Robert Wilson and Philip Glass, the controversial social sculptures of the Viennese Actionists, Peter Greenaway's painterly aesthetics, Derek Jarman's queer politics, digitized sampled music, and neo-gothic sound.
Author: Gerald Egan
Publisher: Springer Nature
ISBN: 3030268985
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion? “Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature – so often linked to ideas of transcendence – implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.” — Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,University of Kent, UK
Author: Patrizia Calefato
Publisher: Anthem Press
ISBN: 1785272446
Category : Social Science
Languages : en
Pages : 215
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Book Description
The book highlights how the signs of fashion showcase stories, hybridations, forms of feeling, from the classics of fashion in cinema, to fashion as cultural tradition in the global world, to digital media. Based on a strong socio-semiotic method (Barthes, The Language of Fashion is the main reference), the book crosses some of the main aspects of the contemporary culture of the clothed body: from time and space, to gender, to fashion as cultural translation, to the narratives included in the media convergence of our age. According to Jurji Lotman, fashion introduces the dynamic principle into seemingly inert spheres of the everyday. Fashion’s unexpected function of overturning received meaning is conveyed through its collocation within the dynamic storehouse of what Lotman calls the “sphere of the unpredictable.” In this horizon, the concept of fashion as a worldly system of sense (Benjamin) generates different “worlds” through its signs.
