Author: Bill H. Ritchie
Publisher: Ritchie's Perfect Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 672
Get Book
Book Description
Disclosure: This description was prompted and edited by Bill Ritchie, in Microsoft’s current Copilot, an AI text generator for the second volume of Bill H. Ritchie's two-part autobiography. We traverse the years from 1991 to 2023. Ritchie, a trailblazer in the art world continues his life story. In the first book he told how he embarked on a remarkable odyssey that defied convention and reshaped the art, craft, and design of fine art printmaking. At the tender age of 24, Ritchie secured a groundbreaking position—the youngest ever—in the vibrant city of Seattle. His appointment as a teaching artist in fine art printmaking at the University of Washington marked the beginning of a transformative chapter. But this was no ordinary academic journey; Ritchie's innovative spirit would soon set him apart, a maverick in academe. The traditional classroom was too confining for Ritchie. Driven by a hunger for exploration, he wove technology into his art courses in the 1980s. Bill Ritchie's experiments disrupted the staid printmaking department and shocked the UW School of Art. Forced to leave the stifling ivory towers, by the 1990s the emergence of electronic arts opened with the Internet and would extend the boundaries of printmaking. Ritchie's vision blurred the lines between historic creativity and cutting-edge technology, birthing a new era dating back to the Paleolithic era when printmaking was invented. Ritchie pushed the envelope. Printmaking was no longer confined to ink and paper; it now danced with video, performance, computer graphics, and games. His colleagues, patrons, and former students watched in awe, wondering at the audacity of his moves. Telling all, Ritchie weaves rich, detailed tales. In his printed books he placed thousands of pictures to enliven the narrative, capturing moments shared with those who left their marks on his journey. QR codes link videos and backstories, bridging epochs—from prehistoric cave paintings to the digital age. The echoes of ancient handprints resonate, showing that explication transcends time if replicated creatively. In a world illuminated and echoed by electronic media, Ritchie poses a poignant question: "Is there hope?" As climate change and global stressors threaten the future, his words resonate. Whether through brushstrokes or those fleeting, elusive pixels and here in eBook form and auxiliary Read Aloud option, Ritchie's legacy endures—a beacon for students of all ages, urging them to embrace creativity, defy boundaries, and find hope in the interplay of art, technology, and the human imagination.
Author: Bill Ritchie
Publisher:
ISBN: 9781467909341
Category :
Languages : en
Pages : 130
Get Book
Book Description
First quarter review of Bill Ritchie's working notes for the game, "Escape Emeralda." Ten chapters serve as part of the Bible of the video game that tracks the player's experience in the fictional art colony, "Emeralda Region," trying to catch up with his mentor, Professor Dustin H. Cann.
Author: Bill H. Ritchie
Publisher: Ritchie's Perfect Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 879
Get Book
Book Description
My life, from my birthday to the last decade of 1900s, is a spectrum of events both good and bad as I follow T. S. Elliot’s lines, “We shall not cease from exploration, And the end of all our exploring, Will be to arrive where we started, And know the place for the first time.” Growing up on my father’s farm, there was plenty of exploration, but I never went back to the farm. Far from it! My explorations took me where no teacher in my main field, which is printmaking, had gone because I was hired at 24 by a major research university where its campus services gave me a head start exploring electronic arts and computers, I could blend with teaching printmaking. Ironically, while these brought opportunities, there were hidden limitations. In the 1980s I gambled our home to take us on a vast sabbatical research project for the university. We returned to find the school corrupt, and so it ended my career. Fortunately, I married well. My high school sweetheart, Lynda, stayed with me even on my wayward ventures. In addition she brought two fine daughters to our lives. And had it not been for her ability to restore our property, my exploring would have ended forever. Because, when the art school closed its door, others opened. Everything I learned in nineteen years at the UW prepared me to continue privately. By 1990, I was on cloud nine and the Internet was within my grasp. These are the words from one of two volumes I illustrated with a thousand pictures. What autobiography of a teaching artist’s life would be complete without pictures? Not only my art, but my students’, and from collaborations with diverse artists, crafts people, designers, and writers. Plus QR codes! It is for anyone who loves a good read about teaching art as I was known for in Seattle, but also about an old professor’s family, friends, art patrons, and former students who made it possible. It continues in Volume 2. Volume 1 takes this farmboy to the approach of the information superhighway.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1226
Get Book
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Get Book
Book Description
Author: William Gifford
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 452
Get Book
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
Get Book
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Get Book
Book Description
Author:
Publisher:
ISBN:
Category : Serial publications
Languages : en
Pages : 536
Get Book
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Get Book
Book Description
