English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe PDF Download
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Author: George Biddlecombe
Publisher: Routledge
ISBN: 042977463X
Category : History
Languages : en
Pages : 364
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Book Description
First published in 1994. This study sets out to investigate English opera from 1834 to 1864. The author attempts to understand the circumstances influencing the development of English nineteenth-century opera, its characteristic features, and the reasons why these traits held sway. This title will be of great interest to students of art and cultural history.
Author: George Biddlecombe
Publisher: Routledge
ISBN: 042977463X
Category : History
Languages : en
Pages : 364
Get Book
Book Description
First published in 1994. This study sets out to investigate English opera from 1834 to 1864. The author attempts to understand the circumstances influencing the development of English nineteenth-century opera, its characteristic features, and the reasons why these traits held sway. This title will be of great interest to students of art and cultural history.
Author: George Biddlecombe
Publisher: Routledge
ISBN: 9781138364974
Category : Opera
Languages : en
Pages : 368
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Book Description
First published in 1994. This study sets out to investigate English opera from 1834 to 1864. The author attempts to understand the circumstances influencing the development of English nineteenth-century opera, its characteristic features, and the reasons why these traits held sway. This title will be of great interest to students of art and cultural history.
Author: Nicholas Temperley
Publisher: Boydell & Brewer
ISBN: 1783270780
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Index of Edward Loder's compositions -- General Index
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1405188103
Category : Literary Criticism
Languages : en
Pages : 1767
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Book Description
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
Author: Guy A. Marco
Publisher: Routledge
ISBN: 113557801X
Category : Music
Languages : en
Pages : 655
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Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Author: William Tyldesley
Publisher: Routledge
ISBN: 1351558307
Category : Music
Languages : en
Pages : 285
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Book Description
Without doubt, Michael William Balfe (1808-1870) was the most successful composer of English opera in the mid nineteenth century. During his lifetime he enjoyed an international reputation and worked with some of the leading singers of the time, including Jenny Lind, Malibran and Grisi. Drawing on previously unused source materials such as letters, legal documents and playbills, this biography of Balfe and in-depth study of his English operas overturns many of the previously accepted 'facts' of the composer's lifestyle. Using London as his base, Dublin-born Balfe spent long periods in Paris and travelled widely in Europe. William Tyldesley discusses the continental influences evident in Balfe's operas and offers new suggestions as to the draw that Paris held for the composer. Far from leading a fairly prosperous and unexceptional life, Balfe is shown to have found himself in financial straits on more than one occasion, and to have employed possibly unethical means of extracting himself from them. Those wishing to perform Balfe's works or to do further research into them, will find Tyldesley's re-examination of the composer a necessary first port of call.
Author: Kasper Bastiaan van Kooten
Publisher: BRILL
ISBN: 9004245383
Category : History
Languages : en
Pages : 320
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Book Description
This book shows nineteenth-century German opera’s entanglement with national identity formation, adding a significant perspective to discussions about Wagner’s relation to German nationalism by interpreting his esthetic endeavors as a continuation of previous campaigns for the genre’s emancipation.
Author: John Carnelley
Publisher: Boydell & Brewer
ISBN: 1783270640
Category : Biography & Autobiography
Languages : en
Pages : 345
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Book Description
The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven
Author: Paul Rodmell
Publisher: Routledge
ISBN: 1317085450
Category : Music
Languages : en
Pages : 380
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Book Description
While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
