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Author: Julian Jason Haladyn
Publisher: Routledge
ISBN: 100065110X
Category : Art
Languages : en
Pages : 104
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Book Description
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
Author: Julian Jason Haladyn
Publisher: Routledge
ISBN: 100065110X
Category : Art
Languages : en
Pages : 104
Get Book
Book Description
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
Author: Julian Jason Haladyn
Publisher: Bloomsbury Publishing
ISBN: 135030042X
Category : Art
Languages : en
Pages : 233
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Book Description
Marcel Duchamp is today considered one of the most significant 20th century artists worldwide. His far-reaching influence is visible within a variety of areas of creative production and critical inquiry, extending far beyond the world of art. Duchamp Accelerated: Contemporary Perspectives examines Duchamp and his reception through a series of essays that explore the ongoing impacts of his life, ideas and practice on innumerable fields of research, practice and study. Contributors include art historians, curators, artists and writers who offer histories and approaches that actively challenge dominant narratives on Duchamp, discussing his influences from a multitude of different disciplinary and cultural perspectives. Written in the specific context of the 21st century, this volume situates the artist firmly in a global context and highlights the numerous influences from theories of perception and the writings of Georges Bataille, to travels in Argentina that shaped his ideas and art. This volume pushes current understandings of Duchamp beyond existing limits by accelerating the histories, encounters, dialogues and interpretations of his practice, with a focus on contemporary perspectives. The 'accelerated' Duchamp that emerges from this analysis is one who not only speeds up notions of art in relation to cultural and political histories, but one whose practice is actively informing future developments in the worlds of art and material culture today.
Author: Danielle Child
Publisher: Bloomsbury Publishing
ISBN: 1350022373
Category : Philosophy
Languages : en
Pages : 240
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Book Description
Working Aesthetics is about the relationship between art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic, but is heralded as an example of how to work in neoliberal management textbooks. As work and life become obscured within the contemporary period, this book asks how artistic practice is affected, including those who labour for artists. Through a series of case studies, Working Aesthetics critically examines the moments in which labour and art intersect under capitalism. When did labour disappear from art production, or accounts of art history? Can we consider the dematerialization of art in the 1960s in relation to the deskilling of work? And how has neoliberal management theory adopting the artist as model worker affected artistic practices in the 21st century? With the narrowing of work and art visible in galleries and art discourse today, Working Aesthetics takes a step back to ask why labour has become a valid subject for contemporary art, and explores what this means for aesthetic culture today.
Author: T. J. Demos
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Marcel Duchamp was a famous expatriate, a wanderer, living and working in Paris, New York, and Buenos Aires and escaping from them in turn. But exile, argues T. J. Demos in this innovative reading, is more than a fact in Duchamp's biography. Exile--in the artist's own words, a "spirit of expatriation"--infuses Duchamp's entire artistic practice. Indeed a profound sense of dislocation--from geographical situation, national identity, and cultural conventions--deeply informs the mobile objects and disjunctive spaces of Duchamp's readymades and experimental exhibition installations. Duchamp's readymade constructions, his installations for surrealist exhibitions in Paris and New York, and his "portable museum" (the suggestively named La bo & i te-en-valise), Demos writes, all manifest, define, and exploit the terms of exile in multiple ways. Created while the artist was living variously in New York, Buenos Aires, and occupied France, during the global catastrophes of war and fascism, these works express the anguish of displacement and celebrate the freedom of geopolitical homelessness. The "portable museum," a suitcase containing miniature reproductions of Duchamp's work, for example, represented a complex meditation--both critical and joyful--on modern art's tendency toward itinerancy, whereas Duchamp's 1942 installation design entangling a New York gallery in a mile of string announced the dislocated status that many exiled surrealists wished to forget. Demos connects Duchamp's condition of exile to forms of displacement within photographic practice and modern museum exhibitions, theorized extensively at the time by Walter Benjamin, Andr & e ́ Malraux, and Frederick Kiesler. He claims that in the period of fascism's elevation of the home as the site of national imagination, Duchamp's antinational identity became a form of resistance, just as his artistic practice represented a complex response to capitalism's increasing institutionalization and marketing of art. Duchamp's exile, writes Demos, defines a new ethics of independent life in the modern age of nationalism and advanced capitalism, offering a precursor to our own globalized world of nomadic subjects and dispersed experience.
Author: Raphael Sassower
Publisher: University of Virginia Press
ISBN: 9780813919355
Category : Art
Languages : en
Pages : 164
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Book Description
A philosopher and an artist place the phenomenon of avant garde in different perspectives. They wonder how avant garde artists navigate the cultural, financial and technological challenges in past and present. They draw the conclusion that artists have become adept at manipulating the same forces that they seek to exaggerate and articulate in their work.
Author: Dalia Judovitz
Publisher: Univ of California Press
ISBN: 0520213769
Category : Art
Languages : en
Pages : 324
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Book Description
"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard
Author: jan jagodzinski
Publisher: Springer
ISBN: 0230113605
Category : Science
Languages : en
Pages : 428
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Book Description
This book offers a unique perspective of art and its education in designer capitalism. It will contribute to the debate as to possibilities art and design hold for the future. It also questions the broad technologization of art that is taking place.
Author: Moira Roth
Publisher: Psychology Press
ISBN: 9789057012518
Category : Art
Languages : en
Pages : 212
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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Herbert Molderings
Publisher: Columbia University Press
ISBN: 0231519745
Category : Philosophy
Languages : en
Pages : 277
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Book Description
Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance.
Author: Jerrold E. Seigel
Publisher: Univ of California Press
ISBN: 9780520200388
Category : Art
Languages : en
Pages : 320
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Book Description
This is an examination of the work of Marcel Duchamp and of the important place that it has in the foundations of 20th-century art and culture
