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Author: Carol Chillington Rutter
Publisher: Manchester University Press
ISBN: 9780719058011
Category : Drama
Languages : en
Pages : 282
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Book Description
Philip Henslowe's Rose was Elizabethan London's first South Bank playhouse. This book sets the background of a working theatre against which the plays of Shakespeare and his contemporaries can be understood.
Author: Carol Chillington Rutter
Publisher: Manchester University Press
ISBN: 9780719058011
Category : Drama
Languages : en
Pages : 282
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Book Description
Philip Henslowe's Rose was Elizabethan London's first South Bank playhouse. This book sets the background of a working theatre against which the plays of Shakespeare and his contemporaries can be understood.
Author: Tracey Hill
Publisher: Manchester University Press
ISBN: 9780719063824
Category : Drama
Languages : en
Pages : 242
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Book Description
This in-depth study of the important but neglected writer Anthony Munday fills a long-standing gap in our knowledge and understanding of London and its culture in the early modern period. It will be of interest to historians, literary scholars and cultural geographers.
Author: Jeanne McCarthy
Publisher: Taylor & Francis
ISBN: 1315390817
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
The Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.
Author: Mark Bayer
Publisher: University of Iowa Press
ISBN: 1609380398
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Taking to heart Thomas Heywood’s claim that plays “persuade men to humanity and good life, instruct them in civility and good manners, showing them the fruits of honesty, and the end of villainy,” Mark Bayer’s captivating new study argues that the early modern London theatre was an important community institution whose influence extended far beyond its economic, religious, educational, and entertainment contributions. Bayer concentrates not on the theatres where Shakespeare’s plays were performed but on two important amphitheatres, the Fortune and the Red Bull, that offer a more nuanced picture of the Jacobean playgoing industry. By looking at these playhouses, the plays they staged, their audiences, and the communities they served, he explores the local dimensions of playgoing. Focusing primarily on plays and theatres from 1599 to 1625, Bayer suggests that playhouses became intimately engaged with those living and working in their surrounding neighborhoods. They contributed to local commerce and charitable endeavors, offered a convivial gathering place where current social and political issues were sifted, and helped to define and articulate the shared values of their audiences. Bayer uses the concept of social capital, inherent in the connections formed among individuals in various communities, to construct a sociology of the theatre from below—from the particular communities it served—rather than from the broader perspectives imposed from above by church and state. By transacting social capital, whether progressive or hostile, the large public amphitheatres created new and unique groups that, over the course of millions of visits to the playhouses in the Jacobean era, contributed to a broad range of social practices integral to the daily lives of playgoers. In lively and convincing prose that illuminates the significant reciprocal relationships between different playhouses and their playgoers, Bayer shows that theatres could inform and benefit London society and the communities geographically closest to them.
Author: Bart van Es
Publisher: Oxford University Press
ISBN: 0199569312
Category : History
Languages : en
Pages : 372
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Book Description
Considering both Shakespeare's fellow writers as well as members of his acting company Shakespeare in Company offers a unique insight into the company kept by William Shakespeare and how it impacted on his writing.
Author: Ernest L. Rhodes
Publisher: University Press of Kentucky
ISBN: 0813164397
Category : Drama
Languages : en
Pages : 352
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Book Description
Some of the most famous plays in the English language were performed on the stage of the Rose theater, which stood on the Bankside in Elizabethan London. Henslowe's Rose is the first full-length study of this important theater. Rhodes gives as full an account as the evidence of contemporary pictures and documents permits of those Rose, the method of its construction, its general plan, its repertory of plays, and its staging. From the action of these plays he deduces the form of the stage itself and the nature of its facilities. The total of five openings in the walls at stage-level is of particular significance, since the most widely held conception of the Shakespearean stage has been based primarily on the De Witt sketch of the Swan theater, showing a two-opening façade. The contemporary pictorial evidence used by Rhodes is reproduced in this volume for the convenience of the reader. In addition many sketches and plans illustrate Rhodes's findings, which are summed up in a photograph of a model built to specifications derived from such sources as Henslowe's diary, contemporary pictures of the outside of the Rose, and the Vitruvian theater plan.
Author: Charles E. Orser Jnr
Publisher: Routledge
ISBN: 1134608624
Category : Reference
Languages : en
Pages : 624
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Book Description
A ground-breaking compendium about the ever-growing field of archaeological history, concentrating on the post-1400 period. Compiled by 120 experts from around the world, with over 370 entries, this is an exhaustive resource.
Author: Jennifer Bowers
Publisher: Scarecrow Press
ISBN: 9780810874282
Category : Language Arts & Disciplines
Languages : en
Pages : 398
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Book Description
This guide provides the best practices and reference resources, both print and electronic, that can be used in conducting research on literature of the British Renaissance and Early Modern Period. This volume seeks to address specific research characteristics integral to studying the period, including a more inclusive canon and the predominance of Shakespeare.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650402
Category : Drama
Languages : en
Pages : 571
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Book Description
Beginning in Roman Britain and ending with Charles II's restoration to the throne, the nineteen essays that comprise this volume are written by leading British and American scholars.
Author: CHLOE KATHLEEN. PREEDY
Publisher: Oxford University Press
ISBN: 019284332X
Category :
Languages : en
Pages : 353
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Book Description
During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship. Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.
