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Author: Chester B. Himes
Publisher: Wayne State University Press
ISBN: 9780814333556
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
A revealing collection of correspondence between Chester Himes and John A. Williams, two prominent twentieth-century African American novelists. Chester Himes and John A. Williams met in 1961, as Himes was on the cusp of transcontinental celebrity and Williams, sixteen years his junior, was just beginning his writing career. Both men would go on to receive international acclaim for their work, including Himes's Harlem detective novels featuring Grave Digger Jones and Coffin Ed Johnson and Williams's major novels The Man Who Cried I Am, Captain Blackman, and Clifford's Blues. Dear Chester, Dear John is a landmark collection of correspondence between these two friends, presenting nearly three decades worth of letters about their lives and loves, their professional and personal challenges, and their reflections on society in the United States and abroad. Prepared by John A. Williams and his wife, Lori Williams, this collection contains rare and personal glimpses into the lives of Williams and Himes between 1962 and 1987. As the writers find increasing professional success and recognition, they share candid assessments of each others' work and also discuss the numerous pitfalls they faced as African American writers in the publishing world. The letters offer a window into Himes's and Williams's personalities, as the elder writer reveals his notoriously difficult and suspicious streak, and Williams betrays both immense affection and frustration in dealing with his old friend. Despite several rifts in their relationship, Williams's concern for Himes's failing health ensured that the two kept in touch until Himes's death. Dear Chester, Dear John is a heartfelt and informative collection that allows readers to step behind the scenes of a lifelong friendship between two important literary figures. Students and teachers of African American literature will enjoy this one-of-a-kind volume.
Author: Chester B. Himes
Publisher: Wayne State University Press
ISBN: 9780814333556
Category : Biography & Autobiography
Languages : en
Pages : 272
Get Book
Book Description
A revealing collection of correspondence between Chester Himes and John A. Williams, two prominent twentieth-century African American novelists. Chester Himes and John A. Williams met in 1961, as Himes was on the cusp of transcontinental celebrity and Williams, sixteen years his junior, was just beginning his writing career. Both men would go on to receive international acclaim for their work, including Himes's Harlem detective novels featuring Grave Digger Jones and Coffin Ed Johnson and Williams's major novels The Man Who Cried I Am, Captain Blackman, and Clifford's Blues. Dear Chester, Dear John is a landmark collection of correspondence between these two friends, presenting nearly three decades worth of letters about their lives and loves, their professional and personal challenges, and their reflections on society in the United States and abroad. Prepared by John A. Williams and his wife, Lori Williams, this collection contains rare and personal glimpses into the lives of Williams and Himes between 1962 and 1987. As the writers find increasing professional success and recognition, they share candid assessments of each others' work and also discuss the numerous pitfalls they faced as African American writers in the publishing world. The letters offer a window into Himes's and Williams's personalities, as the elder writer reveals his notoriously difficult and suspicious streak, and Williams betrays both immense affection and frustration in dealing with his old friend. Despite several rifts in their relationship, Williams's concern for Himes's failing health ensured that the two kept in touch until Himes's death. Dear Chester, Dear John is a heartfelt and informative collection that allows readers to step behind the scenes of a lifelong friendship between two important literary figures. Students and teachers of African American literature will enjoy this one-of-a-kind volume.
Author: John Williams
Publisher:
ISBN: 9780814333594
Category :
Languages : en
Pages : 256
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Book Description
Author: Rosalía Cornejo-Parriego
Publisher: Routledge
ISBN: 0429594224
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
During the 20th-century, Spaniards and African-Americans shared significant cultural memories forged by the profound impact that various artistic and historical events had on each other. Addressing three crucial periods (the Harlem Renaissance and Jazz Age, the Spanish Civil War, and Franco's dictatorship), this collection of essays explores the transnational bond and the intercultural exchanges between these two communities, using race as a fundamental critical category. The study of travelogues, memoirs, documentaries, interviews, press coverage, comics, literary works, music, and performances by iconic figures such as Josephine Baker, Langston Hughes, and Ramón Gómez de la Serna, as well as the experiences of ordinary individuals such as African American nurse Salaria Kea, invite an examination of the ambiguities and paradoxes that underlie this relationship: among them, the questionable and, at times, surprising racial representations of blacks in Spanish avant-garde texts and in the press during the years of Franco’s dictatorship; African Americans very unique view of the Spanish Civil War in light of their racial identity; and the oscillation between fascination and anxiety when these two communities look at each other.
Author: Andrew M. Fearnley
Publisher: Columbia University Press
ISBN: 0231544804
Category : History
Languages : en
Pages : 357
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Book Description
For close to a century, Harlem has been the iconic black neighborhood widely seen as the heart of African American life and culture, both celebrated as the vanguard of black self-determination and lamented as the face of segregation. But with Harlem’s demographic, physical, and commercial landscapes rapidly changing, the neighborhood’s status as a setting and symbol of black political and cultural life looks uncertain. As debate swirls around Harlem’s present and future, Race Capital? revisits a century of the area’s history, culture, and imagery, exploring how and why it achieved its distinctiveness and significance and offering new accounts of Harlem’s evolving symbolic power. In this book, leading scholars consider crucial aspects of Harlem’s social, political, and intellectual history; its artistic, cultural, and economic life; and its representation across an array of media and genres. Together they reveal a community at once local and transnational, coalescing and conflicted; one that articulated new visions of a cosmopolitan black modernity while clashing over distinctions of ethnicity, gender, class, and sexuality. Topics explored include Harlem as a literary phenomenon; recent critiques of Harlem exceptionalism; gambling and black business history; the neighborhood’s transnational character; its importance in the black freedom struggle; black queer spaces; and public policy and neighborhood change in historical context. Spanning a century, from the emergence of the Harlem Renaissance to present-day controversies over gentrification, Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality, offering vistas onto new directions for African American and diasporic studies.
Author: Valerie Babb
Publisher: Cambridge University Press
ISBN: 1108210279
Category : Literary Criticism
Languages : en
Pages : 499
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Book Description
A History of the African American Novel offers an in-depth overview of the development of the novel and its major genres. In the first part of this book, Valerie Babb examines the evolution of the novel from the 1850s to the present, showing how the concept of black identity has transformed along with the art form. The second part of this History explores the prominent genres of African American novels, such as neoslave narratives, detective fiction, and speculative fiction, and considers how each one reflects changing understandings of blackness. This book builds on other literary histories by including early black print culture, African American graphic novels, pulp fiction, and the history of adaptation of black novels to film. By placing novels in conversation with other documents - early black newspapers and magazines, film, and authorial correspondence - A History of the African American Novel brings many voices to the table to broaden interpretations of the novel's development.
Author: Stephen Knight
Publisher: McFarland
ISBN: 0786493984
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Starting with William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, this book covers in detail the great works of detective fiction--Poe's Dupin stories, Conan Doyle's The Adventures of Sherlock Holmes, Christie's The Murder of Roger Ackroyd, Sayers' Strong Poison, Chandler's The Big Sleep, and Simenon's The Yellow Dog. Lesser-known but important early works are also discussed, including Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr. Ripley and Chester Himes' African-American detectives in Cotton Comes to Harlem. Diversity develops further in Sara Paretsky's tough woman detective V.I. Warshawski in Indemnity Only, Umberto Eco's medievalist and postmodern The Name of the Rose and the forensic feminism of Patricia Cornwell's Postmortem. Notably, the best modern crime fiction has been primarily international--Manuel Vasquez Montalban's Catalan Summer Seas, Ian Rankin's Edinburgh-set The Naming of the Dead, Sweden's Stieg Larsson's The Girl with a Dragon Tattoo and Vikram Chanda's Mumbai-based Sacred Games. Instructors considering this book for use in a course may request an examination copy here.
Author: Stephanie Brown
Publisher: Univ. Press of Mississippi
ISBN: 9781604739749
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding. In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators. Wright's Native Son (1940) is typically considered to have inaugurated an era of social realism in African-American literature. And Ellison's Invisible Man (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, "costume dramas." Their status as "lesser lights" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.
Author: Lawrence P. Jackson
Publisher: W. W. Norton & Company
ISBN: 0393634132
Category : Biography & Autobiography
Languages : en
Pages : 640
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Book Description
Winner of the 2018 Edgar Award for Best Critical/Biographical Work A Washington Post Notable Book The definitive biography of the groundbreaking African American author who had an extraordinary legacy on black writers globally. Chester B. Himes has been called “one of the towering figures of the black literary tradition” (Henry Louis Gates Jr.), “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle), and “a quirky American genius” (Walter Mosely). He was the twentieth century’s most prolific black writer, captured the spirit of his times expertly, and left a distinctive mark on American literature. Yet today he stands largely forgotten. In this definitive biography of Chester B. Himes (1909–1984), Lawrence P. Jackson uses exclusive interviews and unrestricted access to Himes’s full archives to portray a controversial American writer whose novels unflinchingly confront sex, racism, and black identity. Himes brutally rendered racial politics in the best-selling novel If He Hollers Let Him Go, but he became famous for his Harlem detective series, including Cotton Comes to Harlem. A serious literary tastemaker in his day, Himes had friendships—sometimes uneasy—with such luminaries as Ralph Ellison, Carl Van Vechten, and Richard Wright. Jackson’s scholarship and astute commentary illuminates Himes’s improbable life—his middle-class origins, his eight years in prison, his painful odyssey as a black World War II–era artist, and his escape to Europe for success. More than ten years in the writing, Jackson’s biography restores the legacy of a fascinating maverick caught between his aspirations for commercial success and his disturbing, vivid portraits of the United States.
Author: Pim Higginson
Publisher: Liverpool University Press
ISBN: 1781387826
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The Noir Atlantic follows the influence of African American author Chester Himes on francophone African crime fiction.
Author: Lawrence P. Jackson
Publisher: Princeton University Press
ISBN: 1400836239
Category : Literary Criticism
Languages : en
Pages : 596
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Book Description
Recovering the lost history of a crucial era in African American literature The Indignant Generation is the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this commanding study, Lawrence Jackson recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As Jackson shows through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism—by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, The Indignant Generation paints a vivid portrait of American intellectual and artistic life in the mid-twentieth century.
