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Author: J. Loss
Publisher: Springer
ISBN: 1349735590
Category : Social Science
Languages : en
Pages : 237
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Book Description
This book examines Latin America's history of engagement with cosmopolitanisms as a manner of asserting a genealogy that links cultural critique in Latin America and the United States. Cosmopolitanism is crucial to any discussion of Latin America, and Latin Americanism as a discipline. Reinaldo Arenas and Diamela Eltit become nodal points to discuss a wide range of issues that include the pedagogical dimensions of the DVD commentary track, the challenges of the Internet to canonization, and links between ethical practices of Benetton and the U.S. academy. These authors, whose rejection of the comfort of regimented constituencies results in their writing being perceived as raw, vindictive, and even alienating, are ripe for critique. What they say about their relation to place with regard to their products' national and international viability is central. The book performs what it theorizes. It travels between methodologies, hence bridging the divide between cosmopolitanism and that alleged common space of Latin American identity as per the colonial experience, illustrating cosmopolitanism as a mediating operation that is crucial to any discussion of Latin America, and of Latin Americanism as a discipline.
Author: J. Loss
Publisher: Springer
ISBN: 1349735590
Category : Social Science
Languages : en
Pages : 237
Get Book
Book Description
This book examines Latin America's history of engagement with cosmopolitanisms as a manner of asserting a genealogy that links cultural critique in Latin America and the United States. Cosmopolitanism is crucial to any discussion of Latin America, and Latin Americanism as a discipline. Reinaldo Arenas and Diamela Eltit become nodal points to discuss a wide range of issues that include the pedagogical dimensions of the DVD commentary track, the challenges of the Internet to canonization, and links between ethical practices of Benetton and the U.S. academy. These authors, whose rejection of the comfort of regimented constituencies results in their writing being perceived as raw, vindictive, and even alienating, are ripe for critique. What they say about their relation to place with regard to their products' national and international viability is central. The book performs what it theorizes. It travels between methodologies, hence bridging the divide between cosmopolitanism and that alleged common space of Latin American identity as per the colonial experience, illustrating cosmopolitanism as a mediating operation that is crucial to any discussion of Latin America, and of Latin Americanism as a discipline.
Author: Camilla Fojas
Publisher: Purdue University Press
ISBN: 9781557533821
Category : History
Languages : en
Pages : 166
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Book Description
In an analysis based in a sophisticated use of critical theory, Fojas (Latin American and Latino studies, DePaul U., Chicago) engages a selection of modernist Latin American writers of the early 20th century as examples of cosmopolitanism, a notion here interpreted as a worldly modernity. The writings of Enrique Gomez Carrillo, Aurelia Castillo de Gonzalez (who wrote about the Chicago World's Fair), Jose Enrique Rodo, and the Venezuelan journal Cosmopolis are discussed in the context of other writers in Latin America, Europe, and the United States, and in terms of their expression of determinedly non-mainstream values, lifestyles, and ideas. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com).
Author: Rielle Navitski
Publisher: Indiana University Press
ISBN: 0253026555
Category : Performing Arts
Languages : en
Pages : 391
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Book Description
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.
Author: Nicola Jones
Publisher: Boydell & Brewer
ISBN: 1855663295
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
A new and innovative approach to Latin American Studies which makes an important contribution to contemporary debates about cultural appropriation and the integration of immigrant communities
Author: Gita Rajan
Publisher: Stanford University Press
ISBN: 9780804767842
Category : Social Science
Languages : en
Pages : 204
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Book Description
This book offers an in-depth look at the ways in which technology, travel, and globalization have altered traditional patterns of immigration for South Asians who live and work in the United States, and explains how their popular cultural practices and aesthetic desires are fulfilled. They are presented as the twenty-first century’s “new cosmopolitans”: flexible enough to adjust to globalization’s economic, political, and cultural imperatives. They are thus uniquely adaptable to the mainstream cultures of the United States, but also vulnerable in a period when nationalism and security have become tools to maintain traditional power relations in a changing world.
Author: Mariano Siskind
Publisher: Northwestern University Press
ISBN: 0810167786
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
Mariano Siskind’s groundbreaking debut book redefines the scope of world literature, particularly regarding the place of Latin America in its imaginaries and mappings. In Siskind’s formulation, world literature is a modernizing discursive strategy, a way in which cultures negotiate their aspirations to participate in global networks of cultural exchange, and an original tool to reorganize literary history. Working with novels, poems, essays, travel narratives, and historical documents, Siskind reads the way Latin American literary modernity was produced as a global relation, from the rise of planetary novels in the 1870s and the cosmopolitan imaginaries of modernism at the turn of the twentieth century, to the global spread of magical realism. With its unusual breadth of reference and firm but unobtrusive grounding in philosophy, literary theory, and psychoanalysis, Cosmopolitan Desires will have a major impact in the fields of Latin American studies and comparative literature.
Author: Annik Bilodeau
Publisher:
ISBN: 9781773851624
Category : Cosmopolitanism in literature
Languages : en
Pages : 266
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Book Description
Author: Gesine Müller
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110641135
Category : Foreign Language Study
Languages : en
Pages : 246
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Book Description
From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.
Author: Annik Bilodeau
Publisher: ISSN
ISBN: 9781773851594
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Belonging Beyond Borders maps the evolution of cosmopolitanism in Spanish American narrative literature through a generational lens. Drawing on a new theoretical framework that blends intellectual studies and literary history with integrated approaches to Spanish American narrative, this book traces the evolution from aesthetic cosmopolitanism through anti-colonial nationalism to modern political cosmopolitanism. Cosmopolitanism in Latin America has historically been associated with colonialism. In the mid-twentieth-century, authors who presented cosmopolitan narratives were harshly criticized by their nationalist peers. However, with the intensification of cultural globalization Spanish American authors have redefined cosmopolitanism, rejecting a worldview that relies on the creation of an other for the definition of the self. Instead, this new generation has both embraced and challenged global citizenship, redefining concepts to address human rights, identity, migration, belonging, and more. Taking the work of Elena Poniatowka, Mario Vargas Llosa, and Jorge Volpi as examples, this book presents innovative scholarship across literary traditions. It shows how Spanish-American authors offer nuanced understandings of national and global affiliations, and identities and untangles the strings of cosmopolitan thought and activism from those of nationalist criticism.
Author: María Fernández
Publisher: University of Texas Press
ISBN: 0292745354
Category : Art
Languages : en
Pages : 465
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Book Description
Since the colonial era, Mexican art has emerged from an ongoing process of negotiation between the local and the global, which frequently involves invention, synthesis, and transformation of diverse discursive and artistic traditions. In this pathfinding book, María Fernández uses the concept of cosmopolitanism to explore this important aspect of Mexican art, in which visual culture and power relations unite the local and the global, the national and the international, the universal and the particular. She argues that in Mexico, as in other colonized regions, colonization constructed power dynamics and forms of violence that persisted in the independent nation-state. Accordingly, Fernández presents not only the visual qualities of objects, but also the discourses, ideas, desires, and practices that are fundamental to the very existence of visual objects. Fernández organizes episodes in the history of Mexican art and architecture, ranging from the seventeenth century to the end of the twentieth century, around the consistent but unacknowledged historical theme of cosmopolitanism, allowing readers to discern relationships among various historical periods and works that are new and yet simultaneously dependent on their predecessors. She uses case studies of art and architecture produced in response to government commissions to demonstrate that established visual forms and meanings in Mexican art reflect and inform desires, expectations, memories, and ways of being in the world—in short, that visual culture and cosmopolitanism are fundamental to processes of subjectification and identity.
