Color Theory for the Makeup Artist

Color Theory for the Makeup Artist PDF Author: Katie Middleton
Publisher: Routledge
ISBN: 1351380540
Category : Art
Languages : en
Pages : 136

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Book Description
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications.

Color Theory for the Makeup Artist

Color Theory for the Makeup Artist PDF Author: Katie Middleton
Publisher: Routledge
ISBN: 1351380540
Category : Art
Languages : en
Pages : 136

Get Book

Book Description
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications.

Color Theory for the Make-up Artist

Color Theory for the Make-up Artist PDF Author: Katie Middleton
Publisher: Taylor & Francis
ISBN: 1000599310
Category : Art
Languages : en
Pages : 239

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Book Description
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects (Second Edition) analyzes and explains traditional color theory for fine artists and applies it to make-up artistry. This beautifully illustrated guide begins with the basics of color theory – why we see color, how to categorize and identify color, and relationships between colors – and relates these concepts to beauty and special effects make-up. The book provides a wealth of information, including how to mix flesh tones by using only primary colors, how these colors in paints and make-up are sourced and created, the reason for variations in skin colors and undertones, and how to identify and match these using make-up while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. The second edition features: A brand-new chapter on color inspiration in make-up and design Additional and updated diagrams More real-life application photos and demonstrations, including new examples of tattoo covering and prosthetic painting using optical mixtures, airbrush, and stippling Expanded discussion on undertones, skin variations, color correction, pigments, colored gels, and more Filled with stunning photography and practical information, Color Theory for the Make-up Artist provides guidance and inspiration for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color.

Be Your Own Makeup Artist

Be Your Own Makeup Artist PDF Author: Natalie Setareh
Publisher:
ISBN: 9781733271806
Category : Health & Fitness
Languages : en
Pages : 114

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Book Description
You DESERVE to know how to wear makeup. Period. This 60+ page manual contains everything you need to know to become your own makeup artist.That doesn't mean you have to wear makeup everyday. You don't even have to wear a lot of makeup when you choose to. However, knowing how to wear makeup for those special occasions of your life is such an important skillset. Profit-driven beauty brands, influencers, YouTube celebrities, and, well, you get the idea have stepped in and taken over -- not anymore!

Color Theory for Cosmetic Tattooists

Color Theory for Cosmetic Tattooists PDF Author: Bookworm Haven Publishing
Publisher:
ISBN: 9781652609582
Category :
Languages : en
Pages : 66

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Book Description
To be a successful cosmetic tattooist is to be highly skilled at color theory. This concept is critical to grasp in your permanent make-up career as it is applied in every client treatment and will inform how you approach your techniques. Whether you are a newly graduated PMU artist or a seasoned cosmetic tattooist wanting to further understand your trade, this book provides the base knowledge required to build upon your use of color and pigments. Although many cosmetic tattooing courses address this topic, the fundamentals of choosing pigments for certain skin types and diagnosis of color issues is often an area where training falls short. You simply cannot develop the depth of understanding required in a standard five-day foundation course to operate effectively. Color Theory for Cosmetic Tattooists provides a blueprint of fundamentals to expand upon and details: How you can use the principles of color theory in practice to excel your business How to avoid angry clients with unexpected tattoo color changes How to pick a pigment line and the red flags to avoid in a brand Why cosmetic tattoos change color and how to diagnose the true cause so you can correct issues Key precautions when performing pigment skin tests to avoid adverse reactions How to accurately assess client skin tone without mistaking a cool for a warm type How to take the guesswork out of using pigment modifiers What you absolutely shouldn't do when combining a pigment mixture What the best pigments are for ombre brows, microblading, eyeliner and lip tattoos When you should and shouldn't attempt color corrections and alternative approaches The hidden client factors you need to know to avoid stressful complaints Key mistakes to avoid that will impact healed color and results Color Theory for Cosmetic Tattooists was written to address the lack of color focused texts available for permanent make-up practitioners. Ensuring that a pigment mixture is right and having the assurance that tattoos will heal as planned is a key concern in this industry. While this book is not intended to replace quality practical training, it aims to provide tattooists with fundamental concepts to build experience upon. Scroll up and click on the Buy Now button to begin your path to confident color theory application!

The Makeup Artist Handbook

The Makeup Artist Handbook PDF Author: Gretchen Davis
Publisher: Taylor & Francis
ISBN: 1315514168
Category : Performing Arts
Languages : en
Pages : 326

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Book Description
Learn first-rate techniques and tips from some of the best makeup artists in the business in the new edition of The Makeup Artist Handbook. Renown makeup pros Gretchen Davis and Mindy Hall bring an impressive set of experience in all areas to the book, including work on Teenage Mutant Ninja Turtles, Steve Jobs, The Wolf of Wall Street, Blue Jasmine, Star Trek, Pearl Harbor, HBO’s Looking and many other films and TV shows. This full-color, comprehensive new edition offers brand new photographs and on-the-job examples to demonstrate makeup techniques and fundamentals on topics such as beauty, time periods, black and white photography and up-to-date information on cutting-edge techniques like computer-generated characters, makeup effects, mold-making, air brushing, and plenty of information on how to work effectively on set.

Interaction of Color

Interaction of Color PDF Author: Josef Albers
Publisher: Yale University Press
ISBN: 0300179359
Category : Art
Languages : en
Pages : 210

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Book Description
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.

Color and Light

Color and Light PDF Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740797719
Category : Art
Languages : en
Pages : 226

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Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.

Milady Standard Makeup

Milady Standard Makeup PDF Author: Michelle D'Allaird
Publisher: Milady Publishing Company
ISBN: 9781111539610
Category : Beauty, Personal
Languages : en
Pages : 0

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Book Description
The Student Workbook contains detailed interactive exercises such as fill-in-the-blank and matching designed to reinforce learning and increase student comprehension.

A Book About Color

A Book About Color PDF Author: Mark Gonyea
Publisher: Macmillan
ISBN: 080509055X
Category : Young Adult Nonfiction
Languages : en
Pages : 100

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Book Description
"A clear and simple guide for young artists"--Cover.

Color Theory Made Easy

Color Theory Made Easy PDF Author: Jim Ames
Publisher: Watson-Guptill
ISBN:
Category : Art
Languages : en
Pages : 124

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Book Description
Traditional color theory can be confusing to artists, especially when they try to use inaccurate color wheels as guides to mixing their colors. Now, Color Theory Made Easy presents an alternative approach that cuts through the tangle of established but contradictory concepts that gives artists a universal theory that really applies to their work. Most artists have been taught that red, blue, and yellow are the primary colors hues that cannot be created from any combination of other colors. However, as a result of years of study, author and artist Jim Ames has concluded that the true primary colors are cyan (a greenish blue), magenta (a violet red), and a yellow that does not learn toward either cyan or magenta. In Color Theory Made Easy, Ames explains the importance of these three colors as the basis for all our thinking about color. Using friendly, clear language and colorful diagrams, the author lays the foundation in Chapter 1 for applying his color theory in art. He shows that all colors in nature are composed of varying percentages of cyan, magenta, and yellow. Chapter 2 builds on this with a survey of the pigment colors artists actually use. Here the author offers an essential education concerning paint selection, and he lists currently available tube colors that are the most accurate in terms of the true primaries. The final chapter explores color mixing principles based on cyan, magenta, and yellow, and applies these principles through a series of watercolor demonstrations. In this illuminating book, Jim Ames has broken new ground and given us a workable color theory that is both simple and indispensable."