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Author: Neil Cartlidge
Publisher: DS Brewer
ISBN: 9781843841555
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
A wide-ranging collection on one of the most interesting features of medieval romance.
Author: Neil Cartlidge
Publisher: DS Brewer
ISBN: 9781843841555
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
A wide-ranging collection on one of the most interesting features of medieval romance.
Author: Valerie B. Johnson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514237
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied traditions and manuscripts, this book will be of interest to literary scholars of the later Middle Ages who, like Hahn, work across boundaries of genre, tradition, and chronology.
Author: Valerie B. Johnson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514210
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied traditions and manuscripts, this book will be of interest to literary scholars of the later Middle Ages who, like Hahn, work across boundaries of genre, tradition, and chronology.
Author: Venetia Bridges
Publisher: Boydell & Brewer
ISBN: 1843846160
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Essays; medieval romance; Arthurian Iiterature; Elizabeth Archibald.
Author: Laura Ashe
Publisher: Boydell & Brewer Ltd
ISBN: 1843842122
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploited available figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext. Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe
Author: Helen Fulton
Publisher: Boydell & Brewer
ISBN: 1843846209
Category : Civilization, Medieval, in literature
Languages : en
Pages : 281
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Book Description
New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.uistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.
Author: Rhiannon Purdie
Publisher: Boydell & Brewer Ltd
ISBN: 1843841622
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
A reappraisal of the tail-rhyme form so strongly associated with medieval English romance, and how it became so appropriated.
Author: Nicholas Perkins
Publisher: Boydell & Brewer Ltd
ISBN: 1843843900
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves.
Author: Neil Cartlidge
Publisher: DS Brewer
ISBN: 1843843048
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
Investigations into the heroic - or not - behaviour of the protagonists of medieval romance. Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism. Dr Neil Cartlidge is Lecturer in English at the University of Durham. Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath
Author: Michelle Sweeney
Publisher:
ISBN:
Category : History
Languages : en
Pages : 216
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Book Description
This book examines the roles of magic in medieval romance. Magic's crucial function in the romances may be established by studying the diverse works of Chrétien de Troyes, the Lais of Marie de France, the romances of Sir Tristrem, Syr Launfal, Ywain & Gawain and Chaucer's The Franklin's Tale. Romance authors used magical trials to explore a character' moral status and position on issues important to the community, such as when to maintain loyalty to a king or to a lover. Romance authors were able to encourage the exploration of human motivation by using magic to create, or expose a character' morally ambiguous situation. This technique enabled a broader discussion of social issues than would have been allowed in situations constrained by the boundaries of Christian dogmatism. In order to understand the function of magic in medieval romance, it is necessary to appreciate its function in the medieval world. Magic is coupled to some of the most important works of the medieval age, such as the theological texts of Augustine and Aquinas, the histories of Geoffrey of Monmouth and Wace, as well playing a significant role in medicine and the nascent studies of science. Romance writers capitalised upon the associations between magic and these fields of study to create a more serious framework for their texts. The romances could then operate beyond the level of simple entertainment and provide the interested audience with social commentary, moral analysis and material for thought on a wide variety of issues.
