Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 424
Book Description
Biennial Exhibition
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 424
Book Description
Whitney Biennial 2022
Author: David Breslin
Publisher: Whitney Museum of American Art
ISBN: 9780300263893
Category :
Languages : en
Pages : 264
Book Description
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Publisher: Whitney Museum of American Art
ISBN: 9780300263893
Category :
Languages : en
Pages : 264
Book Description
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Whitney Biennial 2019
Author: Jane Panetta
Publisher: Yale University Press
ISBN: 0300242751
Category : Art
Languages : en
Pages : 321
Book Description
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
Publisher: Yale University Press
ISBN: 0300242751
Category : Art
Languages : en
Pages : 321
Book Description
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
Biennials and Beyond
Author: Bruce Altshuler
Publisher: Phaidon Press
ISBN: 9780714864952
Category : Art
Languages : en
Pages : 402
Book Description
Documents significant and pioneering exhibitions that took place between 1962 and 2002.
Publisher: Phaidon Press
ISBN: 9780714864952
Category : Art
Languages : en
Pages : 402
Book Description
Documents significant and pioneering exhibitions that took place between 1962 and 2002.
1995 Biennial Exhibition
Author: Klaus Kertess
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
Biennials: The Exhibitions We Love to Hate
Author: Rafal Niemojewski
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223882
Category : Art
Languages : en
Pages : 144
Book Description
Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223882
Category : Art
Languages : en
Pages : 144
Book Description
Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
1983 Biennial Exhibition
Author: Whitney Museum of American Art
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 100
Book Description
Biennial Exhibition of Contemporary American Painting
Author:
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 116
Book Description
"Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 "
Author: Andrew Graciano
Publisher: Routledge
ISBN: 1351567527
Category : Art
Languages : en
Pages : 329
Book Description
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.
Publisher: Routledge
ISBN: 1351567527
Category : Art
Languages : en
Pages : 329
Book Description
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.
The Annual & Biennial Exhibition Record of the Whitney Museum of American Art, 1918-1989
Author: Peter H. Falk
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476
Book Description