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Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Author:
Publisher: Delhi : Delhi Printers Prakashan
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Author: Roy C. Craven
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 252
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Book Description
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
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Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: Alka Pande
Publisher:
ISBN: 9788174369604
Category : Art
Languages : en
Pages : 0
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Book Description
Illustrated from museums across the world, Masterpieces of Indian Art is a rich and stunning portrayal of the most precious treasures of Indian art. ,
Author: Ernest Binfield Havell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 390
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Book Description
Author: Naman P. Ahuja
Publisher:
ISBN: 9781910807170
Category : Antiquities, Prehistoric
Languages : en
Pages : 0
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Book Description
The Ashmolean Museum wide ranging collection of the art of the Indian subcontinent includes important holdings of archaeological artefacts and a strong representation of early Indian sculpture in terracotta, stone and other materials dating from before AD 600. These works are fully discussed and illustrated in the present catalogue, with the exception of Buddhist sculpture of the Gandhara region.
Author: Anne D. Harding
Publisher:
ISBN: 9781258842277
Category :
Languages : en
Pages : 270
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Book Description
This is a new release of the original 1938 edition.
Author: Sunil Kumar Bhattacharya
Publisher: M.D. Publications Pvt. Ltd.
ISBN: 9788185880211
Category : Art
Languages : en
Pages : 142
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Book Description
Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.
Author: Pramod Chandra
Publisher:
ISBN: 9780674732377
Category :
Languages : en
Pages : 144
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Book Description
Serious study of the art of India began only in the nineteenth century. This small volume provides a masterly overview of the scholarship of the past century and a half. Mr. Chandra's purpose is twofold: to help present–day students understand their scholarly heritage, and to encourage them to re-examine their own methods and assumptions. His histographical approach enables him to pay tribute to the great achievements of the pioneers in the field and also to notice the manner in which errors of fact and method have crept into some of the contemporary thinking and writing on the subject. Rather than attempt to discuss the writings of every scholar of note, he restricts himself to a few whose work, in his opinion, clearly represents the various stages of the development of the discipline. In analyzing their contributions, he concentrates on the broad methodological thrust of their work and not on the details of their conclusions. The study of architecture is considered first, because it was regarded by the ancient Indians as the most important of the visual arts and was the earliest of the arts to receive careful, analytic treatment in modern times. Sculpture is taken up second, and last the study of Indian painting, the area in which the most remarkable progress has been made in the last twenty–five years. In the course of the discussion many topics of broad interest are touched upon, including the relation of art history to the other disciplines, problems presented by various methods of classification, iconography and iconology, the relevance of style, the meaning of form, and the connection between artists and patrons.
