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Author: Paul Larson
Publisher: Lexington Books
ISBN: 1611460948
Category : History
Languages : en
Pages : 267
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Book Description
This is an account of the actions taken by the residents of Bethlehem, Pennsylvania to create a local amateur society singing the music of J. S.Bach and to develop it into a choir of international importance. Singers, instrumentalists, industrialists, academicians, bankers, and churches acted in community to found and perpetuate a group devoted to sharing the music of Bach locally, nationally, and internationally. While The Bach Choir of Bethlehem performs frequently elsewhere, the annual Bethlehem Bach Festival became and remains a magnet for those who love Bach and want to experience his music excellently performed in historic and sacred surroundings. In order to reach and maintain its premier status, the choir, its conductor, its board, and staff had to be experts in music performance and shifts in audience tastes. They had to be responsive to research in performance practice, and skilled in strategic planning, promotion and fundraising. In recent years they had to become competent in sound recording technology and use of the internet. These attributes are described and analyzed with frequent use of documents and personal anecdotes. Successfully balancing the human actions and desires involved in such a complex enterprise has earned The Bach Choir of Bethlehem the title “A National Treasure” in music and the recognition that it is at the same time a national model for excellence as a cultural non-profit organization. This is a story of how and why - for over a century - inspiring performances of Bach’s music came about and were brought to many thousands of listeners.
Author: Paul Larson
Publisher: Lexington Books
ISBN: 1611460948
Category : History
Languages : en
Pages : 267
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Book Description
This is an account of the actions taken by the residents of Bethlehem, Pennsylvania to create a local amateur society singing the music of J. S.Bach and to develop it into a choir of international importance. Singers, instrumentalists, industrialists, academicians, bankers, and churches acted in community to found and perpetuate a group devoted to sharing the music of Bach locally, nationally, and internationally. While The Bach Choir of Bethlehem performs frequently elsewhere, the annual Bethlehem Bach Festival became and remains a magnet for those who love Bach and want to experience his music excellently performed in historic and sacred surroundings. In order to reach and maintain its premier status, the choir, its conductor, its board, and staff had to be experts in music performance and shifts in audience tastes. They had to be responsive to research in performance practice, and skilled in strategic planning, promotion and fundraising. In recent years they had to become competent in sound recording technology and use of the internet. These attributes are described and analyzed with frequent use of documents and personal anecdotes. Successfully balancing the human actions and desires involved in such a complex enterprise has earned The Bach Choir of Bethlehem the title “A National Treasure” in music and the recognition that it is at the same time a national model for excellence as a cultural non-profit organization. This is a story of how and why - for over a century - inspiring performances of Bach’s music came about and were brought to many thousands of listeners.
Author: Basil Keen
Publisher: Routledge
ISBN: 1351546074
Category : Music
Languages : en
Pages : 334
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Book Description
This study of the Bach Choir provides a much-needed overview of one of the major choral societies in London. Dr Basil Keen examines the background that led to the formation of an ad hoc body to give the first performance in England of J.S. Bach's B minor Mass. The musical and organizational effects of a permanent choral society drawn from one social group are traced during the first twenty years, after such time the pressures of social change led to a complete review followed by a restructuring of the methods of recruitment and internal organization. The rebuilding of the choir at the opening of the twentieth century, the expansion of the repertoire, the upheaval resulting from the First World War and the impact of these events on preparation and performance, are all considered. The book is essentially structured around the tenure of successive Musical Directors: Otto Goldschmidt, Charles Villiers Stanford, Walford Davies, Hugh Allen, Ralph Vaughan Williams, Adrian Boult, Reginald Jacques and David Willcocks, since their varied tastes and interests inevitably had a decisive influence on policy. Keen draws upon previously unpublished material, including minutes and correspondence of the Bach Choir, interviews with relatives and descendants, and examination of family records and correspondence. To date, there has been no survey of a major London choir that encompasses the full history of the organization in context. In this study, Dr Basil Keen provides a thorough examination of the Bach Choir, including the response of the choir to social changes; the influence of conductors and officials; changes in musical taste; relationships with composers and composition; major national and international events; and the effect of these matters on organization and repertoire.
Author: Hans T David
Publisher: W. W. Norton & Company
ISBN: 9780393319569
Category : Biography & Autobiography
Languages : en
Pages : 612
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Book Description
'The New Bach Reader' contains a collection of documents intended to bring the composer to life.
Author: Martin Geck
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151006489
Category : Biography & Autobiography
Languages : en
Pages : 764
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Book Description
Publisher Description
Author: Basil Keen
Publisher: Routledge
ISBN: 1351546066
Category : Music
Languages : en
Pages : 308
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Book Description
This study of the Bach Choir provides a much-needed overview of one of the major choral societies in London. Dr Basil Keen examines the background that led to the formation of an ad hoc body to give the first performance in England of J.S. Bach's B minor Mass. The musical and organizational effects of a permanent choral society drawn from one social group are traced during the first twenty years, after such time the pressures of social change led to a complete review followed by a restructuring of the methods of recruitment and internal organization. The rebuilding of the choir at the opening of the twentieth century, the expansion of the repertoire, the upheaval resulting from the First World War and the impact of these events on preparation and performance, are all considered. The book is essentially structured around the tenure of successive Musical Directors: Otto Goldschmidt, Charles Villiers Stanford, Walford Davies, Hugh Allen, Ralph Vaughan Williams, Adrian Boult, Reginald Jacques and David Willcocks, since their varied tastes and interests inevitably had a decisive influence on policy. Keen draws upon previously unpublished material, including minutes and correspondence of the Bach Choir, interviews with relatives and descendants, and examination of family records and correspondence. To date, there has been no survey of a major London choir that encompasses the full history of the organization in context. In this study, Dr Basil Keen provides a thorough examination of the Bach Choir, including the response of the choir to social changes; the influence of conductors and officials; changes in musical taste; relationships with composers and composition; major national and international events; and the effect of these matters on organization and repertoire.
Author:
Publisher:
ISBN:
Category : Brewing
Languages : en
Pages : 338
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Book Description
Author: Philipp Spitta
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
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Book Description
Shows the growth of an English village from a medieval clearing to the urban congestion of the present day as seen from the same viewpoint approximately every hundred years.
Author: Paul Elie
Publisher: Union Books
ISBN: 1908526416
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
DIV Johann Sebastian Bach – celebrated pipe organist, court composer and master of sacred music – was also a technical pioneer. Working in Germany in the early eighteenth century, he invented new instruments and carried out experiments in tuning, the effects of which are still with us today. Two hundred years later, a number of extraordinary musicians have utilised the music of Bach to thrilling effect through the art of recording, furthering their own virtuosity and reinventing the composer for our time. In Reinventing Bach, Paul Elie brilliantly blends the stories of modern musicians with a polyphonic account of our most celebrated composer’s life to create a spellbinding narrative of the changing place of music in our lives. We see the sainted organist Albert Schweitzer playing to a mobile recording unit set up at London’s Church of All Hallows in order to spread Bach’s organ works to the world beyond the churches, and Pablo Casals’s Abbey Road recordings of Bach’s cello suites transform the middle-class sitting room into a hotbed of existentialism; we watch Leopold Stokowski persuade Walt Disney to feature his own grand orchestrations of Bach in the animated classical-music movie Fantasia – which made Bach the sound of children’s playtime and Hollywood grandeur alike – and we witness how Glenn Gould’s Goldberg Variations made Bach the byword for postwar cool. Through the Beatles and Switched-on Bach and Gödel, Escher, Bach – through film, rock music, the Walkman, the CD and up to Yo-Yo Ma and the iPod – Elie shows us how dozens of gifted musicians searched, experimented and collaborated with one another in the service of a composer who emerged as the prototype of the spiritualised, technically savvy artist. /div
Author: Michael Fuchs
Publisher: Rowman & Littlefield
ISBN: 1538179970
Category : Music
Languages : en
Pages : 219
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Book Description
"Using a contemporary lens, this book focuses on how J.S. Bach used his compositional creativity to interpret the message of the Johannine passion narrative from a Lutheran perspective and provides a new translation of the libretto. It provides a brief historical context, important points of theological scholarship, and performance history"--
Author: Mark A. Peters
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355
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Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
