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Author: Alberta Arthurs
Publisher:
ISBN: 9781565846609
Category : Art
Languages : en
Pages : 282
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Book Description
Essays discuss the relationship between America's religious and artistic communities and consider the controversies that have developed between them in the later twentieth century.
Author: Alberta Arthurs
Publisher:
ISBN: 9781565846609
Category : Art
Languages : en
Pages : 282
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Book Description
Essays discuss the relationship between America's religious and artistic communities and consider the controversies that have developed between them in the later twentieth century.
Author: Hetty Zock
Publisher:
ISBN: 9789042921733
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
Since the 'turn to the subject' in modernity, aesthetic experiences have become crucial in the creation of meaning. This explains why art and religion are becoming increasingly intermingled in late modern Western culture. The search for meaning is no longer confined to traditional religious settings and it is especially in art that people are looking for moral and spiritual significance. Religion is being aestheticised while art is being spiritualised. This volume contains studies on the interface between art and religion. Scholars from art studies, theology, philosophy and psychology of religion address the following questions: What psychological and religious functions does art fulfil? What are the similarities and differences between aesthetic and religious experiences? How does the aestheticising of religion affect theological thinking? How does the spiritualising of art affect artistic practices and theory? Case studies are taken from literature, visual art, film and opera, both from 'high' and popular culture. Among others, there are chapters on J.M. Coetzee's novel Waiting for the Barbarians, Richard Wagner's operas, the Harry Potter books and the concept of beauty from a theological perspective. The contributors all highlight the crucial role of human imaginative capabilities and the capacity of art to open up wider horizons of meaning.
Author: S. Plate
Publisher: Palgrave Macmillan
ISBN: 9780312240295
Category : Religion
Languages : en
Pages : 240
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Book Description
Religion, Art, and Visual Culture is a cross-cultural exploration of the study of visuality and the arts from a religious perspective. This forward looking and accessible collection gathers together the most current scholarship for those interested in art, religion, visual culture, and cultural studies. Inherently interdisciplinary, this reader approaches the study of world religions through the human, meaning-making activity of seeing. The volume oscillates between specific visual subjects (painting, landscape gardens, calligraphy, architecture, mass media) and the broader theoretical discourses which are relevant to Humanities students today.
Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415969895
Category : Art
Languages : en
Pages : 156
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Book Description
Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.
Author: Diane Apostolos-Cappadona
Publisher:
ISBN:
Category :
Languages : en
Pages : 340
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Book Description
Author: Hans Alma
Publisher: LIT Verlag Münster
ISBN: 3825807088
Category : Art and religion
Languages : en
Pages : 166
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Book Description
Images have caused uproar, violence and even casualties in the meeting of religions and cultures during the last years. Iconoclasm and iconolatry are on the agenda once more. Late Modern Culture is dominated by images and is understood in concepts such as aestheticization and symbolisation. Theological debate is likewise performed through images, symbols and rituals rather than through doctrines and beliefs. In this book, authors from various research backgrounds seek to clarify the terms of reference, and explore the diversity and disagreements in their use from a Christian perspective.
Author: Samuel Laeuchli
Publisher: Augsburg Fortress Publishing
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
This book offers a new approach both to the study of religion and the study of art. Incorporating both theological and artistic research, it presents a framework in which these two phenomena can meet and profit from cross-disiplinary enounter
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 9780198040668
Category : Religion
Languages : en
Pages : 224
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Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Author: James Romaine
Publisher: Lutterworth Press
ISBN: 0718842219
Category : Art
Languages : en
Pages : 355
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Book Description
'ReVisioning: Critical Methods of Seeing Christianity in the History of Art' explores some of underlying methodological assumptions in the field of art history by examining the suitability and success, as well as the incompatibility and failure, of varying art historical methodologies when applied to works of art which distinctly manifest Christian narratives, themes, motifs, and symbols.
Author: John Dillenberger
Publisher: Wipf and Stock Publishers
ISBN: 1725211963
Category : Religion
Languages : en
Pages : 482
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Book Description
How has religion affected the creation and patronage of American art? This is the question explored in 'The Visual Arts and Christianity in America', the most comprehensive treatment of this subject to date. With its 184 illustrations, the volume is a visual and textual survey of both the religious paintings, statuary, and architecture produced in America since colonial times and the attitudes toward such art expressed by the artists, the clergy, and the religious press. By means of a multifaceted approach that includes investigation of biographical, journalistic, art historical, as well as religious literature, a broad range of art objects and buildings are carefully placed in their social and intellectual context. Part One presents the colonial backdrop, both English and Spanish, against which and out of which the ensuing developments in American art and religious life took shape. Part Two treats nineteenth-century views of art and architecture, focusing on the views held by the clergy and conveyed in religious journals as well as the religious views of the artists and architects themselves. In Part Three, devoted to art in private and public life, major issues emerge that will remain as such into the twentieth century: the relation between nature and history, the place of art in civil religion, and the presence or absence of explicit biblical themes. The fourth and entirely new portion of the book, devoted to the twentieth century, examines the continuities and discontinuities in style and content between nineteenth- and twentieth-century art in relation to spiritual and religious perceptions.
