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Author: Adérónké Adésolá Adésànyà
Publisher: Africa Research and Publications
ISBN: 9781592219179
Category : Art
Languages : en
Pages : 0
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Book Description
This pioneer book focuses on the work of dele jegede, one of the leading Nigerian artists in the last three decades, to reflect on the connections between images and the nation state, the linkages between art and humanity, and the understanding of society through means different from oral and written texts. Various chapters written by prominent art historians, based on the analysis of jegede?s cartoons, drawings, and paintings, reflect extensively on how he has defined and imagined a postcolonial state, in its nakedness and hope, but gesturing towards change and a utopian moment. The book draws on the individual experiences of scholars and professional artists in Nigeria and the Diaspora to paint a complex, multi-dimensional portrait of jegede, one that puts in context his work as a scholar, painter, curator, critic, cartoonist, and administrator. In dreaming of the ideal, jegede?s creative cadence detours from the sheer pursuit of beauty and celebrates a conscious engagement with social realism and political visual expressions. In ways never clearly explained before now, jegede?s artistry, seen in slow motion as offered here, is inevitably tied to activism, a nationalistic credo, and the elevation of the spirits of humankind.
Author: Adérónké Adésolá Adésànyà
Publisher: Africa Research and Publications
ISBN: 9781592219179
Category : Art
Languages : en
Pages : 0
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Book Description
This pioneer book focuses on the work of dele jegede, one of the leading Nigerian artists in the last three decades, to reflect on the connections between images and the nation state, the linkages between art and humanity, and the understanding of society through means different from oral and written texts. Various chapters written by prominent art historians, based on the analysis of jegede?s cartoons, drawings, and paintings, reflect extensively on how he has defined and imagined a postcolonial state, in its nakedness and hope, but gesturing towards change and a utopian moment. The book draws on the individual experiences of scholars and professional artists in Nigeria and the Diaspora to paint a complex, multi-dimensional portrait of jegede, one that puts in context his work as a scholar, painter, curator, critic, cartoonist, and administrator. In dreaming of the ideal, jegede?s creative cadence detours from the sheer pursuit of beauty and celebrates a conscious engagement with social realism and political visual expressions. In ways never clearly explained before now, jegede?s artistry, seen in slow motion as offered here, is inevitably tied to activism, a nationalistic credo, and the elevation of the spirits of humankind.
Author: David Francis Taylor
Publisher: Yale University Press
ISBN: 0300235593
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.
Author: Henry Rogers
Publisher:
ISBN: 9781873352984
Category : Art, Modern
Languages : en
Pages : 167
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Book Description
Author: Leonard Freedman
Publisher: Bloomsbury Publishing USA
ISBN: 0313356017
Category : Political Science
Languages : en
Pages : 212
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Book Description
The Offensive Art is an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental, religious, and corporate authorities to suppress it by censorship, intimidation, policy, and fatwa. Examples are drawn from the full spectrum of satiric genres, including novels, plays, verse, songs, essays, cartoons, cabarets and revues, movies, television, and the Internet. The multicultural and multimedia breadth and historical depth of Freedman's comparative approach frames his novel assessment of the role of political satire in today's post-9/11 world, and in particular the cross-cultural controversies it generates, such as the global protests against the Jyllands-Posten cartoons. In a tongue-in-cheek style peppered with the world's best one-liners from the last century, The Offensive Art recounts the acrimonious and often perilous cat-and-mouse games between political satirists and their censors and inhibitors through the last century in America (especially FDR, LBJ, Nixon, Reagan, Clinton, and Bush II and in wartime), Britain (especially Churchill, Thatcher, Blair and the Royals), Germany (Hitler to the present), Russia (Stalin to the present), China (Mao to the present), India (from the Raj on), and the Middle East (from 1920s Egypt to today). Freedman focuses on the role and transformation of satire during shifts from authoritarian to democratic systems in such places as South Africa, Argentina, and Eastern Europe. He surveys the state of satire throughout the world today, identifying the most dangerous countries for practitioners of the offensive art, and presents his findings as to the political efficacy of satire in provoking change.
Author:
Publisher:
ISBN: 9781933784656
Category : American wit and humor, Pictorial
Languages : en
Pages : 0
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Book Description
Revel in the salacious animation of the leaders of the world's superpowers' most embarrassing moments. Hunt with Dick Cheney, learn how to spell with Dan Quayle, take speech lessons with George W. Bush, and find out why Alfred E. Neuman is running for President - again and again and again.
Author: Geoffrey Baym
Publisher: Routledge
ISBN: 1135751641
Category : Social Science
Languages : en
Pages : 188
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Book Description
In recent years, the US fake news program The Daily Show with Jon Stewart has become a surprisingly important source of information, conversation, and commentary about public affairs. Perhaps more surprisingly, so-called 'fake news' is now a truly global phenomenon, with various forms of news parody and political satire programming appearing throughout the world. This collection of innovative chapters takes a close and critical look at global news parody from a wide range of countries including the USA and the UK, Italy and France, Hungary and Romania, Israel and Palestine, Iran and India, Australia, Germany, and Denmark. Traversing a range of national cultures, political systems, and programming forms, News Parody and Political Satire Across the Globe offers insight into the central and perhaps controversial role that news parody has come to play in the world, and explores the multiple forces that enable and constrain its performance. It will help readers to better understand the intersections of journalism, politics, and comedy as they take shape across the globe in a variety of political and media systems. This book was originally published as a special issue of the journal Popular Communication.
Author: Isaac Cruikshank
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
Isaac Cruikshank and the Politics of Parody is a catalogue raisonne of Cruikshank's watercolors in the Huntington, the largest group of works by the artist in this medium. All 117 images, called "drolls" because of their comic themes and characters, are illustrated, along with the artist's notes and sketches on the verso of the originals. Cruikshank was a contemporary of Rowlandson and Gillray, and the father of George Cruikshank, the well-known illustrator of Dickens. Cruikshank catches most of his subjects when they would least like to be observed. Whether the setting is public or domestic, disaster has struck, or is impending: a boat on its way to Vauxhall gardens capsizes near Westminster Bridge; a stampede of pigs en route to Smithfield Market overwhelms strolling shoppers; an inexperienced chef begins to prepare dinner by hurling onions at a live rabbit. The descriptions accompanying each image suggest the social and political background of these amusing depictions of life in eighteenth-century London. Satirical poems that accompanied published versions of the drawings, many of them theatrical afterpieces associated with well-known actors, are quoted in full. An introduction by Edward J. Nygren, former director of the Huntington Art Collections, explores the relationship of Cruikshank's satirical art to the contemporary theater.
Author: Jonathan Gray
Publisher: NYU Press
ISBN: 0814731996
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
This work examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programmes, from 'The Daily Show' to 'South Park'.
Author: Linda Hutcheon
Publisher: University of Illinois Press
ISBN: 0252054377
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.
Author: David Francis Taylor
Publisher: Yale University Press
ISBN: 0300223757
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
An original take on literary history that uses visual satire to explore literature's importance to eighteenth-century political culture
