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Author: Albert Boime
Publisher: Princeton University Press
ISBN: 0691015554
Category : Art
Languages : en
Pages : 250
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Book Description
This exploration of the forces that shaped Impressionism proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.
Author: Albert Boime
Publisher: Princeton University Press
ISBN: 0691015554
Category : Art
Languages : en
Pages : 250
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Book Description
This exploration of the forces that shaped Impressionism proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.
Author: Albert Boime
Publisher: Princeton University Press
ISBN: 0691239703
Category : Art
Languages : en
Pages : 250
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Book Description
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
Author: Kristin Ross
Publisher: Verso Books
ISBN: 1784780545
Category : Political Science
Languages : en
Pages : 161
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Book Description
Reclaiming the legacy of the Paris Commune for the twenty-first century Kristin Ross’s highly acclaimed work on the thought and culture of the Communard uprising of 1871 resonates with the motivations and actions of contemporary protest, which has found its most powerful expression in the reclamation of public space. Today’s concerns—internationalism, education, the future of labor, the status of art, and ecological theory and practice—frame and inform her carefully researched restaging of the words and actions of individual Communards. This original analysis of an event and its centrifugal effects brings to life the workers in Paris who became revolutionaries, the significance they attributed to their struggle, and the elaboration and continuation of their thought in the encounters that transpired between the insurrection’s survivors and supporters like Marx, Kropotkin, and William Morris. The Paris Commune was a laboratory of political invention, important simply and above all for, as Marx reminds us, its own “working existence.” Communal Luxury allows readers to revisit the intricate workings of an extraordinary experiment.
Author: Allan Antliff
Publisher: arsenal pulp press
ISBN: 1551523000
Category : Art
Languages : en
Pages : 224
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Book Description
One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike. Allan Antliff is the author of Anarchist Modernism.
Author: John Milner
Publisher: Yale University Press
ISBN: 0300084072
Category : History
Languages : en
Pages : 268
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Book Description
En beskrivelse af franske kunstneres opfattelse af Frankrigs krig mod Preussen, Pariserkommunen og den nye franske republik, som det kommer til udtryk i deres kunst
Author: Gonzalo J. S¾nchez
Publisher: U of Nebraska Press
ISBN: 9780803242555
Category : Art
Languages : en
Pages : 272
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Book Description
One need only remember the role of Jacques Louis David in the French Revolution of 1789 and the quasi-official status of art in French national history to understand the prominence of art and artists in the Fädäration des Artistes of the Paris Commune of 1871. Focusing on artists' political activities rather than their artistic efforts, Gonzalo J. S¾nchez Jr. examines the artists' assembly formed in the Commune, recounts the program and activities of the group and its members, and charts their fate after the fall of the Commune and during the ensuing repression of the Communards. ø Departing from the tradition established by Karl Marx, which views the Commune as a precursor of revolutionary socialism, the author portrays the artists' federation as a complex mixture of conservative and reformist elements, situated at a historical crossroads. These artists?including Gustave Courbet, Jules Häreau, Edouard Lockroy, Jules Dalou, and Läon and August Ottins?were part of a tradition of artists' assemblies dating to 1789 even as they argued for radical change in artists' social status and autonomy. Many of the reforms they advocated were realized during the Third Republic, making the federation a social and political, if not an aesthetic, precursor of modernism.
Author:
Publisher: PM Press
ISBN: 1629631825
Category : History
Languages : en
Pages : 140
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Book Description
The Paris Commune of 1871, the first instance of a working-class seizure of power, has been subject to countless interpretations; reviled by its enemies as a murderous bacchanalia of the unwashed while praised by supporters as an exemplar of proletarian anarchism in action. As both a successful model to be imitated and as a devastating failure to be avoided. All of the interpretations are tendentious. Historians view the working class’s three-month rule through their own prism, distant in time and space. Voices of the Paris Commune takes a different tack. In this book only those who were present in the spring of 1871, who lived through and participated in the Commune, are heard. The Paris Commune had a vibrant press, and it is represented here by its most important newspaper, Le Cri du Peuple, edited by Jules Vallès, member of the First International. Like any legitimate government, the Paris Commune held parliamentary sessions and issued daily printed reports of the heated, contentious deliberations that belie any accusation of dictatorship. Included in this collection is the transcript of the debate in the Commune, just days before its final defeat, on the establishing of a Committee of Public Safety and on the fate of the hostages held by the Commune, hostages who would ultimately be killed. Finally, Voices of the Paris Commune contains a selection from the inquiry carried out twenty years after the event by the intellectual review La Revue Blanche, asking participants to judge the successes and failures of the Paris Commune. This section provides a fascinating range of opinions of this epochal event.
Author: Albert Boime
Publisher:
ISBN: 9780300244458
Category : Academic art, French
Languages : en
Pages : 330
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Book Description
"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.
Author: John Merriman
Publisher: Basic Books
ISBN: 0465056822
Category : History
Languages : en
Pages : 384
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Book Description
The Paris Commune lasted for only 64 days in 1871, but during that short time it gave rise to some of the grandest political dreams of the nineteenth century—before culminating in horrific violence. Following the disastrous French defeat in the Franco-Prussian War, hungry and politically disenchanted Parisians took up arms against their government in the name of a more just society. They expelled loyalists and soldiers and erected barricades in the streets. In Massacre, John Merriman introduces a cast of inimitable Communards—from les pétroleuses (female incendiaries) to the painter Gustave Courbet—whose idealism fueled a revolution. And he vividly recreates the Commune’s chaotic and bloody end when 30,000 troops stormed the city, burning half of Paris and executing captured Communards en masse. A stirring evocation of the spring when Paris was ablaze with cannon fire and its citizens were their own masters, Massacre reveals how the indomitable spirit of the Commune shook the very foundations of Europe.
Author: Carolyn J. Eichner
Publisher: Rutgers University Press
ISBN: 1978827709
Category : History
Languages : en
Pages : 157
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Book Description
At dawn on March 18, 1871, Parisian women stepped between cannons and French soldiers, using their bodies to block the army from taking the artillery from their working-class neighborhood. When ordered to fire, the troops refused and instead turned and arrested their leaders. Thus began the Paris Commune, France’s revolutionary civil war that rocked the nineteenth century and shaped the twentieth. Considered a golden moment of hope and potential by the left, and a black hour of terrifying power inversions by the right, the Commune occupies a critical position in understanding modern history and politics. A 72-day conflict that ended with the ferocious slaughter of Parisians, the Commune represents for some the final insurgent burst of the French Revolution’s long wake, for others the first “successful” socialist uprising, and for yet others an archetype for egalitarian socio-economic, feminist, and political change. Militants have referenced and incorporated its ideas into insurrections across the globe, throughout the twentieth and into the twenty-first centuries, keeping alive the revolution’s now-iconic goals and images. Innumerable scholars in countless languages have examined aspects of the 1871 uprising, taking perspectives ranging from glorifying to damning this world-shaking event. The Commune stands as a critical and pivotal moment in nineteenth-century history, as the linchpin between revolutionary pasts and futures, and as the crucible allowing glimpses of alternate possibilities. Upending hierarchies of class, religion, and gender, the Commune emerged as a touchstone for the subsequent century-and-a-half of revolutionary and radical social movements.
