The Archaic Smile of Herodotus PDF Download
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Author: Stewart Flory
Publisher: Wayne State University Press
ISBN: 9780814318270
Category : History
Languages : en
Pages : 220
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Book Description
Author: Stewart Flory
Publisher: Wayne State University Press
ISBN: 9780814318270
Category : History
Languages : en
Pages : 220
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Book Description
Author: A. E. Stallings
Publisher: Farrar, Straus and Giroux
ISBN: 0374600732
Category : Poetry
Languages : en
Pages : 77
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Book Description
A new edition of A. E. Stallings's first book of poems, which was awarded the Richard Wilbur Award. In Archaic Smile, by the Pulitzer Prize and National Book Critics Circle Award finalist A. E. Stallings, the poet couples poetic meditations on classic stories and themes with poems about the everyday, sometimes mundane occurrences of contemporary life (like losing an umbrella or fishing with one’s father), and she infuses the latter with the magic of myth and history. With the skill of a scholar and translator and the playful, pristine composition of a poet, Stallings bridges the gap between these two distant worlds. Stallings “invigorates the old forms and makes them sing” (Meryl Natchez, ZYZZYVA) in her poetry, and the scope and origins of her talents are on full display in the acclaimed author's first collection. The poems of Archaic Smile are sung with a timeless, technically impeccable, and utterly true voice.
Author: Francis Henry Taylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Author: Mary Adams Krauss
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Author: Jasper Burns
Publisher: Createspace Independent Publishing Platform
ISBN: 9781548299811
Category :
Languages : en
Pages : 108
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Book Description
This profusely illustrated book presents a fully annotated portfolio of 84 spectacular ancient Greek coins displaying the famous "Archaic Smile". It also includes a discussion of the historical and cultural background and possible significance of the "Smile" in ancient Greek art. Maps showing the distribution of mints and a basic chronology of the Archaic Period are included. All coins are illustrated with enlarged photographs.
Author: Susan Woodford
Publisher: Cornell University Press
ISBN: 9780801494802
Category : Art
Languages : en
Pages : 206
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Book Description
Author: Alicia Elsbeth Stallings
Publisher:
ISBN:
Category : Mythology, Classical
Languages : en
Pages : 88
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Book Description
Author: Mary Stieber
Publisher: University of Texas Press
ISBN: 0292773498
Category : Art
Languages : en
Pages : 288
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Book Description
Some of the loveliest works of Archaic art were the Athenian korai—sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods.
Author: The Art History Babes
Publisher: Frances Lincoln
ISBN: 0711248826
Category : Art
Languages : en
Pages : 243
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Book Description
In this art dictionary like no other, The Art History Babes (the hosts behind the prolific podcast) break down the elitist world of art with definitions of over 300 essential art terms. Art speak is infamously alienating, strange, and confusing as hell. Think stereotypical, stylish art dealers who describe art as 'derivative' and 'dynamic' – or stuffy auction houses filled with portraits of dead white people called 'Old Masters'. What do these words mean? Where did they come from? And how can you actually use them? Spanning art history, iconic movements, peculiar words, and pretentious phrases – after reading this book, you'll be able to lay down that art jargon with the best of them. From avant-garde to oeuvre, the Harlem Renaissance to New Objectivity, museum fatigue to memento mori – the Babes use their whip-smart humor, on-point knowledge, and a heavy dose of candor to explain even the most complex ideas in bite-sized definitions, as in: ACTION PAINTING (n.) – If Jackie Chan had buckets of paint strapped to his arms and legs in Rush Hour 2, and there just happened to be a blank canvas nearby, you would end up with action painting. […] IMPASTO (n.) – Have you ever gotten up close to a painting, looked at it, and thought: “Those brushstrokes are sensual as hell.”? That’s how I feel about impasto, a painting style that involves applying thick, textured strokes of paint using a brush or palette knife or other tool of your choice. […] UKIYO-E (n.) – Beautiful ladies, kabuki actors, epic landscapes, sumo wrestlers, people navigating city streets, and sex stuff! These are some of the common subjects of ukiyo-e art produced in Japan during the Edo period (1603–1868.) […] With illustrations from Carmen Casado – The Honest Art Dictionary is a valuable starter pack for those new to the study of art history, those re-exploring the discipline, or those simply interested in impressing their friends during a trip to the local art museum.
Author: Susan Rather
Publisher: University of Texas Press
ISBN: 0292760353
Category : Art
Languages : en
Pages : 285
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Book Description
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors - some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Professor Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end - and against the background of Manship's career - she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modern dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism. Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism - including Aristide Maillol, Andre Derain, and Constantin Brancusi - renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Lowy, Wilhelm Worringer, and Adolf von Hildebrand. The perceived relationship between archaic art and tradition ultimately compromised the modernist authorityof archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism - and of Manship, its most visible exemplar - by the avant-garde. Rather's exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse. The first book-length study of archaism and the first critical study of Paul Manship, this work will be important reading in several fields, including American studies and twentieth-century art history. Numerous black-and-white illustrations complement the text.
