Author: Detroit Institute of Arts
Publisher: American Paintings in the Detr
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
This long-awaited publication, the third in a series of titles co-published with the Detroit Institute of Arts, completes the study of American paintings in the museum's outstanding collection with 129 colour images of works by artist born after 1847. The American art collection at Detroit covers a broad range of artistic endeavours, but the strength of the American holdings is the painting collection. Especially strong are those paintings from the latter part of the 19th century and the beginnings of the 20th, which are the focus of this volume. Signature works featured in this book include Sargent'sMadame Paul Poirson andMosquito Nets, Chase'sYield of the Waters, Hassam'sPlace Centrale andFort Cabanas, Havana, Dewing'sThe Recitation, Sloan'sMcSorley's Bar, and Hartley'sLog Jam, Penobscot Bay.
American Paintings in the Detroit Institute of Arts: Forging a modern identity : masters of American painting born after 1847
Author: Detroit Institute of Arts
Publisher: American Paintings in the Detr
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
This long-awaited publication, the third in a series of titles co-published with the Detroit Institute of Arts, completes the study of American paintings in the museum's outstanding collection with 129 colour images of works by artist born after 1847. The American art collection at Detroit covers a broad range of artistic endeavours, but the strength of the American holdings is the painting collection. Especially strong are those paintings from the latter part of the 19th century and the beginnings of the 20th, which are the focus of this volume. Signature works featured in this book include Sargent'sMadame Paul Poirson andMosquito Nets, Chase'sYield of the Waters, Hassam'sPlace Centrale andFort Cabanas, Havana, Dewing'sThe Recitation, Sloan'sMcSorley's Bar, and Hartley'sLog Jam, Penobscot Bay.
Publisher: American Paintings in the Detr
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
This long-awaited publication, the third in a series of titles co-published with the Detroit Institute of Arts, completes the study of American paintings in the museum's outstanding collection with 129 colour images of works by artist born after 1847. The American art collection at Detroit covers a broad range of artistic endeavours, but the strength of the American holdings is the painting collection. Especially strong are those paintings from the latter part of the 19th century and the beginnings of the 20th, which are the focus of this volume. Signature works featured in this book include Sargent'sMadame Paul Poirson andMosquito Nets, Chase'sYield of the Waters, Hassam'sPlace Centrale andFort Cabanas, Havana, Dewing'sThe Recitation, Sloan'sMcSorley's Bar, and Hartley'sLog Jam, Penobscot Bay.
American Stories
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 1588393364
Category : Exhibitions
Languages : en
Pages : 242
Book Description
They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
Publisher: Metropolitan Museum of Art
ISBN: 1588393364
Category : Exhibitions
Languages : en
Pages : 242
Book Description
They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
John Singer Sargent & Chicago's Gilded Age
Author: Annelise K. Madsen
Publisher: Yale University Press
ISBN: 0300232977
Category : Art
Languages : en
Pages : 225
Book Description
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Publisher: Yale University Press
ISBN: 0300232977
Category : Art
Languages : en
Pages : 225
Book Description
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Choice
Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 780
Book Description
American Paintings in the Detroit Institute of Arts: Forging a modern identity : masters of American painting born after 1847
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
American Paintings in the Detroit Institute of Arts
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 308
Book Description
We Gather Together
Author: Charles C. Eldredge
Publisher: Univ of California Press
ISBN: 0520380312
Category : Art
Languages : en
Pages : 327
Book Description
The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.
Publisher: Univ of California Press
ISBN: 0520380312
Category : Art
Languages : en
Pages : 327
Book Description
The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.
American Paintings in the Detroit Institute of Arts: Works by artists born before 1816
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 380
Book Description
Showcases great collection of American painting; Library Journal Starred review.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 380
Book Description
Showcases great collection of American painting; Library Journal Starred review.
Works by Artists Born Before 1816
Author:
Publisher:
ISBN: 9781555950453
Category :
Languages : en
Pages : 340
Book Description
Publisher:
ISBN: 9781555950453
Category :
Languages : en
Pages : 340
Book Description
Paintings in the Detroit Institute of Arts
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 132
Book Description