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Author: Alex Gartenfeld
Publisher: Delmonico Books
ISBN: 9781942884934
Category : Art
Languages : en
Pages : 208
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Book Description
Early works, regional projects and acclaimed series from Allan McCollum, whose work often blurs boundaries between unique artifacts and mass production Since the late 1960s, the American artist Allan McCollum (born 1944) has created works that examine the art object's relationship to uniqueness, context and value, as well as to the museum that collects, values and preserves it. Allan McCollum: Works since 1969, which accompanies a major survey of the artist's work, brings together new scholarship, documentary material and in-depth information on McCollum's decades-long career, adding to the broader historical and theoretical interpretation of the artist's important practice. McCollum's celebrated works can be interpreted in infinite ways and have significant impact on the understanding of the role of art and material culture in society. Throughout his career the artist has explored various economies and contexts that structure collections and presentations of objects. Interested in how material artifacts become charged with meaning, McCollum understands these objects as vehicles of self-assurance and self-representation within communities. This book traces the artist's career through numerous illustrations, supplementary material and texts, focusing on three key components--early work, "regional projects" and the artist's most iconic series.
Author: Alex Gartenfeld
Publisher: Delmonico Books
ISBN: 9781942884934
Category : Art
Languages : en
Pages : 208
Get Book
Book Description
Early works, regional projects and acclaimed series from Allan McCollum, whose work often blurs boundaries between unique artifacts and mass production Since the late 1960s, the American artist Allan McCollum (born 1944) has created works that examine the art object's relationship to uniqueness, context and value, as well as to the museum that collects, values and preserves it. Allan McCollum: Works since 1969, which accompanies a major survey of the artist's work, brings together new scholarship, documentary material and in-depth information on McCollum's decades-long career, adding to the broader historical and theoretical interpretation of the artist's important practice. McCollum's celebrated works can be interpreted in infinite ways and have significant impact on the understanding of the role of art and material culture in society. Throughout his career the artist has explored various economies and contexts that structure collections and presentations of objects. Interested in how material artifacts become charged with meaning, McCollum understands these objects as vehicles of self-assurance and self-representation within communities. This book traces the artist's career through numerous illustrations, supplementary material and texts, focusing on three key components--early work, "regional projects" and the artist's most iconic series.
Author: Janine Latham
Publisher:
ISBN: 9780986323096
Category :
Languages : en
Pages :
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Author: Bernice Rose
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Alessandro Rabottini
Publisher:
ISBN: 9788867491223
Category :
Languages : en
Pages : 0
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Book Description
Despite his prolific and diverse practice, Robert Overby (1935-93) remains one of the best kept secrets in postwar American art. Rarely exhibiting during his lifetime, Overby--who worked for much of his life as a graphic designer in Los Angeles--nevertheless built up an extraordinary, multifaceted body of work encompassing sculpture, installation, painting, photography, print and collage. He is perhaps best known for his doors, windows and building facades cast in rubber, latex and concrete, a series of works that set off a rigorous period of experimentation with materials and a consistent exploration of the human condition and its decay. This monograph is published on the occasion of the first survey exhibition of the artist's work to be organized in Europe, which brings together more than 50 of Overby's works drawn from European and American collections.
Author: Benjamin Buchloh
Publisher: Primary Information
ISBN: 9781732098640
Category : Art
Languages : en
Pages : 230
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Book Description
An essential and long out-of-print document of formative works by institutional critique progenitor Michael Asher Originally published in 1983, Writings 1973-1983 on Works 1969-1979, by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher's work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: "This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production." Initiated by Kasper König, Writings 1973-1983 on Works 1969-1979was originally copublished by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher's close collaboration with Benjamin H.D. Buchloh, who succeeded König as editor of the press.
Author: Gwen Allen
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
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Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Author: Yve-Alain Bois
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.
Author: Jade Dellinger
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Published on the occasion of the exhibition Graphicstudio: Uncommon Practice at USF, organized by the Tampa Museum of Art, Tampa, Florida, and held February 1 through May 18, 2014.
Author: Simon Castets
Publisher: Swiss Institute
ISBN: 9780999505922
Category : Art
Languages : en
Pages : 312
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Book Description
Where does the fake art in movies and on TV come from? Stemming from this question, Fade In explores the intersection of art and on-screen entertainment through works by such artists as Darja Bajagic, GALA Committee, Amie Siegel, William Leavitt, Christian Marclay, Rasa Todosijevic and Cindy Sherman, alongside stills from films by Jacques Tati, Dusan Makavejev, Alfred Hitchcock, Pier Paolo Pasolini, Martin Scorsese and more.
Author: Allan McCollum
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 0
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Book Description
