Alexander Kosolapov PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Alexander Kosolapov PDF full book. Access full book title Alexander Kosolapov by Alexander Kosolapov. Download full books in PDF and EPUB format.
Author: Alexander Kosolapov
Publisher: Kerber Verlag
ISBN: 9783866782273
Category : Sots art
Languages : en
Pages : 0
Get Book
Book Description
Alexander Kosolapov is one of the most remarkable go-betweeners of contemporary art, a nomadic presence across ideologies and cultures and a hero of Russian Conceptualism alongside Ilya Kabakov, Boris Mikhailov and Dmitri Prigov. In 1973, he cofounded the Sots-Art movement, which satirically conflated Soviet and American capitalist iconographies; in 1975 he relocated to New York, remaining there for 30 years and immersing himself in the American art scene. Dovetailing Russian political art with American Pop, Kosolapov created such well-known images as the Lenin Coca Cola (1985), Malevich Marlborough and Lenin McDonald's. In his most recent works, Kosolapov proposes new, nonexistent brands for post-Soviet Russia. This substantial survey appraises the entirety of his career to date.
Author: Alexander Kosolapov
Publisher: Kerber Verlag
ISBN: 9783866782273
Category : Sots art
Languages : en
Pages : 0
Get Book
Book Description
Alexander Kosolapov is one of the most remarkable go-betweeners of contemporary art, a nomadic presence across ideologies and cultures and a hero of Russian Conceptualism alongside Ilya Kabakov, Boris Mikhailov and Dmitri Prigov. In 1973, he cofounded the Sots-Art movement, which satirically conflated Soviet and American capitalist iconographies; in 1975 he relocated to New York, remaining there for 30 years and immersing himself in the American art scene. Dovetailing Russian political art with American Pop, Kosolapov created such well-known images as the Lenin Coca Cola (1985), Malevich Marlborough and Lenin McDonald's. In his most recent works, Kosolapov proposes new, nonexistent brands for post-Soviet Russia. This substantial survey appraises the entirety of his career to date.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book
Book Description
Author: Carter Ratcliff
Publisher:
ISBN: 9783735604729
Category : Advertising in art
Languages : en
Pages : 144
Get Book
Book Description
Alexander Kosolapov (b. 1943) is one of the most remarkable 'go-betweeners' of contemporary art, constantly shifting between countries, ideologies, cultures, and aesthetic languages.His paintings and sculptures show us corporate logos, cartoon characters, portraits of Soviet leaders, self-portraits and figures borrowed from antiquity.Although his oeuvre displays an extraordinarily variety, there is still one theme present in each of Kosolapov's works: ideology.His works aren't images or objects, they are much more invisible concepts, that reveal ideological strategies with the help of advertising and religion.This new publication presents impressive works of the artist shown in the first retrospective in Russia at the Moscow Museum of Modern Art.Published on the occasion of the exhibition, Alexander Kosolapov: Lenin and Coca-Cola at Moscow Museum of Modern Art (MMOMA), 28 November 2017 - 11 February 2018.
Author: Sandra Frimmel
Publisher: Vernon Press
ISBN: 1648893554
Category : Art
Languages : en
Pages : 318
Get Book
Book Description
An unusually large number of court cases against art, artists, and curators have taken place in Russia since the turn of the century. In reference to two of the most prominent, against the organizers of the exhibitions 'Caution, Religion!' and 'Forbidden Art 2006', the author examines the ways in which the meaning of art and its socio-political effects are argued in court: How do these trials attempt to establish a normative concept of art, and furthermore a binding juridical understanding of art? How is the discussion of what is permissible in art being framed in Russia today? Research into the post-Soviet art trials has been mainly journal-driven until today. Only the fairly recent trials of the Pussy Riot activists and Pyotr Pavlensky provoked lengthy publications, but these are mostly concerned with explicitly political and activist art rather than its particular discourse when on trial. This book, however, takes a scholarly approach towards (Russian) art on trial. It puts the cases in a national-historical context, which is compared from international perspectives, and particularly focuses on the way in which these proceedings have intensified juridical power over artistic freedom (of speech) in the production of art in Russia. This book will appeal to academics and students in the areas of art history, cultural science, sociology, and Slavic studies, as well as jurists, curators and museum specialists, researchers and employees in cultural institutions.
Author: Boris Groys
Publisher: MIT Press
ISBN: 0262525089
Category : Art
Languages : en
Pages : 205
Get Book
Book Description
An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Author: Christopher S. Grenda
Publisher: Univ of California Press
ISBN: 0520277228
Category : Religion
Languages : en
Pages : 364
Get Book
Book Description
Humans have been uttering profane words and incurring the consequences for millennia. But contemporary eventsÑfrom the violence in 2006 that followed Danish newspaper cartoons depicting the Prophet Mohammed to the 2012 furor over the Innocence of Muslims videoÑindicate that controversy concerning blasphemy has reemerged in explosive transnational form. In an age when electronic media transmit offense as rapidly as profane images and texts can be produced, blasphemy is bracingly relevant again. In this volume, a distinguished cast of international scholars examines the profound difficulties blasphemy raises for modern societies. Contributors examine how the sacred is formed and maintained, how sacrilegious expression is conceived and regulated, and how the resulting conflicts resist easy adjudication. Their studies range across art, history, politics, law, literature, and theology. Because of the global nature of the problem, the volumeÕs approach is comparative, examining blasphemy across cultural and geopolitical boundaries.
Author: Rochelle Cooper Dreyfuss
Publisher: Cambridge University Press
ISBN: 1107135389
Category : Business & Economics
Languages : en
Pages : 373
Get Book
Book Description
The book describes how intellectual property law is framed by theories about incentives, trade, health, development, and human rights.
Author: Susan Buck-Morss
Publisher: Haymarket Books
ISBN: 1642591718
Category : Political Science
Languages : en
Pages : 149
Get Book
Book Description
Susan Buck-Morss asks: What does revolution look like today? How will the idea of revolution survive the inadequacy of the formula, “progress = modernization through industrialization,” to which it has owed its political life? Socialism plus computer technology, citizen resistance plus a global agenda of concerns, revolutionary commitment to practices that are socially experimental and inclusive of difference—these are new forces being mobilized to make another future possible. Revolution Today celebrates the new political subjects that are organizing thousands of grass roots movements to fight racial and gender violence, state-led terrorism, and capitalist exploitation of people and the planet worldwide. The twenty-first century has already witnessed unprecedented popular mobilizations. Unencumbered by old dogmas, mobilizations of opposition are not only happening, they are gaining support and developing a global consciousness in the process. They are themselves a chain of signifiers, creating solidarity across language, religion, ethnicity, gender, and every other difference. Trans-local solidarities exist. They came first. The right-wing authoritarianism and anti-immigrant upsurge that has followed is a reaction against the amazing visual power of millions of citizens occupying public space in defiance of state power. We cannot know how to act politically without seeing others act. This book provides photographic evidence of that fact, while making us aware of how much of the new revolutionary vernacular we already share. Susan Buck-Morss is distinguished professor of political philosophy at the CUNY Graduate Center, NYC. Her work crosses disciplines, including art history, architecture, comparative literature, cultural studies, German studies, philosophy, history, and visual culture.
Author: Keith A. Roberts
Publisher: SAGE Publications
ISBN: 1506366058
Category : Social Science
Languages : en
Pages : 540
Get Book
Book Description
The authors are proud sponsors of the 2020 SAGE Keith Roberts Teaching Innovations Award—enabling graduate students and early career faculty to attend the annual ASA pre-conference teaching and learning workshop. Religion in Sociological Perspective introduces students to the systems of meaning, structure, and belonging that make up the complex social phenomena we know as religion. Authors Keith A. Roberts and David Yamane use an active learning approach to illustrate the central theories and methods of research in the sociology of religion and show students how to apply these analytical tools to new groups they encounter. The Seventh Edition departs from previous editions by emphasizing that the sociology of religion is an ongoing conversation among scholars in dialogue with existing scholarship and the social world. This perspective is established in the new second chapter, "Historical Development of the Sociology of Religion." Other chapters feature important voices from the past alongside the views of contemporary sociologists, and conclude with a glimpse of where the sociology of religion might be heading in the future. At every opportunity, the text has been enriched by research and examples that are meant to challenge parochial limits in the sociology of religion, pushing beyond Christianity, congregations, beliefs, national borders (especially the United States), and even beyond religion itself (to take nonreligion more seriously). Included with this title: The password-protected Instructor Resource Site (formally known as SAGE Edge) offers access to all text-specific resources, including a test bank and editable, chapter-specific PowerPoint® slides. A student activity guide includes chapter specific exercises linked to resources within the ARDA.
Author: Gwen Allen
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
Get Book
Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
