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Author: Romare Bearden
Publisher: Pantheon
ISBN:
Category : Art
Languages : en
Pages : 600
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Book Description
A landmark work of art history: lavishly illustrated and extraordinary for its thoroughness, A History of African-American Artists -- conceived, researched, and written by the great American artist Romare Bearden with journalist Harry Henderson, who completed the work after Bearden's death in 1988 -- gives a conspectus of African-American art from the late eighteenth century to the present. It examines the lives and careers of more than fifty signal African-American artists, and the relation of their work to prevailing artistic, social, and political trends both in America and throughout the world. Beginning with a radical reevaluation of the enigma of Joshua Johnston, a late eighteenth-century portrait painter widely assumed by historians to be one of the earliest known African-American artists, Bearden and Henderson go on to examine the careers of Robert S. Duncanson, Edward M. Bannister, Henry Ossawa Tanner, Aaron Douglas, Edmonia Lewis, Jacob Lawrence, Hale A. Woodruff, Augusta Savage, Charles H. Alston, Ellis Wilson, Archibald J. Motley, Jr., Horace Pippin, Alma W. Thomas, and many others. Illustrated with more than 420 black-and-white illustrations and 61 color reproductions -- including rediscovered classics, works no longer extant, and art never before seen in this country -- A History of African-American Artists is a stunning achievement.
Author: Romare Bearden
Publisher: Pantheon
ISBN:
Category : Art
Languages : en
Pages : 600
Get Book
Book Description
A landmark work of art history: lavishly illustrated and extraordinary for its thoroughness, A History of African-American Artists -- conceived, researched, and written by the great American artist Romare Bearden with journalist Harry Henderson, who completed the work after Bearden's death in 1988 -- gives a conspectus of African-American art from the late eighteenth century to the present. It examines the lives and careers of more than fifty signal African-American artists, and the relation of their work to prevailing artistic, social, and political trends both in America and throughout the world. Beginning with a radical reevaluation of the enigma of Joshua Johnston, a late eighteenth-century portrait painter widely assumed by historians to be one of the earliest known African-American artists, Bearden and Henderson go on to examine the careers of Robert S. Duncanson, Edward M. Bannister, Henry Ossawa Tanner, Aaron Douglas, Edmonia Lewis, Jacob Lawrence, Hale A. Woodruff, Augusta Savage, Charles H. Alston, Ellis Wilson, Archibald J. Motley, Jr., Horace Pippin, Alma W. Thomas, and many others. Illustrated with more than 420 black-and-white illustrations and 61 color reproductions -- including rediscovered classics, works no longer extant, and art never before seen in this country -- A History of African-American Artists is a stunning achievement.
Author: Samella S. Lewis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Drawing from historical and private collections around the country, Samella Lewis has gathered an impressive representation of the work of African American artists, from the 18th century to the present. For this edition she has provided a new chapter on art of the last decade. Handsomely and generously illustrated, this book reveals a rich legacy of work by African American painters, sculptors, and graphic artists. "Art historical scholarship is greatly advanced by Samella Lewis's African American Art and Artists in that it foregrounds the work of artists who have been influencing the texture of art in the United States during the last two decades of the 20th century. Throughout African American Art and Artists, Lewis interrogates the issue of identity by presenting the biographical sketch, which locates the individual artistic personality within a specific cultural background with its own peculiar dynamics, giving a face to two cities of Black American art. Without polemics Lewis presents women artists--Edmonia Lewis to Allison Saar--as principal players in constructing an African American visual arts legacy. Here Lewis sufficiently defines the visual arts in order that they may assume their rightful place alongside African American music, literature and folklore as cultural expressions that have helped to give American culture its distinct character."--from the foreword by Floyd Coleman, Harvard University.
Author: Romare Bearden
Publisher: Pantheon
ISBN:
Category : Art
Languages : en
Pages : 604
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Book Description
A landmark work of art history: lavishly illustrated and extraordinary for its thoroughness, A History of African-American Artists -- conceived, researched, and written by the great American artist Romare Bearden with journalist Harry Henderson, who completed the work after Bearden's death in 1988 -- gives a conspectus of African-American art from the late eighteenth century to the present. It examines the lives and careers of more than fifty signal African-American artists, and the relation of their work to prevailing artistic, social, and political trends both in America and throughout the world. Beginning with a radical reevaluation of the enigma of Joshua Johnston, a late eighteenth-century portrait painter widely assumed by historians to be one of the earliest known African-American artists, Bearden and Henderson go on to examine the careers of Robert S. Duncanson, Edward M. Bannister, Henry Ossawa Tanner, Aaron Douglas, Edmonia Lewis, Jacob Lawrence, Hale A. Woodruff, Augusta Savage, Charles H. Alston, Ellis Wilson, Archibald J. Motley, Jr., Horace Pippin, Alma W. Thomas, and many others. Illustrated with more than 420 black-and-white illustrations and 61 color reproductions -- including rediscovered classics, works no longer extant, and art never before seen in this country -- A History of African-American Artists is a stunning achievement.
Author: Nell Irvin Painter
Publisher: Oxford University Press, USA
ISBN: 0195137558
Category : African American artists
Languages : en
Pages : 476
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Book Description
Blending a vivid narrative with more than 150 images of artwork, Painter offers a history--from before slavery to today's hip-hop culture--written for a new generation.
Author: Lisa E. Farrington
Publisher:
ISBN: 019516721X
Category : African American art
Languages : en
Pages : 368
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Book Description
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
Author: Romare Bearden
Publisher: Pantheon
ISBN: 9780394997193
Category :
Languages : en
Pages : 576
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Book Description
Author: Samella S. Lewis
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 164
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Book Description
Author: Sharon F. Patton
Publisher: Oxford University Press, USA
ISBN: 9780192842138
Category : Art
Languages : en
Pages : 328
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Book Description
Discusses African American folk art, decorative art, photography, and fine arts.
Author: James Smethurst
Publisher: Univ of North Carolina Press
ISBN: 080787650X
Category : Social Science
Languages : en
Pages : 488
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Book Description
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Author: Romare Bearden
Publisher:
ISBN:
Category : African American artists
Languages : en
Pages : 140
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Book Description
