#30SecondBallets: Act Two

#30SecondBallets: Act Two PDF Author: Stephanie Bergeron
Publisher:
ISBN: 9781778149122
Category :
Languages : en
Pages : 47

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Book Description

#30SecondBallets: Act Two

#30SecondBallets: Act Two PDF Author: Stephanie Bergeron
Publisher:
ISBN: 9781778149122
Category :
Languages : en
Pages : 47

Get Book

Book Description


#30SecondBallets

#30SecondBallets PDF Author: Stephanie Bergeron
Publisher:
ISBN: 9781778149108
Category :
Languages : en
Pages : 0

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#30 Second Ballets

#30 Second Ballets PDF Author: Stephanie Bergeron
Publisher:
ISBN: 9781778149146
Category :
Languages : en
Pages : 0

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Too Much

Too Much PDF Author:
Publisher:
ISBN:
Category : Business ethics
Languages : en
Pages : 440

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The Art of Making Dances

The Art of Making Dances PDF Author: Doris Humphrey
Publisher: New york : Grove Weidenfeld
ISBN:
Category : Choreography
Languages : en
Pages : 188

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Book Description
Written just before the author's death in 1958, this book is an autobiography in art, a gathering of experiences in performance, and a lucid and practical source book on choreography.

Critique Is Creative

Critique Is Creative PDF Author: Liz Lerman
Publisher: Wesleyan University Press
ISBN: 081958083X
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
Winner of Silver Nautilus for Creativity & Innovation, given by Nautilus Book Award, 2023 Devised by choreographer Liz Lerman in 1990, Critical Response Process® (CRP) is an internationally recognized method for giving and getting feedback on creative works in progress. In this first in-depth study of CRP, Lerman and her long-term collaborator John Borstel describe in detail the four-step process, its origins and principles. The book also includes essays on CRP from a wide range of contributors. With insight, ingenuity, and the occasional challenge, these practitioners shed light on the applications and variations of CRP in the contexts of art, education, and community life. Critique Is Creative examines the challenges we face in an era of reckoning and how CRP can aid in change-making of various kinds. With contributions from: Bimbola Akinbola, Mark Callahan, Lawrence Edelson, Isaac Gómez, Rachel Miller Jacobs, Lekelia Jenkins, Elizabeth Johnson Levine, Carlos Lopez-Real, Cristóbal Martínez, Gesel Mason, Cassie Meador, Kevin Ormsby, CJay Philip, Kathryn Prince, Sean Riley, Charles C. Smith, Shula Strassfeld, Phil Stoesz, Gerda van Zelm, Jill Waterhouse, Rebekah West

Ballet Helps Everything!

Ballet Helps Everything! PDF Author: Dawn C Crouch
Publisher:
ISBN: 9781679263002
Category :
Languages : en
Pages : 74

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Book Description
BALLET HELPS EVERYTHING!! TEN REASONS WHY A Garage Ballet Book For whatever reason, whether to become a Professional Dancer, Cultural Enrichment, or simply good Solid Exercise, the study of Ballet helps a person Enjoy the Body they live in so much more. This has nothing to do with Perfection. This has Everything to do with Confidence. By Combining the three key elements of Posture, Balance, and Body Alignment, Ballet instills a Mindful Discipline that is Essential to Competent Movement of any kind. Ballet improves Strength, Flexibility, and Coordination necessary in the Development of Self-Assurance and Poise that will aid any form of Physical Endeavor including Sports, a Job or College Interview... Even a walk across a Stage or down the Aisle. Ballet may just be the Best Gift you ever Give Yourself!! Read the book!! Then Go take Class!! __________________________________________________________ "There is no teacher I would trust more with the training of my dancers than Dawn Crouch. Her approach to a dancer's ballet education is by far her greatest strength." PHILLIP OTTO Artistic Director, Huntsville Ballet "Having Dawn Crouch as a teacher from a young age has molded me into not only the dancer but the person I am today." SARAH SATTERFIELD Louisville Ballet "I was so lucky to have such an inspiring ballet teacher like Dawn Crouch growing up. The wisdom that Miss Dawn shared with me helped me become a better dancer and more importantly, a better person." JAYDYN DAHLBERG Indiana University Miami City Ballet "I have had the great honor to have Miss Dawn as one of my teachers. She is an incredible teacher with such a great knowledge of the art of ballet. I frequently think of the corrections she gave me as a student, and they are still helping me in my professional dance career today! She's amazing!" ABBY CALLAHAN Huntsville Ballet Los Angeles Ballet

The Oxford Handbook of Contemporary Ballet

The Oxford Handbook of Contemporary Ballet PDF Author: Kathrina Farrugia-Kriel
Publisher: Oxford University Press
ISBN: 0190871490
Category : Performing Arts
Languages : en
Pages : 1013

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Book Description
"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--

Laban for All

Laban for All PDF Author: Jean Newlove
Publisher: Routledge
ISBN: 1135872139
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
Rudolf Laban was one of the great theorists and practitioners of movement. In Laban for All, expert teachers of Laban's techniques offer simplified version of his system that can be used by anyone, from beginners to pros. Extensively illustrated with John Dalby's line drawings and diagrams, Laban for All lays out the basic vocabulary of the Laban system and goes on to offer specific exercises. The result is a thorough - and thoroughly practical - grounding in the most important movement system in use today.

Choreography

Choreography PDF Author: Kate Flatt
Publisher: The Crowood Press
ISBN: 1785006126
Category : Performing Arts
Languages : en
Pages : 405

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Book Description
Choreography is the highly creative process of interpreting and coordinating movement, music and space in performance. By tracing different facets of development and exploring the essential artistic and practical skills of the choreographer, this book offers unique insights for apprentice dance makers. With key concepts and ideas expressed through an accessible writing style, the creative tasks and frameworks offered will develop new curiosity, understanding, skill and confidence. The chapters cover the key areas of engagement including what is a choreographer; getting started; improvisation and ideas; context, stage geometry and atmosphere; movement as dance in time and space; solo, duet, trio and group choreography and finally, structure and the 'choreographic eye'. This is an ideal companion for dancers and dance students wanting to express their ideas through choreography and develop their skills to effectively articulate them in performance. It is superbly illustrated with 143 practical colour and black & white photographs and diagrams. Kate Flatt has over forty years' experience as a choreographer, mentor and teacher.