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Author: George Clapp Vaillant
Publisher:
ISBN:
Category : Aztecs
Languages : en
Pages : 362
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Book Description
Author: George Clapp Vaillant
Publisher:
ISBN:
Category : Aztecs
Languages : en
Pages : 362
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Book Description
Author: Felipe Solis Olguin
Publisher: Guggenheim Museum
ISBN: 9780892073160
Category : Aztec art
Languages : en
Pages : 400
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Book Description
The ultimate exploration of early 16th century Aztec culture features over 500 archaeological objects and works from Mexico and the United States, including jewelry, works of precious metals, and household and ceremonial artifactsQmany of which have never been exhibited before in the U.S. 0-89207-316-0$85.00 / DAP / Distributed Arts Publishers
Author: Michael D. Coe
Publisher:
ISBN:
Category : History
Languages : en
Pages : 262
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Book Description
Masterly....The complexities of Mexico's ancient cultures are perceptively presented and interpreted.--Library Journal
Author: Camilla Townsend
Publisher: Oxford University Press, USA
ISBN: 0190673060
Category : History
Languages : en
Pages : 337
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Book Description
Fifth Sun offers a comprehensive history of the Aztecs, spanning the period before conquest to a century after the conquest, based on rarely-used Nahuatl-language sources written by the indigenous people.
Author: Peter O. Koch
Publisher: McFarland
ISBN: 1476621063
Category : History
Languages : en
Pages : 283
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Book Description
Tracing events from the discovery of the New World through the fall of the Aztec empire in 1521, this book discusses the battles between the Spanish explorers and the Aztecs—battles that culminated in the ruin of a civilization. The first half of the work alternates between Aztec and Spanish history, discussing events and motivations on each side as the two cultures expanded toward one another on their way to inevitable conflict. Placing special emphasis on Aztec mythology and religious beliefs, the author explains how the Spanish exploited the Aztecs’ own cultural practices to insure the success of their invasion. The gold-and-glory engines driving the Spanish Crown and the actions of contemporary Spanish explorers such as Juan Ponce de León and Francisco Cordoba are examined. The concluding chapters give a thorough account of the struggle between Hernán Cortés and the Aztec ruler Montezuma, including the role of other indigenous tribes in the eventual downfall of the empire. The final chapter details the siege of the Aztec capital, Tenochtitlan, and summarizes the ultimate destruction of the Aztec civilization.
Author: Miriam Melton-Villanueva
Publisher: University of Arizona Press
ISBN: 0816546975
Category : History
Languages : en
Pages : 263
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Book Description
This ethnohistory uses colonial-era native-language texts written by Nahuas to construct history from the indigenous point of view. The book offers the first internal ethnographic view of central Mexican indigenous communities in the critical time of independence, when modern Mexican Spanish developed its unique character, founded on indigenous concepts of space, time, and grammar. The Aztecs at Independence opens a window into the cultural life of writers, leaders, and worshippers--Nahua women and men in the midst of creating a vibrant community.
Author: Barbara E. Mundy
Publisher: University of Texas Press
ISBN: 1477317139
Category : Art
Languages : en
Pages : 257
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Book Description
Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016 The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortés and his followers conquered the city. Cortés boasted to King Charles V of Spain that Tenochtitlan was "destroyed and razed to the ground." But was it? Drawing on period representations of the city in sculptures, texts, and maps, The Death of Aztec Tenochtitlan, the Life of Mexico City builds a convincing case that this global capital remained, through the sixteenth century, very much an Amerindian city. Barbara E. Mundy foregrounds the role the city's indigenous peoples, the Nahua, played in shaping Mexico City through the construction of permanent architecture and engagement in ceremonial actions. She demonstrates that the Aztec ruling elites, who retained power even after the conquest, were instrumental in building and then rebuilding the city. Mundy shows how the Nahua entered into mutually advantageous alliances with the Franciscans to maintain the city's sacred nodes. She also focuses on the practical and symbolic role of the city's extraordinary waterworks—the product of a massive ecological manipulation begun in the fifteenth century—to reveal how the Nahua struggled to maintain control of water resources in early Mexico City.
Author: George Clapp Vaillant
Publisher:
ISBN:
Category : Aztecs
Languages : en
Pages : 438
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Book Description
Author: Maria Longhena
Publisher:
ISBN: 9788854401297
Category : Travel
Languages : en
Pages : 292
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Book Description
Late in the 15th century the discovery of the New World revealed to the Europeans the existence of peoples and cultures whose forms of artistic and intellectual expression were totally different to their own but of immense appeal. While at that time the white Conquistadores had no interest in and were perhaps incapable of appreciating and respecting this cultural heritage, for some considerable time now the so-called "pre-Columbian civilisations" have been rediscovered and archaeologists are attempting to reconstruct their marvellous cultural mosaic, the roots of which lie in an historical substrata predating the Christian era by some thousands of years. The aim of this book is to trace the development of some of the civilisations that emerged in the Mesoamerican region and gave rise to surprisingly advanced and sophisticated cities. The Olmecs, Maya, Aztecs and other less well known groups have in fact left extraordinary evidence of their passing in the form of great architectural complexes, monumental sculptures, ceramics, jewellery and surprising written records that have only recently given up their secrets. This volume also intends to underline the importance of the so-called minor cultures that have until now been unknown to the public at large but which nonetheless contributed to the economic and cultural development of pre-Columbian Mesoamerica. The work is characterised by a dual scientific and generalist approach to provide all readers with in-depth information - that is both stimulating and comprehensible - concerning a world that is still far from contemporary models. Concise but exhaustive captions, comprehensive iconographical references, numerous colour plates, line drawings and black and white maps complement the text and contextualise the cultural parallels and ideologies of the various civilisations in question within the chronological sequence in the most reliable and attractive manner possible.
Author: Jaime Lara
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a cultural history of the missionary enterprise in sixteenth-century Mexico, seen primarily through the work of Catholic missionaries and the native populations, principally the Aztecs. Also known as the Mexica or Nahuas, speakers of the Nahuatl tongue, these Mesoamerican people inhabited the central plateau around Lake Texcoco and the sacred metropolis of Tenochtitlan, the site of present-day Mexico City. It was their language that the mendicant missionaries adopted as the lingua franca of the evangelization enterprise. Conceived as a continuation of his earlier, well-received City, Temple, Stage, Jaime Lara's new work addresses the inculturation of Catholic sacraments and sacramentals into an Aztec worldview in visual and material terms. He argues that Catholic liturgy--similar in some ways to pre-Hispanic worship--effectively "conquered" the religious imagination of its new Mesoamerican practitioners, thus creating the basis for a uniquely Mexican Catholicism. The sixteenth-century friars, in partnership with indigenous Christian converts, successfully translated the Christian message from an exclusively Eurocentric worldview to a system of symbols that made sense to the indigenous civilizations of Central Mexico. While Lara is interested in liturgical texts with novel or recycled metaphors, he is equally interested in visual texts such as neo-Christian architecture, mural painting, feather work, and religious images made from corn. These, he claims, were the sensorial bridges that allowed for a successful, if not wholly orthodox, inculturation of Christianity into the New World. Enriched by more than 280 color images and eleven appendices of translations from Latin and Nahuatl, Lara's study provides rich insights on the development of sacramental practice, popular piety, catechetical drama, and parish politics. Song, dance, flowers, and feathers--of utmost importance in the ancient religion of the Aztecs--were reworked in ingenious ways to serve the Christian cause. Human blood, too, found renewed importance in art and devotion when the indigenous religious leaders and the mendicant friars addressed the fundamental topic of the Man on the cross. An important work on worship, liturgy, and the visual imagination, Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a vivid look at a unique cultural adaptation of Christianity. "I have deeply enjoyed and have been intellectually enriched by reading Jaime Lara's Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico. This book will transform how we understand the process of evangelization of Mexico in the sixteenth-century. Clearly written and persuasively argued, Lara reveals how metaphor allows for cross-cultural communication as the deepest level of the Human experience, religious belief. This is demonstrated by a nuanced but richly documented history of the period. Drawing upon architecture, painting and a variety of different kinds of primary sources, this study blends a deep understanding of Aztec religious beliefs so as to articulate the very complex development of Colonial Mexican Christianity. Most importantly, Lara demonstrates how Aztec beliefs and practices were not only incorporated into Catholic teaching and ritual practice, but how they transformed that teaching and practice. Moreover, Lara makes so very evident the centrality of Music and Art in this complicated interaction." --Thomas Cummins, Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University "We have seen many interpretations of the story of the faith in America; some have called it 'black,' and others 'white' or 'grey.' Whatever version one may appropriate, Jaime Lara has provided us with a unique, rich focus: the worship experience of a people called to be renewed by Christianity and the creative expressions of Christian faith in unique images and paintings. Jaime Lara's book is a treasure to cherish for many years, an addition to any personal or public Library, and a legacy that engages readers to embark on a journey in which history, liturgical theology, and good art become one's traveling companions." --Rev. Fr. Juan J. Sosa, Presidente, Instituto Nacional Hispano de Liturgia, Inc.
