Author: Edmund Spenser
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 176
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Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Author: Albert Charles Hamilton
Publisher: University of Toronto Press
ISBN: 9780802079237
Category : Reference
Languages : en
Pages : 884
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Book Description
A reference book for scholarship on Edmund Spenser offering a detailed, literary guide to his life, works and influence. Over 700 entries by 422 contributors, an index and extensive bibliography.
Author: Andrew Hadfield
Publisher: Cambridge University Press
ISBN: 9780521645706
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
In this accessible introduction to Spenser's poetry and prose, a set of fourteen essays provide extensive commentary on his life and the historical and religious contexts in which he wrote
Author: Émilien Mohsen
Publisher: Editions Publibook
ISBN: 2748307232
Category : Time in literature
Languages : en
Pages : 628
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Book Description
Author: James Nohrnberg
Publisher: Princeton University Press
ISBN: 1400856256
Category : Literary Criticism
Languages : en
Pages : 895
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Book Description
This book combines an analysis of The Faerie Queene's, total form with an exposition of its allegorical content. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Dorothy Stephens
Publisher: Cambridge University Press
ISBN: 113942582X
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.
Author: Alex Davis
Publisher: Oxford University Press, USA
ISBN: 0198851421
Category : Drama
Languages : en
Pages : 312
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Book Description
Impossible bequests of the soul; an outlawed younger son who rises to become justice of the king's forests; the artificially-preserved corpse of the heir to an empire; a medieval clerk kept awake at night by fears of falling; a seventeenth-century noblewoman who commissions copies upon copies of her genealogy; Elizabethan efforts to eradicate Irish customs of succession; thoughts of the legacy of sin bequeathed to mankind by our first parents, Adam and Eve. This book explores how inheritance was imagined between the lifetimes of Chaucer and Shakespeare. The writing composed during this period was the product of what the historian Georges Duby has called a 'society of heirs', in which inheritance functioned as a key instrument of social reproduction, acting to ensure that existing structures of status, wealth, familial power, political influence, and gender relations were projected from the present into the future. In poetry, prose, and drama--in Chaucer's Troilus and Criseyde and his Canterbury Tales; in Spenser's Faerie Queene; in plays by Shakespeare such as Macbeth, As You Like It, and The Merchant of Venice; and in a host of other works--we encounter a range of texts that attests to the extraordinary imaginative reach of questions of inheritance between the fourteenth and the seventeenth centuries. Moving between the late medieval and early modern periods, Imagining Inheritance examines this body of writing in order to argue that an exploration of the ways in which premodern inheritance was imagined can make legible the deep structures of power that modernity wants to forget.
Author: Rufus Wood
Publisher: Springer
ISBN: 0230379818
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Rufus Wood contextualizes his study of The Faerie Queene through an initial discussion of attitudes towards metaphor expressed in Elizabethan poetry. He reveals how Elizabethan writers voice a commitment to metaphor as a means of discovering and exploring their world and shows how the concept of a metaphoric principle of structure underlying Elizabethan poetics generates an exciting interpretation of The Faerie Queene. The debate which emerges concerning the use and abuse of metaphor in allegorical poetry provides a valuable contribution to the field of Spenser studies in particular and Renaissance literature in general.
Author: David Shackleton
Publisher: Oxford University Press
ISBN: 0192857746
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene--a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown--including fragmentation and faltering passages devoid of events--to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.
Author: Michael F.N. Dixon
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773566112
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Although pervasive in Spenser's art, the role of rhetoric has not been adequately addressed by critics. This disregard of the importance of rhetoric in The Faerie Queene, Dixon argues, obscures Spenser's larger rhetorical method and the structural dynamic it generates. Dixon identifies Britomart's evolution in Books III-V as the poem's centre and elucidates the rhetorical strategies that invest Spenser's "argument" for justice. Building on Kenneth Burke's conception of courtship in rhetoric as "the use of suasive devices for the transcending of social estrangement," Dixon interprets The Faerie Queene as a narrative of courtship in purpose as well as content, arguing that its tales of questing knights compose an artifact of suasive devices whereby Spenser courts a meeting of minds with his audience on the subject of justice.
