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Author: Jessie Redmon Fauset
Publisher: Courier Dover Publications
ISBN: 0486843505
Category : Fiction
Languages : en
Pages : 289
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Book Description
"An important book" — The New York Times. Set in Philadelphia a century ago, this novel by a luminary of the Harlem Renaissance explores the struggle for social equality as experienced by members of the black middle class.
Author: Jessie Redmon Fauset
Publisher: Courier Dover Publications
ISBN: 0486843505
Category : Fiction
Languages : en
Pages : 289
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Book Description
"An important book" — The New York Times. Set in Philadelphia a century ago, this novel by a luminary of the Harlem Renaissance explores the struggle for social equality as experienced by members of the black middle class.
Author: A. Scott Berg
Publisher: Library of America
ISBN: 1598535145
Category : History
Languages : en
Pages : 0
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Book Description
For the centenary of America's entry into World War I, A. Scott Berg presents a landmark anthology of American writing from the cataclysmic conflict that set the course of the 20th century. Few Americans appreciate the significance and intensity of America's experience of World War I, the global cataclysm that transformed the modern world. Published to mark the centenary of the U.S. entry into the conflict, World War I: Told by the Americans Who Lived It brings together a wide range of writings by American participants and observers to tell a vivid and dramatic firsthand story from the outbreak of war in 1914 through the Armistice, the Paris Peace Conference, and the League of Nations debate. The eighty-eight men and women collected in the volume--soldiers, airmen, nurses, diplomats, statesmen, political activists, journalists--provide unique insights into how Americans of every stripe perceived the war, why they supported or opposed intervention, how they experienced the nightmarish reality of industrial warfare, and how the conflict changed American life. Richard Harding Davis witnesses the burning of Louvain; Edith Wharton tours the front in the Argonne and Flanders; John Reed reports from Serbia and Bukovina; Charles Lauriat describes the sinking of the Lusitania; Leslie Davis records the Armenian genocide; Jane Addams and Emma Goldman protest against militarism; Victor Chapman and Edmond Genet fly with the Lafayette Escadrille; Floyd Gibbons, Hervey Allen, and Edward Lukens experience the ferocity of combat in Belleau Wood, Fismette, and the Meuse-Argonne; and Ellen La Motte and Mary Borden unflinchingly examine the "human wreckage" brought into military hospitals. W.E.B. Du Bois, James Weldon Johnson, Jessie Fauset, and Claude McKay protest the racist treatment of black soldiers and the violence directed at African Americans on the home front; Carrie Chapman Catt connects the war with the fight for women suffrage; Willa Cather explores the impact of the war on rural Nebraska; Henry May recounts a deadly influenza outbreak onboard a troop transport; Oliver Wendell Holmes weighs the limits of free speech in wartime; Woodrow Wilson envisions a world without war. A coda presents three iconic literary works by Ernest Hemingway, E. E. Cummings, and John Dos Passos. With an introduction and headnotes by A. Scott Berg, brief biographies of the writers, and endpaper maps. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author: Thomas H. Schaub
Publisher: Univ of Wisconsin Press
ISBN: 9780299128449
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Schaub presents American fiction in the political climate of its time. Through the 1930s, he portrays authors as typically left of center and becoming disillusioned with communism as a result of Stalin's purges and his nonaggression pact with Hitler. Subsequent authors embraced a His general discussion comes to focus on the works of Barth, O'Connor, Ellison, and Mailer. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Tim Dayton
Publisher: Cambridge University Press
ISBN: 1108593879
Category : Literary Criticism
Languages : en
Pages : 749
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Book Description
In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.
Author: David A. Rennie
Publisher: Oxford University Press
ISBN: 0192602470
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity—such as gender, race, and politics—registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry. American Writers and World War I argues that even authors' hallmark 'anti-war' works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers—in well-known texts, autobiography, correspondence, and neglected works—this study contends that writers' reactions were multifaceted, and subject to change—in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic.
Author: Garrett Peck
Publisher: Simon and Schuster
ISBN: 1681779447
Category : History
Languages : en
Pages : 400
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Book Description
A chronicle of the American experience during World War I and the unexpected changes that rocked the country in its immediate aftermath—the Red Scare, race riots, women’s suffrage, and Prohibition. The Great War’s bitter outcome left the experience largely overlooked and forgotten in American history. This timely book is a reexamination of America’s first global experience as we commemorate World War I's centennial. The U.S. had steered clear of the European conflagration known as the Great War for more than two years, but President Woodrow Wilson reluctantly led the divided country into the conflict with the goal of making the world “safe for democracy.” The country assumed a global role for the first time and attempted to build the foundations for world peace, only to witness the experience go badly awry and it retreated into isolationism. Though overshadowed by the tens of millions of deaths and catastrophic destruction of World War II, the Great War was the most important war of the twentieth century. It was the first continent-wide conflagration in a century, and it drew much of the world into its fire. By the end of it, four empires and their royal houses had fallen, communism was unleashed, the map of the Middle East was redrawn, and the United States emerged as a global power – only to withdraw from the world’s stage. The Great War is often overlooked, especially compared to World War II, which is considered the “last good war.” The United States was disillusioned with what it achieved in the earlier war and withdrew into itself. Americans have tried to forget about it ever since. The Great War in America presents an opportunity to reexamine the country’s role on the global stage and the tremendous political and social changes that overtook the nation because of the war.
Author: Beth O’Leary Anish
Publisher: Springer Nature
ISBN: 3030831949
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present.
Author: Stanley Cooperman
Publisher: Johns Hopkins University Press
ISBN:
Category : American fiction
Languages : en
Pages : 294
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Book Description
Author: David M. Kennedy
Publisher: Oxford University Press
ISBN: 9780195173994
Category : History
Languages : en
Pages : 452
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Book Description
With a new Afterword, Pulitzer Prize-winning author Kennedy reveals how the First World War's legacy of Wilsonian idealism is reflected today in President George W. Bush's National Security Strategy.
Author: John Eisenhower
Publisher: Simon and Schuster
ISBN: 0743216377
Category : History
Languages : en
Pages : 368
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Book Description
Fought far from home, World War I was nonetheless a stirring American adventure. The achievements of the United States during that war, often underrated by military historians, were in fact remarkable, and they turned the tide of the conflict. So says John S. D. Eisenhower, one of today's most acclaimed military historians, in his sweeping history of the Great War and the men who won it: the Yanks of the American Expeditionary Force. Their men dying in droves on the stalemated Western Front, British and French generals complained that America was giving too little, too late. John Eisenhower shows why they were wrong. The European Allies wished to plug the much-needed U.S. troops into their armies in order to fill the gaps in the line. But General John J. "Black Jack" Pershing, the indomitable commander of the AEF, determined that its troops would fight together, as a whole, in a truly American army. Only this force, he argued -- not bolstered French or British units -- could convince Germany that it was hopeless to fight on. Pershing's often-criticized decision led to the beginning of the end of World War I -- and the beginning of the U.S. Army as it is known today. The United States started the war with 200,000 troops, including the National Guard as well as regulars. They were men principally trained to fight Indians and Mexicans. Just nineteen months later the Army had mobilized, trained, and equipped four million men and shipped two million of them to France. It was the greatest mobilization of military forces the New World had yet seen. For the men it was a baptism of fire. Throughout Yanks Eisenhower focuses on the small but expert cadre of officers who directed our effort: not only Pershing, but also the men who would win their lasting fame in a later war -- MacArthur, Patton, and Marshall. But the author has mined diaries, memoirs, and after-action reports to resurrect as well the doughboys in the trenches, the unknown soldiers who made every advance possible and suffered most for every defeat. He brings vividly to life those men who achieved prominence as the AEF and its allies drove the Germans back into their homeland -- the irreverent diarist Maury Maverick, Charles W. Whittlesey and his famous "lost battalion," the colorful Colonel Ulysses Grant McAlexander, and Sergeant Alvin C. York, who became an instant celebrity by singlehandedly taking 132 Germans as prisoners. From outposts in dusty, inglorious American backwaters to the final bloody drive across Europe, Yanks illuminates America's Great War as though for the first time. In the AEF, General John J. Pershing created the Army that would make ours the American age; in Yanks that Army has at last found a storyteller worthy of its deeds.
