Words and Music in the Middle Ages

Words and Music in the Middle Ages PDF Author: John Stevens
Publisher: Cambridge University Press
ISBN: 9780521245074
Category : Music
Languages : en
Pages : 582

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Book Description
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.

Words and Music in the Middle Ages

Words and Music in the Middle Ages PDF Author: John Stevens
Publisher: Cambridge University Press
ISBN: 9780521245074
Category : Music
Languages : en
Pages : 582

Get Book

Book Description
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.

The Union of Words and Music in Medieval Poetry

The Union of Words and Music in Medieval Poetry PDF Author: Rebecca Anne Baltzer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176

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Book Description
In these essays, five noted scholars draw upon the insights of musicology, philology, linguistics, and metrics to illuminate central aspects of the relationship between poetry and music in the Middle Ages. Rebecca A. Baltzer adds notes on the accompanying musical tape made by the professional ensemble Sequentia, which significantly illustrates the topics under consideration, while offering the experience of listening to superb musical performances.

Music of the Middle Ages: Volume 1

Music of the Middle Ages: Volume 1 PDF Author: Giulio Cattin
Publisher: Cambridge University Press
ISBN: 9780521284899
Category : Music
Languages : en
Pages : 260

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Book Description
A unique history of the vast repertory of monophonic music of the Middle Ages.

Words and Music in Medieval Europe

Words and Music in Medieval Europe PDF Author: Nigel E. Wilkins
Publisher: Routledge
ISBN: 9781409418191
Category : Literary Collections
Languages : en
Pages : 346

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Book Description
This selection of nineteen essays by Nigel Wilkins, in English and in French, is characterised by an inter-disciplinary approach crossing the borders between music, language, literature, history, palaeography and iconography. The principal topic is lyric poetry in the fourteenth and fifteenth centuries, mostly French and English, both with and without music, and in various contexts. Wider themes are also explored, such as the association of music with the Devil, the use of several languages combined in certain musical contexts, and the controversial role of inspiration in musical composition.

Words and Music in Medieval Europe

Words and Music in Medieval Europe PDF Author: Nigel Wilkins
Publisher: Routledge
ISBN: 9781138382596
Category :
Languages : en
Pages : 346

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Book Description
This selection of nineteen essays by Nigel Wilkins, in English and in French, is characterised by an inter-disciplinary approach crossing the borders between music, language, literature, history, palaeography and iconography. The principal topic is lyric poetry in the fourteenth and fifteenth centuries, mostly French and English, both with and without music, and in various contexts. Guillaume de Machaut, the dominant poet-musician of the age, is the central figure: his influence is traced in poets such as Froissart, Deschamps, Christine de Pisan, Charles d'Orléans, Villon, Gower and Chaucer, and in the poet-musicians who came after him. The question of patronage is investigated. The development of the principal lyric forms, rondeau, ballade and virelai, is explored on both sides of the Channel, as is the way they were used, for example in miracle plays and in court entertainment. A Flemish painting of 1493 helps us discover the rà ́le of music in the ceremonies of trade and religious guilds; a memorial brass from King's Lynn reveals the importance of music in the ceremonial of feasts. Wider themes are also explored, such as the association of music with the Devil, the use of several languages combined in certain musical contexts, and the controversial role of inspiration in musical composition.

Music of the Middle Ages

Music of the Middle Ages PDF Author: David Fenwick Wilson
Publisher: New York : Schirmer Books ; Toronto : Collier Macmillan Canada
ISBN:
Category : Music
Languages : en
Pages : 440

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Book Description
Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphony.--From publisher description.

Music of the Middle Ages: Volume 2

Music of the Middle Ages: Volume 2 PDF Author: F. Alberto Gallo
Publisher: Cambridge University Press
ISBN: 9780521284837
Category : History
Languages : en
Pages : 180

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Book Description
A new and illuminating study of medieval polyphony.

Music in the Middle Ages

Music in the Middle Ages PDF Author: Gustave Reese
Publisher: W. W. Norton
ISBN: 9780393977134
Category : Music
Languages : en
Pages : 502

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Book Description


Music in the Middle Ages

Music in the Middle Ages PDF Author: Suzanne Lord
Publisher: Bloomsbury Publishing USA
ISBN: 0313083681
Category : Music
Languages : en
Pages : 216

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Book Description
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.

Music in Medieval Europe

Music in Medieval Europe PDF Author: Alma Santosuosso
Publisher: Routledge
ISBN: 1351557386
Category : Music
Languages : en
Pages : 457

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Book Description
This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.