Women Writing the American Artist in Novels of Development from 1850-1932 PDF Download
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Author: Rickie-Ann Legleitner
Publisher: Rowman & Littlefield
ISBN: 1793610355
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
The Artist Embodied examines how the coming-of-age-of-an-artist genre evolved from 1850-1932 in works by American women writers. Specifically, it analyzes how these authors contest patriarchy, engage with tropes of gender, race, and disability, and assert the validity of art created by women artists.
Author: Rickie-Ann Legleitner
Publisher: Rowman & Littlefield
ISBN: 1793610355
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
The Artist Embodied examines how the coming-of-age-of-an-artist genre evolved from 1850-1932 in works by American women writers. Specifically, it analyzes how these authors contest patriarchy, engage with tropes of gender, race, and disability, and assert the validity of art created by women artists.
Author: Kirk Curnutt
Publisher: Rowman & Littlefield
ISBN: 1666909173
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
At the height of their fame, F. Scott and Zelda Fitzgerald dramatized their relationship as a charming romance of regionalism, a Northern man’s pursuit of a Southern belle. This collection of thirteen essays reveals that tensions between sectionalism and nationalism run much deeper in their work than previously appreciated.
Author: Ingo Berensmeyer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111056163
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narrative representations of literary authorship not only reflect the aesthetic convictions and social conditions of their actual authors or their time; they also take an active part in negotiating and shaping these conditions. The book unfolds the history of such ‘author fictions’ in European and North American texts since the early nineteenth century as a literary history of literary authorship, ranging from the Victorian bildungsroman to contemporary autofiction. It combines rhetorical and sociological approaches to answer the question how literature makes authors. Identifying ‘author fictions’ as narratives that address the fragile material conditions of literary creation in the actual and symbolic economies of production, Ingo Berensmeyer explores how these texts elaborate and manipulate concepts and models of authorship. This book will be relevant to English, American and comparative literary studies and to anyone interested in the topic of literary authorship.
Author: Naomi Z. Sofer
Publisher: Ohio State University Press
ISBN: 0814209831
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
"Making the "America of Art" demonstrates that beginning in the 1850s, women writers challenged the terms of the Scottish Common Sense philosophy, which had made artistic endeavors acceptable in the new Republic by subordinating aesthetic motivation to moral and educational goals. Harriet Beecher Stowe and Augusta Jane Evans drew on Ruskin to argue for the creation of a religiously based national aesthetic. In the postbellum years Louisa May Alcott, Rebecca Harding Davis, Elizabeth Stuart Phelps, and Constance Fenimore Woolson continued the process in a series of writings that revolved around three central areas of concern: the place of the popular in the realm of high art; the role of the genius; and the legacy of the Civil War." "Sofer significantly revises the history of 19th-century American women's authorship by detailing the gradual process that produced women writers wholly identified with literary high culture at the century's end."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Author: NAOMI Z SOFER
Publisher:
ISBN: 9780814279168
Category :
Languages : en
Pages :
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Book Description
Author: Nina Baym
Publisher: University of Illinois Press
ISBN: 0252078845
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
Author: Naomi Z Sofer
Publisher:
ISBN: 9780814257548
Category :
Languages : en
Pages : 198
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Book Description
By the end of the 19th century it had become possible for American women to identify themselves as serious Artists. This was a relatively new phenomenon, one that became possible only after American women writers had dismantled the conceptual frameworks that had authorized their artistic production since the early days of the Republic. Making the "America of Art" demonstrates that beginning in the 1850s, women writers challenged the terms of the Scottish Common Sense philosophy, which had made artistic endeavors acceptable in the new Republic by subordinating aesthetic motivation to moral and educational goals. Harriet Beecher Stowe and Augusta Jane Evans drew on Ruskin to argue for the creation of a religiously based national aesthetic. In the postbellum years Louisa May Alcott, Rebecca Harding Davis, Elizabeth Stuart Phelps, and Constance Fenimore Woolson continued the process in a series of writings that revolved around three central areas of concern: the place of the popular in the realm of high art; the role of the genius; and the legacy of the Civil War. Sofer significantly revises the history of 19th-century American women's authorship by detailing the gradual process that produced women writers wholly identified with literary high culture at the century's end. Sofer argues that, counter to conventional wisdom, American women writers produced a large body of theoretical writing on the central aesthetic questions of the day. Although the writers Sofer studies were finally unable to construct viable new models for women's artistic production, their attempts to do so are an essential piece of American literary history.
Author: Elaine Showalter
Publisher: Vintage
ISBN: 0307744965
Category : Literary Collections
Languages : en
Pages : 850
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Book Description
For centuries women have been marginalized and overlooked in American literary history. That injustice is corrected in this entertaining and provocative collection of 350 years of poetry and fiction by American women. From Puritan poet Anne Bradstreet to Margaret Fuller to Harriet Beecher Stowe, readers will encounter scores of lesser-known and forgotten writers who fully deserve to be rediscovered and enjoyed by new generations. Our famous women writers, including contemporary stars like Annie Proux and Jhumpa Lahiri, are showcased in their full literary context, offering an epic overview of the canon in one monumental, dazzling volume. This landmark anthology features the best work of our best American women, and was inspired and informed by the author's groundbreaking history celebrating women writers, A Jury of Her Peers.
Author: Nina Baym
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Just as she helped launch the rediscovery of literary texts by American women writers, Nina Baym now uncovers the work of history performed by over 150 writers in over 350 texts. Here she explores a world of important writing unknown even to most specialists. The novels, poems, plays, textbooks, and travel narratives written by women between 1790 and the Civil War defy current theories of women's writing that stress a female domain of the private, homebound, and emotional. History is inarguably public in its nature and these women wrote it. In doing so, they challenged the imaginative and intellectual boundaries that divided domestic and public worlds. They claimed on behalf of all women the rights to know and to speak about the world outside the home, as well as to circulate their knowledge and opinions among the public. Their work helped shape the enormous public interest in history characteristic of the antebellum nation, and ultimately to forge our national identity in the history of the world. Nina Baym deftly outlines the master narrative of history implied in women's writings of this period, and discusses in a completely revisioned context the emergence of women's history in public discourse.
Author: Deborah Barker
Publisher: Bucknell University Press
ISBN: 9780838754085
Category : Drama
Languages : en
Pages : 266
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Book Description
"In their challenge to a gendered, racialized evolutionary aesthetics as embodied in the female copyist as an icon of cultural reproduction, these women writers enact in a fictional format what many recent feminists address at the theoretical level: a resistance to essentialist definitions of women's nature and to "universal" standards of high culture."--BOOK JACKET.
