The Pencil of Nature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Pencil of Nature PDF full book. Access full book title The Pencil of Nature by William Henry Fox Talbot. Download full books in PDF and EPUB format.
Author: William Henry Fox Talbot
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
Get Book
Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: William Henry Fox Talbot
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
Get Book
Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Mirjam Brusius
Publisher: Studies in British Art
ISBN: 9780300179347
Category : Photography
Languages : en
Pages : 0
Get Book
Book Description
William Henry Fox Talbot (1800-1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age--a time that saw many political, social, intellectual, technical, and industrial changes. His manuscripts, now in the archive of the British Library, reveal the connections and contrasts between his photographic innovations and his investigations into optics, mathematics, botany, archaeology, and classical studies. Drawing on Talbot's fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 9780892366606
Category : J. Paul Getty Museum
Languages : en
Pages : 148
Get Book
Book Description
Schaaf, an independent photohistorian and research professor at the University of Glasgow and the director of the Correspondence of William Henry Fox Talbot Project, discusses approximately fifty of Talbot's images in the collection of the Getty Museum."--BOOK JACKET.
Author: Dan Leers
Publisher: Thames & Hudson
ISBN: 9780880390606
Category : Photography, Artistic
Languages : en
Pages : 95
Get Book
Book Description
This publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot?s 'photogenic drawings' (photograms), calotypes and salted paper prints are some of the first-ever examples of images captured on paper.0This book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer's early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot's fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.00Exhibition: Carnegie Museum of Art, Pittsburgh, United States (18.11.2017 - 11.02.2018).
Author: Vered Maimon
Publisher: U of Minnesota Press
ISBN: 1452944210
Category : Photography
Languages : en
Pages : 260
Get Book
Book Description
Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today’s prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot’s accounts on the removal of the “artist’s hand” in favor of “the pencil of nature” did not mark a shift from manual to “mechanical” and more accurate or “objective” systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Author: John Hannavy
Publisher: Shire Publications
ISBN: 9780747803515
Category : Biography & Autobiography
Languages : en
Pages : 48
Get Book
Book Description
A monograph on Fox Talbot, universally recognised as the father of modern photography.
Author: Jean-Christophe Bailly
Publisher: Fordham University Press
ISBN: 0823287467
Category : Photography
Languages : en
Pages : 74
Get Book
Book Description
A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured another ladder, “photographed” alongside an incinerated man by the blinding light of the atomic bomb. These two images underpin a poetic and theoretical reflection on the origins of photographic technique, the imaginative power of montage, and the relation of photography to time itself in Jean-Christophe Bailly’s The Instant and Its Shadow, translated into English for the very first time. A rare find of intellectual caliber and theoretical rigor, The Instant and Its Shadow pursues a unique and powerful reflection on the first hundred years of photography’s history and on the essence of the photographic art in general. Inspired by the unexpected coming together of these two iconic images, the book begins by retracing Talbot’s invention of the photographic calotype in the early nineteenthcentury, highlighting the paradox that saw Talbot wishing to imitate the representative arts of painting and drawing while simultaneously liberating the image from any imitative paradigm. This analysis leads Bailly to elucidate photography’s relation to material and visual reality. A meditation on photography’s seeming ability to stop time follows, concluding with the photographs of Hiroshima and the photographic nature of the atomic bomb. Building on an inspired juxtaposition of The Haystack with the Hiroshima photographs, the book becomes a testament to the potency of photomontage, arguing that “the more singular an image, the greater its connective power.” Bailly’s book is at once a lyrical homage to some of the founding texts of photographic theory and a startling reminder of the uncanny power of photography itself. Part theoretical reflection, part lyrical reverie, The Instant and Its Shadow is packed with profound and stellar insights about the medium.
Author: Larry John Schaaf
Publisher: Princeton Univ Department of Art &
ISBN: 0691050007
Category : Photography
Languages : en
Pages : 264
Get Book
Book Description
"This book brings together for the first time high-quality reproductions representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs but also the evidence of the first steps in shaping a totally new type of vision. Talbot became the first artist to be trained by the very art that he had invented." "Drawn from public and private collections throughout the world, the one hundred color plates are reproduced in the actual size of the originals and in all the subtle hues that comprised Talbot's early work. While a number of Talbot's most famous images are included, many of the photographs are little known and are reproduced in this volume for the first time. They range from Talbot's Lilliputian pre-1839 negatives (made in "mouse trap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research the author has conducted in preparation for a catalogue raisonne of Talbot's life's work in photography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Harry John Philip Arnold
Publisher: Hutchinson Radius
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 440
Get Book
Book Description
Features a biographical sketch of the English physicist William Henry Fox Talbot (1800-1877), presented by the School of Mathematics and Statistics of the University of Saint Andrews in Scotland. Notes that Talbot was a pioneer in photography.
Author: Geoffrey Batchen
Publisher: MIT Press
ISBN: 9780262523240
Category : Photography
Languages : en
Pages : 254
Get Book
Book Description
Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
