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Author: John Deathridge
Publisher: Univ of California Press
ISBN: 0520254538
Category : Music
Languages : en
Pages : 320
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Book Description
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
Author: John Deathridge
Publisher: Univ of California Press
ISBN: 0520254538
Category : Music
Languages : en
Pages : 320
Get Book
Book Description
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
Author: John Deathridge
Publisher: Univ of California Press
ISBN: 052093461X
Category : Music
Languages : en
Pages : 321
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Book Description
John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches. At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.
Author: Thomas S. Grey
Publisher: Princeton University Press
ISBN: 1400831784
Category : Music
Languages : en
Pages : 561
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Book Description
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
Author: Thomas S. Grey
Publisher: Cambridge University Press
ISBN: 1139825941
Category : Music
Languages : en
Pages :
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Book Description
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.
Author: John Deathridge
Publisher: W. W. Norton & Company
ISBN: 9780393315905
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
Contains a concise . . . account of Wagner's life by John Deathridge and . . . a treatment of Wagner's music, aesthetics, and individual operas and music dramas by Carl Dahlhaus which is a tour de force. --Joseph Kerman, New York Review of Books
Author: Friedrich Wilhelm Nietzsche
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 510
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Book Description
Author: William Berger
Publisher: Vintage
ISBN: 0307756343
Category : Music
Languages : en
Pages : 466
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Book Description
Do you cringe when your opera-loving friends start raving about the latest production of Tristan? Do you feel faint just thinking about the six-hour performance of Parsifal you were given tickets to? Does your mate accuse you of having a Tannhäuser complex? If you're baffled by the behavior of Wagner worshipers, if you've longed to fathom the mysteries of Wagner's ever-increasing popularity, or if you just want to better understand and enjoy the performances you're attending, you'll find this delightful book indispensable. William Berger is the most helpful guide one could hope to find for navigating the strange and beautiful world of the most controversial artist who ever lived. He tells you all you need to know to become a true Wagnerite--from story lines to historical background; from when to visit the rest room to how to sound smart during intermission; from the Jewish legend that possibly inspired Lohengrin to the tragic death of the first Tristan. Funny, informative, and always a pleasure to read, Wagner Without Fear proves that the art of Wagner can be accessible to everyone. Includes: - The strange life of Richard Wagner--German patriot (and exile), friend (and enemy) of Liszt and Nietzsche - Essential opera lore and "lobby talk" - A scene-by-scene analysis of each opera - What to listen for to get the most from the music - Recommended recordings, films, and sound tracks
Author: Jeremy Wagner
Publisher: Riverdale Avenue Books LLC
ISBN: 162601499X
Category : Fiction
Languages : en
Pages : 158
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Book Description
“The music was a battle cry heard around the world and throughout Heaven and Hell. It would summon Sethis and call out his dark legions to destroy all those who had light in their hearts...” Deep beneath the Egyptian sands, an ancient, evil song written in hieroglyphics is discovered in the long lost, buried pyramid of the demonic pharaoh, Aknaseth. It is written that if this song is performed for the world to hear, it will unleash the Apocalypse upon the world of man, and Sethis—known commonly as Satan—will reign and grant immortality to the chosen. Nihilistic multi-billionaire, Festus Baustone III—with the help of the malevolent Egyptologist, Helmut Hartkopff—will do whatever it takes to bring the song to life at any cost...even if his only daughter, Mona, is to be sacrificed. Kirk Vaisto, known as the “God of Guitar” by his millions of fans, soon finds himself caught between the forces of divine good and monumental evil. Oblivious to the powerful darkness lurking in his guitar strings, Kirk agrees to work for Baustone and Hartkopff to turn Aknaseth’s hieroglyphics into music. Kirk begins a musical journey that takes him from an unholy chapter in ancient Egyptian history to the remains of the true Holy Cross, to the concert stage and to the very edge of Hell itself. Kirk Vaisto will give the performance of a lifetime. Immortality, the end of the world, and the salvation of every mortal soul are the stakes in Jeremy Wagner’s, The Armageddon Chord,
Author: Friedrich Wilhelm Nietzsche
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : Drama
Languages : en
Pages : 296
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Book Description
The preface accuses philosophers of dogmatism, and the first chapter explores this claim. Every great philosophy, Nietzsche asserts, is little more than the personal confession. Philosophers build up complex systems of thought to justify their own assumptions and prejudices. If we can dig these out, we can see what these philosophers value most deeply, and so gain insight into their character. Nietzsche contrasts their dogmatism with the "free spirit" that is not caught up in a particular point of view. He hopes the philosophers of the future will be characterized by such an experimental method, willing to try out any hypothesis, and follow any argument all the way to its conclusion.
Author: Friedrich Nietzsche
Publisher: 1st World Publishing
ISBN: 1595400729
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
1. The Will to Truth, which is to tempt us to many a hazardous enterprise, the famous Truthfulness of which all philosophers have hitherto spoken with respect, what questions has this Will to Truth not laid before us! What strange, perplexing, questionable questions! It is already a long story; yet it seems as if it were hardly commenced. Is it any wonder if we at last grow distrustful, lose patience, and turn impatiently away? That this Sphinx teaches us at last to ask questions ourselves? WHO is it really that puts questions to us here? WHAT really is this "Will to Truth" in us? In fact we made a long halt at the question as to the origin of this Will - until at last we came to an absolute standstill before a yet more fundamental question. We inquired about the VALUE of this Will. Granted that we want the truth: WHY NOT RATHER untruth? And uncertainty? Even ignorance? The problem of the value of truth presented itself before us - or was it we who presented ourselves before the problem? Which of us is the Oedipus here? Which the Sphinx? It would seem to be a rendezvous of questions and notes of interrogation. And could it be believed that it at last seems to us as if the problem had never been propounded before, as if we were the first to discern it, get a sight of it, and RISK RAISING it? For there is risk in raising it, perhaps there is no greater risk.
