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Author: Robert A. Rosenstone
Publisher: Harvard University Press
ISBN: 0674266838
Category : History
Languages : en
Pages : 292
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Book Description
Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.
Author: Robert A. Rosenstone
Publisher: Harvard University Press
ISBN: 0674266838
Category : History
Languages : en
Pages : 292
Get Book
Book Description
Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.
Author: Edward Palmer Thompson
Publisher: Manchester University Press
ISBN: 9780719010675
Category : History
Languages : en
Pages : 394
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Book Description
Author: Richard J. Hathaway
Publisher:
ISBN:
Category : History
Languages : en
Pages : 358
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Book Description
Throughout Michigan's varied and fascinating history, its people have been leaders. They have led the nation in the production of automobiles, iron and copper, lumber, and many agricultural products. Of even grater importance, Michigan citizens have been leaders in the movement for equitable working condicitons, civil rights, and a clean environment.
Author: Joseph J. Corn
Publisher: JHU Press
ISBN: 9780801853999
Category : History
Languages : en
Pages : 192
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Book Description
From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.
Author: Jennifer D. Keene
Publisher: Prentice Hall
ISBN: 9780205092666
Category : United States
Languages : en
Pages : 0
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Book Description
See history. Understand history. Praised by instructors and students alike, the first edition of Visions of America has brought history to life for a generation of visual learners-and has shown how competing visions of America have shaped our nation's past. We've made the second edition of this program even better by adding engaging new features and even easier access to new teaching resources. And, thorough integration with the new MyHistoryLab enables instructors to personalize learning for each student. A better teaching and learning experience This program will provide a better teaching and learning experience-for you and your students. Here's how: Personalize Learning -- The new MyHistoryLab delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals. Improve Critical Thinking -- Chapter openers and end-of-chapter study materials that are tied to MyHistoryLab combine visual sources, narrative, and questions to help students study effectively. Engage Students -- Features focusing on visions that have shaped America and images are integrated with the new MyHistoryLab for a comprehensive learning program. Support Instructors -- MyHistoryLab, Annotated Instructor's eText, MyHistoryLab Instructor's Guide, Teaching Images and Teaching Notes, Class Preparation Tool, Instructor's Manual, MyTest, and PowerPoints are available to be packaged with this text. For volume one of this test, search ISBN-10: 0205092675 For volume two of this text, search ISBN-10: 0205092683 Note: MyHistoryLab does not come automatically packaged with this text. To purchase MyHistoryLab, please visit: www.myhistorylab.com or you can purchase a ValuePack of the text + MyHistorylab (at no additional cost): ValuePack ISBN-10: 0205251617 / ValuePack ISBN-13: 9780205251612.
Author: Robert Hughes
Publisher: Vintage
ISBN: 9781860463723
Category : Art
Languages : en
Pages : 635
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Book Description
Robert Hughes begins where American art itself began, with the Native Americans and the first Spanish invaders in the Southwest; he ends with the art of today. In between, in a scholarly text that crackles with wit, intelligence and insight, he tells the story of how American art developed. Hughes investigates the changing tastes of the American public; he explores the effects on art of America's landscape of unparalleled variety and richness; he examines the impact of the melting-pot of cultures that America has always been. Most of all he concentrates on the paintings and art objects themselves and on the men and women - from Winslow Homer and Thomas Eakins to Edward Hopper and Georgia O'Keeffe, from Arthur Dove and George Bellows to Jackson Pollock and Mark Rothko -awho created them. This is an uncompromising and refreshingly opinionated exploration of America, told through the lens of its art.
Author: Jim Cullen
Publisher: Oxford University Press
ISBN: 0199927669
Category : Biography & Autobiography
Languages : en
Pages : 263
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Book Description
Sensing the Past explores perennial themes in American culture as manifested through the works of six of Hollywood's biggest movies stars: Clint Eastwood, Daniel Day-Lewis, Denzel Washington, Meryl Streep, Tom Hanks, and Jodie Foster.
Author: William Sharpe
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
The relentless pace of urbanization since the industrial revolution has inspired a continuing effort to view, read, and name the modern city. "We are now at a point of transition to a new kind of city", write William Sharpe and Leonard Wallock, "and thus we are experiencing the same crisis of language felt by observers of nineteenth- and early twentieth-century cities." Visions of the Modern City explores the ways in which artists and writers have struggled to define the city during the past two centuries and opens a new perspective on the urban vision of our time. In their introduction, the editors outline three phases in the evolution of the modern city—each having its own distinctive morphology and metaphor— and argue that a new vocabulary is needed to describe the sprawling "urban field" of today. Eric Lampard draws a detailed demographic and geographic picture of urbanization since the late eighteenth century, culminating with the "decentered" city of the 1980s. Other contributors examine the representation of cities from the London and Paris of 1850 to the New York, Los Angeles, and Tokyo of the present. Deborah Nord and Philip Collins follow Henry Mayhew and Charles Dickens, respectively, through the urban underworld of Victorian London. Theodore Reff traces the double life of Paris expressed in the work of Manet, while Michele Hannoosh shows bow Baudelaire influenced the Impressionists by transferring the aesthetic implications of the term nature to urban experience. Thomas Bender and William Taylor focus on tensions between the horizontal and the vertical in the architectural development of New York City, and Paul Anderer investigates the private, domestic spaces that represent Tokyo in postwar Japanese fiction. Steven Marcus analyzes the breakdown of the city as signifying system in the novels of Saul Bellow and Thomas Pynchon, writers who question whether the indecipherable contemporary city has any meaning left at all.
Author: Eric Arthur Goldman
Publisher:
ISBN: 9780841914377
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
This is the history of the Yiddish cinema, and the people who shaped its development. The films were intended as entertainment but also acted to reinforce Jewish identity especially in the United States. The author travelled to fourteen countries, viewed dozens of films (some of them considered lost), and combed archives in Austria, Poland, Western Europe, the former Soviet Union and the United States to uncover details, facts, and background for this narrative. Our story begins with the early Yiddish silent movies, largely films made of Yiddish stage productions in Poland and Russia, and moves on to the innovative film productions in 1920s Soviet Union made with government support, and then on to the Golden Age of this genre In Poland and the United States from 1936-1940. Even after the height of its popularity before the war, Yiddish movies continued to be made in the late 1940s. This newly revised edition includes films of the past fifteen years, as there has been a renaissance of interest in Yiddish- and along with it, Yiddish cinema. Another special feature of this edition are interviews with Jacob Ben-Ami, Ira Greene, Joseph Green and Molly Picon, some of the key figures in Yiddish moviemaking. This fascinating and little-known story is accessible to students of film, Yiddish, Jewish culture, as well as to the general reader.
Author: Zoë Lescaze
Publisher:
ISBN: 9783836555111
Category : Art
Languages : en
Pages : 0
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Book Description
Presents the history of paleoart from 1830-1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy
