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Author: Stephen C. Tobin
Publisher:
ISBN: 9783031311581
Category :
Languages : en
Pages : 0
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Book Description
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce - all published during and influenced by the country's neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country's field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects-or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these "specular fictions" represent an exceptional tendency within literary expression-especially within the cyberpunk genre-that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
Author: Stephen C. Tobin
Publisher:
ISBN: 9783031311581
Category :
Languages : en
Pages : 0
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Book Description
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce - all published during and influenced by the country's neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country's field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects-or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these "specular fictions" represent an exceptional tendency within literary expression-especially within the cyberpunk genre-that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
Author: Stephen C. Tobin
Publisher: Springer Nature
ISBN: 3031311566
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
Author: Antonio Córdoba
Publisher: Springer Nature
ISBN: 3031117913
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.
Author: Alina Müller
Publisher: GRIN Verlag
ISBN: 3346507157
Category : Literary Collections
Languages : en
Pages : 66
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Book Description
Master's Thesis from the year 2016 in the subject American Studies - Miscellaneous, grade: 1,5, Johannes Gutenberg University Mainz, language: English, abstract: The aim of this paper is to explore the intersection of the human body with technology and to demonstrate that cyborgs in fiction are often represented as the ethnic others and act as metaphors for experiences of ethnicity for whom social, cultural, economic or other forces matter. Gender and identity of fictitious cyborgs are the major points of analysis that will be explored within critical race theory, globalization and Asian American Studies. This paper also highlights that Neuromancer reveals the contrast between pre-technological imagery of powerless and vulnerable ethnic bodies in comparison to superior white bodies modified with new technology. Ghost in the Shell, in contrast, points to the technological power of the ethnic bodies that give them strength to liberate themselves from the white dominant discourse. Salt Fish Girl’s biopolitics emphasizes the biological power of the ethnic bodies offering alternative bodily possibilities beyond the technological and the artificial ones. This work also reveals that Neuromancer establishes clear distinctions between the dominant and subordinate, the technological and organic, the self and the other, whereas Ghost in the Shell and Salt Fish Girl blur these distinctions. Besides, this paper also explores the impact of technology on a cyborg’s identity and subjectivity. As Alex Goody suggests: “any identity of a human being lies beyond its physical continuity” (153). In other words, cyborgs in fiction often speculate on possible outcomes of creating technological humans. The cyborgs are able to reveal hopes and anxieties concerning the fusion of technology and biology and to get into the conflict or disunity between their bodies, minds, and souls. The cyborgs are also often emotionally troubled by their memories that can be made prosthetic, false or be erased. This paper also reveals the ambiguous nature of technology because it can devalue and objectify the bodies or give them strength and empowerment. The concluding part of this paper reveals the role of East Asia in speculative fiction and the role of Internet technology for Asian American ethnicity and the representation of the cyborg body online. Cyberspace may also be associated with inaccurate representations of the ethnic bodies. The selected works limit the discussion of this paper to Chinese and Japanese people and culture in the West.
Author: Larry McCaffery
Publisher:
ISBN:
Category :
Languages : en
Pages : 387
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Book Description
Author: David S. Dalton
Publisher: University Press of Florida
ISBN: 1683403223
Category : History
Languages : en
Pages : 187
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Book Description
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities After the end of the Mexican Revolution in 1917, postrevolutionary leaders hoped to assimilate the country’s racially diverse population into one official mixed-race identity—the mestizo. This book shows that as part of this vision, the Mexican government believed it could modernize “primitive” Indigenous peoples through technology in the form of education, modern medicine, industrial agriculture, and factory work. David Dalton takes a close look at how authors, artists, and thinkers—some state-funded, some independent—engaged with official views of Mexican racial identity from the 1920s to the 1970s. Dalton surveys essays, plays, novels, murals, and films that portray indigenous bodies being fused, or hybridized, with technology. He examines José Vasconcelos’s essay “The Cosmic Race” and the influence of its ideologies on mural artists such as Diego Rivera and José Clemente Orozco. He discusses the theme of introducing Amerindians to medical hygiene and immunizations in the films of Emilio “El Indio” Fernández. He analyzes the portrayal of indigenous monsters in the films of El Santo, as well as Carlos Olvera’s critique of postrevolutionary worldviews in the novel Mejicanos en el espacio. Incorporating the perspectives of posthumanism and cyborg studies, Dalton shows that technology played a key role in race formation in Mexico throughout the twentieth century. This cutting-edge study offers fascinating new insights into the culture of mestizaje, illuminating the attitudes that inform Mexican race relations in the present day. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Hector Fernandez L'Hoeste and Juan Carlos Rodriguez
Author: Andrea L. Bell
Publisher: Wesleyan University Press
ISBN: 9780819566348
Category : Fiction
Languages : en
Pages : 372
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Book Description
The first-ever collection of Latin American science fiction in English.
Author: Oscar Zeta Acosta
Publisher: Vintage
ISBN: 0307831671
Category : Fiction
Languages : en
Pages : 209
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Book Description
Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo," a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. Written with uninhibited candor and manic energy, this book is Acosta's own account of coming of age as a Chicano in the psychedelic sixties, of taking on impossible cases while breaking all tile rules of courtroom conduct, and of scrambling headlong in search of a personal and cultural identity. It is a landmark of contemporary Hispanic-American literature, at once ribald, surreal, and unmistakably authentic.
Author: Joan Broadhurst Dixon
Publisher: Routledge
ISBN: 1134784597
Category : Philosophy
Languages : en
Pages : 142
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Book Description
Virtual Futures explores the ideas that the future lies in its ability to articulate the consequences of an increasingly synthetic and virtual world. New technologies like cyberspace, the internet, and Chaos theory are often discussed in the context of technology and its potential to liberate or in terms of technophobia. This collection examines both these ideas while also charting a new and controversial route through contemporary discourses on technology; a path that discusses the material evolution and the erotic relation between humans and machines. Virtual Futures brings together diverse fields such as cyberfeminism, materialist philosophy, postmodern fiction, computing culture and performance art, with essays by Sadie Plant, Stelarc and Manuel de Landa (to name a few). The collection heralds the death of humanism and the ride of posthuman pragmatism. The contested zone of debate throughout these essays is the notion of the posthuman, or the possibility of the cyborg as the free human. Viewed by some writers as a threat to human life and humanism itself, others in the collection describe the posthuman as a critical perspective that anticipates the next step in evolution: the integration or synthesis of humans and machines, organic life and technology. This view of technology and information is heavily influenced by Anglo American literature, especially cyberpunk, Pynchon and Ballard, as well as the materialist philosophies of Freud, Deleuze, and Haraway, Virtual Futures provides analyses by both established theorists and the most innovative new voices working in conjunction between the arts and contemporary technology.
Author: Edward King
Publisher: UCL Press
ISBN: 1911576453
Category : Literary Collections
Languages : en
Pages : 266
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Book Description
Latin America is experiencing a boom in graphic novels that are highly innovative in their conceptual play and their reworking of the medium. Inventive artwork and sophisticated scripts have combined to satisfy the demand of a growing readership, both at home and abroad. Posthumanism and the Graphic Novel in Latin America, which is the first book-length study of the topic, argues that the graphic novel is emerging in Latin America as a uniquely powerful force to explore the nature of twenty-first century subjectivity. The authors place particular emphasis on the ways in which humans are bound to their non-human environment, and these ideas are productively drawn out in relation to posthuman thought and experience. The book draws together a range of recent graphic novels from Argentina, Brazil, Chile, Mexico and Uruguay, many of which experiment with questions of transmediality, the representation of urban space, modes of perception and cognition, and a new form of ethics for a posthuman world. Praise for Posthumanism and the Graphic Novel in Latin America '...well-referenced and… well considered - the analyses it brings are overall well-executed and insightful...' Image and Narrative, Jan 2018, vol 18, no 4
