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Author: Karen L. Levenback
Publisher: Syracuse University Press
ISBN: 9780815605461
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Virginia Woolf was a civilian, a noncombatant during the Great War. Unlike the war poet Wilfred Owen, she had not seen "God through mud." Yet, although she was remembered by her husband as "the least political animal . . . since Aristotle invented the definition," and called "an instinctive pacifist" by Alex Zwerdling, her experience and memory of the war became a touchstone against which life itself was measured. Virginia Woolf and the Great War focuses on Woolf's war consciousness and how her sensitivity to representations of war in the popular press and authorized histories affected both the development of characters in her fiction and her nonfictional and personal writings. As the seamless history of the prewar world had been replaced by the realities of modem war, Woolf herself understood there was no immunity from its ravages, even for civilians. Karen L. Levenback's readings of Mrs. Dalloway, To the Lighthouse, and The Years, in particular—together with her understanding of civilian immunity, the operation of memory in the postwar period, and lexical resistance to accurate representations of war—are profoundly convincing in securing Woolf's position as a war novelist and thinker whose insights and writings anticipate our most current progressive theories on war's social effects and continuing presence.
Author: Karen L. Levenback
Publisher: Syracuse University Press
ISBN: 9780815605461
Category : Literary Criticism
Languages : en
Pages : 240
Get Book
Book Description
Virginia Woolf was a civilian, a noncombatant during the Great War. Unlike the war poet Wilfred Owen, she had not seen "God through mud." Yet, although she was remembered by her husband as "the least political animal . . . since Aristotle invented the definition," and called "an instinctive pacifist" by Alex Zwerdling, her experience and memory of the war became a touchstone against which life itself was measured. Virginia Woolf and the Great War focuses on Woolf's war consciousness and how her sensitivity to representations of war in the popular press and authorized histories affected both the development of characters in her fiction and her nonfictional and personal writings. As the seamless history of the prewar world had been replaced by the realities of modem war, Woolf herself understood there was no immunity from its ravages, even for civilians. Karen L. Levenback's readings of Mrs. Dalloway, To the Lighthouse, and The Years, in particular—together with her understanding of civilian immunity, the operation of memory in the postwar period, and lexical resistance to accurate representations of war—are profoundly convincing in securing Woolf's position as a war novelist and thinker whose insights and writings anticipate our most current progressive theories on war's social effects and continuing presence.
Author: Mark Hussey
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Aesthetics.
Author: Jonathan Atkin
Publisher: Manchester University Press
ISBN: 1847795412
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book draws together for the very first time examples of the 'aesthetic pacifism' practised during the Great War by such celebrated individuals as Virginia Woolf, Siegfried Sassoon and Bertrand Russell. In addition, the book outlines the stories of those less well-known who shared the mind-set of the Bloomsbury Group when it came to facing the first 'total war'. The research for this study took five years, gathering evidence from all the major archives in Great Britain and abroad. This is the first time that such wide-ranging evidence has been placed together in order to paint a complete picture of this fascinating form of anti-war expression.
Author: Virginia Woolf
Publisher: Penguin UK
ISBN: 0141957050
Category : Literary Collections
Languages : en
Pages : 83
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Book Description
'The Germans were over this house last night and the night before that. Here they are again. It is a queer experience, lying in the dark and listening to the zoom of a hornet, which may at any moment sting you to death. It is a sound that interrupts cool and consecutive thinking about peace. Yet it is a sound - far more than prayers and anthems - that should compel one to think about peace. Unless we can think peace into existence we - not this one body in this one bed but millions of bodies yet to be born - will lie in the same darkness and hear the same death rattle overhead.' Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
Author: Barbara Lounsberry
Publisher: University Press of Florida
ISBN: 0813065380
Category : Literary Criticism
Languages : en
Pages : 607
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Book Description
Choice Outstanding Academic Title In her third and final volume on Virginia Woolf’s diaries, Barbara Lounsberry reveals new insights about the courageous last years of the modernist writer’s life, from 1929 until Woolf’s suicide in 1941. Woolf turned more to her diary—and to the diaries of others—for support in these years as she engaged in inner artistic wars, including the struggle with her most difficult work, The Waves, and as the threat of fascism in the world outside culminated in World War II. During this period, the war began to bleed into Woolf’s diary entries. Woolf writes about Hitler, Mussolini, and Stalin; copies down the headlines of the day; and captures how war changed her daily life. Alongside Woolf’s own entries, Lounsberry explores the diaries of 18 other writers as Woolf read them, including the diaries of Leo Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. Lounsberry shows how reading diaries was both respite from Woolf’s public writing and also an inspiration for it. Tellingly, shortly before her suicide Woolf had stopped reading them completely. The outer war and Woolf’s inner life collide in this dramatic conclusion to the trilogy that resoundingly demonstrates why Virginia Woolf has been called “the Shakespeare of the diary.” Lounsberry’s masterful study is essential reading for a complete understanding of this extraordinary writer and thinker and the development of modernist literature.
Author: Vincent Sherry
Publisher: Oxford University Press
ISBN: 9780198026204
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms of public reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical cultural setting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context of the English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
Author: Trudi Tate
Publisher: Manchester University Press
ISBN: 1526184117
Category : Literary Collections
Languages : en
Pages : 305
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Book Description
"A wide ranging, challenging and constantly surprising collection ... focusing on the divisions the war created between men and women." Pat Barker This is an anthology of short stories of World War I from 25 classic writers. Gertrude Stein, Virginia Woolf and Katherine Mansfield are among the women writers whose works account for half the volume. The stories are by turn poignant, violent, harsh, tender and desolating.
Author: Virginia Woolf
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 196
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Book Description
This carefully crafted ebook: "Mrs. Dalloway" is formatted for your eReader with a functional and detailed table of contents. Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
Author: Suzanne Raitt
Publisher: OUP Oxford
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
The Great War stimulated a sudden growth in the novel industry. Well known writers such as Mrs Humphry Ward and Edith Wharton found themselves jostled by authors like Ruby M. Ayres, Kate Finzi, and Olive Dent. The trauma of the war continued to reverberate through much of the fiction published in the years that followed its inglorious end. Women's Fiction and the Great War challenges current thinking about women's responses to the First World War, questioning, even as it supports, the categorization of 'women's writing'. This volume considers some of the best known, and some of the least known, women writers on whose work the war left its shadow. The writing of some of the most famous modernist women writers - including Virginia Woolf, Katherine Mansfield, and HD - is reassessed as war literature, and the work of long-neglected authors such as Vernon Lee, Frances Bellerby, and Mary Butts is at last given serious attention.
Author: Patricia Fara
Publisher: Oxford University Press
ISBN: 0192514164
Category : Science
Languages : en
Pages : 304
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Book Description
Many extraordinary female scientists, doctors, and engineers tasted independence and responsibility for the first time during the First World War. How did this happen? Patricia Fara reveals how suffragists, such as Virginia Woolf's sister, Ray Strachey, had already aligned themselves with scientific and technological progress, and that during the dark years of war they mobilized women to enter conventionally male domains such as science and medicine. Fara tells the stories of women such as: mental health pioneer Isabel Emslie, chemist Martha Whiteley, a co-inventor of tear gas, and botanist Helen Gwynne Vaughan. Women were now carrying out vital research in many aspects of science, but could it last? Though suffragist Millicent Fawcett declared triumphantly that 'the war revolutionised the industrial position of women. It found them serfs, and left them free', the outcome was very different. Although women had helped the country to victory and won the vote for those over thirty, they had lost the battle for equality. Men returning from the Front reclaimed their jobs, and conventional hierarchies were re-established even though the nation now knew that women were fully capable of performing work traditionally reserved for men. Fara examines how the bravery of these pioneer women scientists, temporarily allowed into a closed world before the door clanged shut again, paved the way for today's women scientists. Yet, inherited prejudices continue to limit women's scientific opportunities.
