Victorian Street Ballads PDF Download
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Author: William Henderson (Writer on ballads)
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 168
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Book Description
Author: William Henderson (Writer on ballads)
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 168
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Book Description
Author: Oskar Cox Jensen
Publisher: Cambridge University Press
ISBN: 1108903665
Category : History
Languages : en
Pages : 299
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Book Description
For three centuries, ballad-singers thrived at the heart of life in London. One of history's great paradoxes, they were routinely disparaged and persecuted, living on the margins, yet playing a central part in the social, cultural, and political life of the nation. This history spans the Georgian heyday and Victorian decline of those who sang in the city streets in order to sell printed songs. Focusing on the people who plied this musical trade, Oskar Cox Jensen interrogates their craft and their repertoire, the challenges they faced and the great changes in which they were caught up. From orphans to veterans, prostitutes to preachers, ballad-singers sang of love and loss, the soil and the sea, mediating the events of the day to an audience of hundreds of thousands. Complemented by sixty-two recorded songs, this study demonstrates how ballad-singers are figures of central importance in the cultural, social, and political processes of continuity, contestation, and change across the nineteenth-century world.
Author: W. Henderson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: DerekB. Scott
Publisher: Routledge
ISBN: 1351556878
Category : History
Languages : en
Pages : 374
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Book Description
Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established. Among the themes of the collection are social class, ideology, national identity, imperialism, Orientalism, race, the sacred and profane, modernity and postmodernity, and the vexed relationship of art and entertainment. A wide variety of musical styles is discussed, ranging from jazz and popular song to the symphonic repertoire and opera.
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0195364627
Category : Music
Languages : en
Pages : 494
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Book Description
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author: Laurel Brake
Publisher: Springer
ISBN: 1349628859
Category : Science
Languages : en
Pages : 395
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Book Description
This collection of important new research in 19th-century media history represents some salient, recent developments in the field. Taking as its theme, the ways the media serves to define identities - national, ethnic, professional, gender, and textual, the volume addresses serials in the UK, the US, and Australia. High culture rubs shoulders with the popular press, text with image, feminist periodicals and masculine, gay, and domestic serials. Theory and history combine in research by scholars of international repute.
Author: Gale Huntington
Publisher: University of Georgia Press
ISBN: 0820336254
Category : Music
Languages : en
Pages : 674
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Book Description
The story of Ireland—its graces and shortcomings, triumphs and sorrows—is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world. Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. Sam Henry's “Songs of the People” makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music. In addition to the songs themselves and their original commentary, Sam Henry's “Songs of the People” includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the Northern Constitution.
Author: Ian Watson
Publisher: Routledge
ISBN: 1317357736
Category : Social Science
Languages : en
Pages : 269
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Book Description
Originally published in 1983. Song has always been a natural way to record everyday experiences – an expression of celebration, commiseration, complaint and protest. This innovative book is a study of popular and working-class song combining several approaches to the subject. It is a history of working-class song in Britain which concentrates not simply on the songs and the singers but attempts to locate such song in its cultural context and apply principles of literary criticism to this essentially oral medium. It triggered controversy: some critics castigated its Marxist approach, others enthused that ‘such unabashed partisanship amply reveals the outstanding characteristic of Watson's book’. The author discusses the way in which the popular song, from Victorian times onwards, has been forced by the entertainment industry out of its roots in popular culture, to become a blander form of art with minimal critical potential. The book ends by considering the possibilities for a continued flourishing of a genuine popular song culture in an electronic age. It has become a standard title in bibliographies and curricula. Much has changed since 1983, not least in music; but this then innovative book still has a lot to say about popular song in its social and historical context.
Author: Tristram Potter Coffin
Publisher: University of Texas Press
ISBN: 0292735073
Category : Social Science
Languages : en
Pages : 316
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Book Description
Tristram Potter Coffin’s The British Traditional Ballad in North America, published in 1950, became recognized as the standard reference to the published material on the Child ballad in North America. Centering on the theme of story variation, the book examines ballad variation in general, treats the development of the traditional ballad into an art form, and provides a bibliographical guide to story variation as well as a general bibliography of titles referred to in the guide. Roger deV. Renwick’s supplement to The British Traditional Ballad in North America provides a thorough review of all sources of North American ballad materials published from 1963, the date of the last revision of the original volume, to 1977. The references, which include published text fragments and published title lists of items in archival collections, are arranged according to each ballad’s story variations. Textual and thematic comparisons among ballads in the British and American tradition are made throughout. In his introductory essay Renwick synthesizes the various theoretical approaches to the phenomenon of variation that have appeared in scholarly publications since 1963 and provides examples from texts referred to in the bibliographical guide itself. The supplement, like its parent work, is an invaluable reference tool for the study of variation in ballad form, content, and style. Together with the reprinted text of the 1963 edition, the supplement provides an exhaustive bibliography to the literature on the British traditional ballad in North America.
Author: Jennifer Thorn
Publisher: University of Delaware Press
ISBN: 9780874138191
Category : History
Languages : en
Pages : 300
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Book Description
Writing British Infanticide tracks the ways that the circulation of narratives of child-murder in eighteenth- and nineteenth century Britain shaped perceptions and punishments of the crime and, more elusively, hierarchies of class and gender. The essays brought together in this volume pose the question: How are we to understand the proliferation of writing about child-murder in eighteenth- and nineteenth-century Britain, the overlap of an expanding print culture with the widely evident narration of this particular crime? Further, what are we to make of the recurrent and remarkably consistent representation of child-murder as the special province of unmarried, desparate women? Focussing on specific instances of the transformative effect of the circulation of narratives of child-murder, 'Writing British Infanticide' takes as its purview not child-murder per se but the ways that writing about its credentialed and differentiated writers in different, but often overlapping, genres and moments in a key period in the expansion of print. Jennifer Thorn is an Assistant Professor of English at Duke University.
