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Author: Arthur C. Danto
Publisher: Columbia University Press
ISBN: 023154572X
Category : Philosophy
Languages : en
Pages : 539
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Book Description
Arthur C. Danto's essays not only critique bodies of work but reflect upon art's conceptual evolution as well, drawing for the reader a kind of "philosophical map" indicating how art and the criteria for judging it has changed over the twentieth century. In Unnatural Wonders the renowned critic finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So the theorist goes in search of contemporary art's most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is now the definitive art of our time. Danto considers the work of such young artists as John Currin and Renee Cox and older living masters including Gerhard Richter and Sol LeWitt. He discusses artists of the New York School, like Philip Guston and Joan Mitchell, and international talents, such as the South African William Kentridge. Danto conducts a frank analysis of Matthew Barney's The Cremaster Cycle, Damien Hirst's skeletons and anatomical models, and Barbara Kruger's tchotchke-ready slogans; finds the ghost of Henry James in the work of Barnett Newman; and muses on recent Whitney Biennials and art influenced by 9/11. He argues that aesthetic considerations no longer play a central role in the experience and critique of art. Instead art addresses us in our humanity, as men and women who seek meaning in the "unnatural wonders" of art, a meaning that philosophy and religion are unable to provide.
Author: Arthur C. Danto
Publisher: Columbia University Press
ISBN: 023154572X
Category : Philosophy
Languages : en
Pages : 539
Get Book
Book Description
Arthur C. Danto's essays not only critique bodies of work but reflect upon art's conceptual evolution as well, drawing for the reader a kind of "philosophical map" indicating how art and the criteria for judging it has changed over the twentieth century. In Unnatural Wonders the renowned critic finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So the theorist goes in search of contemporary art's most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is now the definitive art of our time. Danto considers the work of such young artists as John Currin and Renee Cox and older living masters including Gerhard Richter and Sol LeWitt. He discusses artists of the New York School, like Philip Guston and Joan Mitchell, and international talents, such as the South African William Kentridge. Danto conducts a frank analysis of Matthew Barney's The Cremaster Cycle, Damien Hirst's skeletons and anatomical models, and Barbara Kruger's tchotchke-ready slogans; finds the ghost of Henry James in the work of Barnett Newman; and muses on recent Whitney Biennials and art influenced by 9/11. He argues that aesthetic considerations no longer play a central role in the experience and critique of art. Instead art addresses us in our humanity, as men and women who seek meaning in the "unnatural wonders" of art, a meaning that philosophy and religion are unable to provide.
Author: Arthur Coleman Danto
Publisher: Columbia University Press
ISBN: 9780231141154
Category : Art
Languages : en
Pages : 412
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Book Description
The famous theorist locates contemporary art's most exhilarating achievements.
Author: Gerhild Scholz Williams
Publisher: Routledge
ISBN: 1351873539
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Gerhild Scholz Williams's Ways of Knowing in Early Modern Germany: Johannes Praetorius as a Witness to His Time, reviews key discourses in eight of Praetorius's works. She introduces the modern reader to the kinds of subjects, the intellectual and spiritual approaches to them, and the genres that this educated and productive German scholar and polymath presented to his audience in the seventeenth century. By relating these individual works to a number of contemporaneous writings, Williams shows how Praetorius constructed a panorama in print in which wonders, the occult, the emerging scientific way of thinking, family and social mores are recurrent themes. Included in Praetorius's portrait of the mid-seventeenth-century are discussions of Paracelsus's scientific theories and practice; early modern German theories on witchcraft and demonology and their applications in the seventeenth century. Furthermore, we read about the early modern beginnings of ethnography, anthropology, and physical geography; gender theory, early modern and contemporary notions of intellectual property, and competing and sometimes conflicting early modern scientific and theological explanations of natural anomalies. Moreover, throughout his work and certainly in those texts chosen for this study, Praetorius appears before us as an assiduous reporter of contemporary European and pan-European events and scientific discoveries, a critic of common superstitions, as much a believer in occult causes and signs and in God's communication with His people. In his writings, in his way of telling, he offers strategies by which to comprehend the political, social, and intellectual uncertainties of his century and, in so doing, identifies ways to confront the diverse interpretive authorities and the varieties of structures of knowledge that interacted and conflicted with each other in the public arena of knowing.
Author: Steven Felix
Publisher: BRILL
ISBN: 9004291628
Category : Religion
Languages : en
Pages : 236
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Book Description
Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics, with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens.
Author: T. M. Blanchet
Publisher: Tiny Fox Press
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 330
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Book Description
Underground. Underwater. Out of time. Ollie had only wanted to make things better at Herrick's End. And he thought he had, until he sees the stark truth spelled out in black-and-white: His friends are in danger, and it's all his fault. The good news? There might be a solution. The less-good news? It's hidden at the bottom of a deep, dangerous lake. Leaping into that water, he knows, is a monstrously bad idea. It's also the only idea he's got. One thing is certain: Ollie's quest to right past wrongs is about to open up a whole new can of wormwalkers in the extraordinary underground world he now calls home.
Author: Matthew BROWNE (pseud. [i.e. William Brighty Rands.])
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 346
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Book Description
Author: William Brighty Rands
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
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Book Description
Author: Matthew Browne
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Book Description
Author: Matthew Browne
Publisher: BoD – Books on Demand
ISBN: 3375020074
Category : Fiction
Languages : en
Pages : 341
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Book Description
Reprint of the original, first published in 1869.
Author: Alistair Sinclair
Publisher: Taylor & Francis
ISBN: 1351894897
Category : Philosophy
Languages : en
Pages : 155
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Book Description
This book suggests that religion, in its usual sense, can be replaced by something better, that the human spirit or subjectivity can be the subject of scientific study and that lack of purpose or design in the universe is not a handicap but a positive opportunity for intelligent beings to make of the universe and its contents what they reasonably can. The book breaks new ground in suggesting a radical alternative to religion. It offers a scientific and humanist alternative to religion which appeals to people’s critical faculties rather than emotions or intuitions. It also challenges current views of causation and the principle of sufficient reason by stressing the subjectivity of our reasoning powers and clarifying these in relation to an independent external reality. It develops and elaborates a notion of the ’noosphere’ within a theoretical system, this enables the notion to assume a scientific importance which it currently lacks because it is treated as an isolated, eccentric and rather mystical idea.
