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Author: Richard Farmer
Publisher: Edinburgh University Press
ISBN: 1474423132
Category : Electronic books
Languages : en
Pages : 416
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Book Description
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
Author: Richard Farmer
Publisher: Edinburgh University Press
ISBN: 1474423132
Category : Electronic books
Languages : en
Pages : 416
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Book Description
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
Author: FARMER.
Publisher:
ISBN: 9781474464826
Category :
Languages : en
Pages :
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Book Description
Author: Petrie Duncan Petrie
Publisher: Edinburgh University Press
ISBN: 1474443915
Category : History
Languages : en
Pages : 343
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Book Description
This collection of exciting new research on British cinema of the 1960s reconsiders and reframes the film culture that emerged from that tumultuous decade. Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes. With perspectives and insights from established scholars and new critical voices, Sixties British Cinema Reconsidered draws on under-explored archival resources to explore four key research areas: stars and stardom; creative collaborations in filmmaking; developments in genre and film style; and how the cinema of the period both responded and contributed to social and cultural transformation in the 1960s.
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838718249
Category : Performing Arts
Languages : en
Pages : 524
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Book Description
British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.
Author: Duncan Petrie
Publisher:
ISBN: 9781474443890
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.
Author: Melvyn Stokes
Publisher:
ISBN: 9781911239901
Category : Motion pictures, British
Languages : en
Pages : 208
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Book Description
The 1960s was a rich decade for British cinema audiences. Alongside Hollywood films, from Westerns such as The Man Who Shot Liberty Valance (1962) and The Dirty Dozen (1967) were musicals including West Side Story (1961), Mary Poppins (1964) and The Sound of Music (1965), and epics such as The Longest Day (1962), Cleopatra (1963) and The Greatest Story Ever Told (1965) Towards the end of the decade, a new style of filmmaking emerged, with movies such as The Graduate (1967), Bonnie and Clyde (1967), Butch Cassidy and the Sundance Kid (1969) and Easy Rider (1969). Although the total number of screens in the UK declined from over 3,000 in 1960 to little more than half this by the end of the decade, British cinema itself remained buoyant. The decade saw the release of many so-called 'kitchen sink' dramas including Saturday Night and Sunday Morning (1960), A Taste of Honey (1961) and This Sporting Life (1963), together with the 'Swinging London' films such as Darling (1965) and Alfie (1966). It witnessed the birth of the James Bond franchise with Dr No in 1962, followed by five other 007 films by 1969. The well-established 'Carry On' franchise produced many more films: 15 in all between 1960 and 1969. British director David Lean directed the epics Lawrence of Arabia (1962) and Dr Zhivago (1965). Drawing on first-hand memories from over 1000 cinema-goers, Screen Memories reveals what it was like to see these and other films in British cinemas in the 1960s. The authors explore what the social experience of cinema-going was like during this decade. They consider how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their examination helps the reader envision what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Either, as many have argued, a period of transformative change, or, as an era marked by considerable continuity with the 1940s and 50s. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to its audiences.
Author: Duncan Petrie
Publisher: Edinburgh University Press
ISBN: 1474443907
Category : History
Languages : en
Pages : 280
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Book Description
"Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes."--Publisher description.
Author: Helen Gurley Brown
Publisher: Open Road Media
ISBN: 1453255842
Category : Family & Relationships
Languages : en
Pages : 307
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Book Description
The 1962 blockbuster that took on “one of the most absurd (if universal) myths of our time: that every girl must be married” (The New York Times). Helen Gurley Brown, the iconic editor in chief of Cosmopolitan for thirty-two years, is considered one of the most influential figures of Second Wave feminism. Her first book sold millions of copies, became a cultural phenomenon, and ushered in a whole new way of thinking about work, men, and life. Feisty, fun, and totally frank, Sex and the Single Girl offers advice to unmarried women that is as relevant today as it was when it burst onto the scene in the 1960s. This spirited manifesto puts women—and what they want—first. It captures the exuberance, optimism, and independence that have influenced the lives of so many contemporary American women.
Author: Melvyn Stokes
Publisher: Bloomsbury Publishing
ISBN: 1911239880
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Cinema Memories brings together and analyses the memories of almost a thousand people of going to the cinema in Britain during the 1960s. It offers a fresh perspective on the social, cultural and film history of what has come to be seen as an iconic decade, with the release of films such as A Taste of Honey, The Sound of Music, Darling, Blow-Up, Alfie, The Graduate, and Bonnie and Clyde. Drawing on first-hand accounts, authors Melvyn Stokes, Matthew Jones and Emma Pett explore how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their analysis helps the reader see what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to their audiences.
Author: Sarah Street
Publisher: Bloomsbury Publishing
ISBN: 1911239597
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.
