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Author: Tomasz Grusiecki
Publisher: Manchester University Press
ISBN: 1526164353
Category : Design
Languages : en
Pages : 339
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Book Description
Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland–Lithuania’s roots in the supposedly ‘Oriental’ land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation. The book reveals how artefacts began to signify as vernacular idioms in the first place, often through obscuring their non-local origin and tainting subsequent discussions of the imagined purity of national culture as a result.
Author: Tomasz Grusiecki
Publisher: Manchester University Press
ISBN: 1526164353
Category : Design
Languages : en
Pages : 339
Get Book
Book Description
Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland–Lithuania’s roots in the supposedly ‘Oriental’ land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation. The book reveals how artefacts began to signify as vernacular idioms in the first place, often through obscuring their non-local origin and tainting subsequent discussions of the imagined purity of national culture as a result.
Author: Jacopo Galimberti
Publisher: Manchester University Press
ISBN: 1526117495
Category : Art
Languages : en
Pages : 310
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Book Description
This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.
Author: Mechthild Fend
Publisher: Rethinking Art's Histories
ISBN: 9780719087967
Category : Anatomy, Artistic
Languages : en
Pages : 314
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Book Description
Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Author: Catherine Spencer
Publisher: Manchester University Press
ISBN: 1526144476
Category : Art
Languages : en
Pages : 403
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Book Description
Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. By the mid-1960s Happenings were widely declared outmoded or even ‘dead’, but this book reveals how many practitioners continued to work with the form during the late 1960s and 1970s, developing it into a vehicle for studying interpersonal communication that simultaneously deployed and questioned contemporary sociology and psychology. Focussing on the artists Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening within a wider network of dynamic international activity. The resulting performances directly intervened in the wider discourse of communication studies, as it manifested in the politics of countercultural dropout, soft power and cultural diplomacy, alternative pedagogies, sociological art and feminist consciousness-raising.
Author: Rakhee Balaram
Publisher: Manchester University Press
ISBN: 1526125188
Category : Art
Languages : en
Pages : 433
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Book Description
Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.
Author: Octavian Esanu
Publisher: Manchester University Press
ISBN: 1526157993
Category : Art
Languages : en
Pages : 199
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Book Description
The postsocialist contemporary joins a growing body of scholarship debating the definition and nature of contemporary art. It comes to these debates from a historicist perspective, taking as its point of departure one particular art programme, initiated in Eastern Europe by the Hungarian-American billionaire George Soros. First implemented in Hungary, the Soros Center for Contemporary Art (SCCA) expanded to another eighteen ex-socialist countries throughout the 1990s. Its mission was to build a western ‘open society’ by means of art. This book discusses how network managers and artists participated in the construction of this new social order by studying the programme’s rise, evolution, impact and broader ideological and political consequences. Rather than recounting a history, its engages critically with ‘contemporary art’ as the aesthetic paradigm of late-capitalist market democracy.
Author: Siobhán Shilton
Publisher: Manchester University Press
ISBN: 9780719087103
Category : Art
Languages : en
Pages : 288
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Book Description
This book explores Franco-Maghrebi crossings in contemporary art, giving particular attention to performance, video, photography and installation. Transcultural Encounters is the first book to focus on postcolonial approaches to art in France and the wider French-speaking world, this study examines new – and distinctively visual – means of presenting diversely transnational identities. Drawing on visual studies and postcolonial studies (both Francophone and Anglophone), it is driven by the following key questions: how do works of art exploring Franco-Maghrebi identities utilize features specific to the media of performance, video, photography and installation? How do such works of art spur a re-thinking of both postcolonial and feminist issues and critical terms in an uneven globalized Francophone frame? How do they develop art historical debates concerning gender and corporeal representation in their response to issues arising from specific French and Maghrebi cultures? How do these works test the boundaries of established art genres, calling for new modalities of "reading" transnational visual culture? The book will be of interest to students and lecturers in French studies, postcolonial studies, visual studies and gender studies, as well as curators and artists working across cultures and media.
Author: Mia L. Bagneris
Publisher: Manchester University Press
ISBN: 152612047X
Category : Art
Languages : en
Pages : 376
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Book Description
Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.
Author: Robert I. Frost
Publisher: Cambridge University Press
ISBN: 9780521544023
Category : History
Languages : en
Pages : 240
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Book Description
Robert Frost examines the reasons for the collapse of the Polish-Lithuanian Commonwealth after the Swedish invasion of 1655.
Author: Jasmina Tumbas
Publisher:
ISBN: 9781526169044
Category :
Languages : en
Pages : 344
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Book Description
Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works.
