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Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
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Book Description
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
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Book Description
Author: Joshua Charles Taylor
Publisher: Univ of California Press
ISBN: 9780520048874
Category : Art
Languages : en
Pages : 584
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Book Description
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Author: Kristine Stiles
Publisher: Univ of California Press
ISBN: 9780520202511
Category : Art
Languages : en
Pages : 1262
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Book Description
Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.
Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 684
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Book Description
Author: Mary Acton
Publisher: Psychology Press
ISBN: 9780415238113
Category : Art
Languages : en
Pages : 392
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Book Description
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
Author: Paul Mattick
Publisher: Routledge
ISBN: 1134554168
Category : Art
Languages : en
Pages : 198
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Book Description
This is an exciting exploration of the role art plays in our lives. Mattick takes the question ""What is art?"" as a basis for a discussion of the nature of art, he asks what meaning art can have and to whom in the present order.
Author: Henri Dorra
Publisher: Univ of California Press
ISBN: 9780520077683
Category : Art
Languages : en
Pages : 420
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Book Description
Presents the development and the aesthetic theories of the symbolist movement in art and literature
Author: Kim Grant
Publisher: Penn State Press
ISBN: 0271079479
Category : Art
Languages : en
Pages : 283
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Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
Author: Roni Grén
Publisher: Routledge
ISBN: 1351671723
Category : Art
Languages : en
Pages : 274
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Book Description
This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth and twentieth century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Grén’s book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics.
