History of Architectural Theory PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download History of Architectural Theory PDF full book. Access full book title History of Architectural Theory by Hanno-Walter Kruft. Download full books in PDF and EPUB format.
Author: Hanno-Walter Kruft
Publisher: Princeton Architectural Press
ISBN: 9781568980102
Category : Architecture
Languages : en
Pages : 802
Get Book
Book Description
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
Author: Hanno-Walter Kruft
Publisher: Princeton Architectural Press
ISBN: 9781568980102
Category : Architecture
Languages : en
Pages : 802
Get Book
Book Description
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
Author: Ute Lotz-Heumann
Publisher: Routledge
ISBN: 1000416186
Category : History
Languages : en
Pages : 335
Get Book
Book Description
Shifting the focus from the medical use of spas to their cultural and social functions, this study shows that eighteenth- and early nineteenth-century German spas served a vital role as spaces where new ways of perceiving the natural environment and conceptualizing society were disseminated. Although spas continued to be places of health and healing, their function and perception in central Europe changed fundamentally around the middle of the eighteenth century. This transformation of the role of the spa occurred in two ways. First, the spa popularized a new perception of the landscape with a preference for mountains and the seacoast, forming the basis for the cultural assumptions underlying modern tourism. Second, contemporaries perceived spas as meeting places comparable to institutions of Enlightenment sociability like coffeehouses, salons, and Masonic lodges. Spas were conceived as spaces where the nobility and the bourgeoisie could interact on an equal footing, thereby overcoming the constraints of early modern social boundaries. These changes were negotiated through both personal interactions at spas and an increasingly sophisticated published spa discourse. The late eighteenth- and early nineteenth-century German spa thus helped to bring about social and cultural modernity.
Author: C. C. L. Hirschfeld
Publisher: University of Pennsylvania Press
ISBN: 9780812202281
Category : Architecture
Languages : en
Pages : 550
Get Book
Book Description
"Hirschfeld's five-volume Theorie der Gartenkunst, published between 1779 and 1785 in both German and French, has long been recognized for its importance in the history of gardening, but its reputation has been primarily based on secondary sources. . . . Parshall's fluid translation (from the German) and judicious editing . . . will change all that."—LandForum
Author: Michael G. Lee
Publisher: Routledge
ISBN: 1000143813
Category : Philosophy
Languages : en
Pages : 276
Get Book
Book Description
In the 1790s, a close-knit group of German philosophers published several garden theory texts. These works are unique in that a close-knit group of philosophers had never before--and has not since--produced so many works on the topic of garden design. In essence, this cohort sought to imbue the most visionary concepts that had been inherited from the German garden tradition with the intellectual resources that were newly available through Kant’s critical philosophy. The most important of these concepts was the prescription for a new Mittelweg, or "middle path," garden that would mediate between the perceived excesses of French formalism and the English picturesque. In close analysis, the author demonstrates that Kant used similar "middle path" techniques in the design of his own "critical path" between dogmatism and skepticism. This similarity is most apparent when he uses topographical metaphors to describe the organizational principles of his system. By interpreting Kant’s topographical metaphors in relation to contemporary garden theories, this book offers new insights into the structural similarities between his "critical path" and the German garden’s "middle path" between French formalism and the English picturesque.
Author: Franz PETER
Publisher:
ISBN:
Category :
Languages : en
Pages : 58
Get Book
Book Description
Author: Arno Schilson
Publisher: Wayne State University Press
ISBN: 9780814331071
Category : Literary Criticism
Languages : en
Pages : 410
Get Book
Book Description
The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English. Essays in this volume explore a wide variety of subjects pertaining to class and gender, identity formation, and art in Lessing's work, as well as Lessing's philosphy on music and poetry.
Author: Annette Richards
Publisher: Cambridge University Press
ISBN: 9780521640770
Category : Art
Languages : en
Pages : 278
Get Book
Book Description
This book explores the 'picturesque' in the music of Bach, Haydn, and Beethoven.
Author: Mari Hvattum
Publisher: MIT Press
ISBN: 0262545004
Category : Architecture
Languages : en
Pages : 313
Get Book
Book Description
How modern notions of architectural style were born—and the debates they sparked in nineteenth-century Germany. The term style has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is “no longer alone”—in architecture actually work? How was it used and what did it mean? In Style and Solitude, Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and charting how it grew to influence modern architectural discourse and practice. As Hvattum explains, German thinkers of the eighteenth and nineteenth century offered competing ideas of what style was and how it should be applied in architecture. From Karl Friedrich Schinkel’s thoughtful eclecticism to King Maximilian II’s attempt to capture the zeitgeist in an architectural competition, style was at the center of fascinating experiments and furious disputes. Starting with Johann Joachim Winckelmann’s invention of the period style and ending a century later with Gottfried Semper’s generative theory of style, Hvattum explores critical debates that are still ongoing today.
Author: Hermann Peiter
Publisher: Wipf and Stock Publishers
ISBN: 1556354401
Category : Religion
Languages : en
Pages : 800
Get Book
Book Description
No one is so intimately acquainted with Schleiermacher's Christian Ethics material or with the 1821-1822 first edition of his companion volume, Christian Faith, than Hermann Peiter. The present volume is a collection of Peiter's nineteen essays and thirty reviews. Extensive English summaries are offered for all this material, and an English version for four of the essays. Professor Peiter's summary of this volume reads as follows: This book treats of praxis in the Christian life and of Christian responsibility for the world we have in common. The following, however, forms a background for these considerations. Schleiermacher reminds his Christian brethren, who often deck themselves out with alien, borrowed plumes from morals and metaphysics, of their actual theme, that of religion, which he also designates as a kind or mode of faith. Like Luther, he also turns against both the practical misconception that considers faith itself to be a good work and the theoretical misconception that faith is a product of thinking, a theory. Whether a practitioner thinks to give thanks for one's own work or whether a theoretician hopes to find final fulfillment and justification in one's range of metaphysical ideas amounts to the same thing. Faith is the courage to be (Paul Tillich). For Schleiermacher, to want to have speculation (thus, metaphysics) and praxis without religion is the nonsalutary intention of Prometheus, who faintheartedly stole what he could have expected to possess in restful security. If taken seriously, the 'gods'-to use that pagan expression for once-are that nature to which a human being belongs. Each human being is their possession. When one steals what the gods have, one steals oneself, can thank oneself for a robbery. For a gift that is stolen, one cannot possibly be thankful. Only a pure gift awakens true joy. A human being has the chance to receive the gift that one is or is not (in case it is stolen) not from a thief but from religion. Thanks to one's birth, both physical and spiritual, one gains oneself and has oneself. To steal means to take away, to depreciate. In contrast, whoever has oneself from elsewhere is no longer extracted from oneself or from the one to whom one belongs.
Author: Christian Cay Lorenz Hirschfeld
Publisher:
ISBN:
Category : Gardens
Languages : de
Pages : 466
Get Book
Book Description
First edition of the book which introduced English garden design to northern Europe. Christian Cajus Lorenz Hirschfeld (1742-1792), professor in philosophy and art at Kiel in Germany, specialized in the art of the garden, and wrote a number of books on country-houses and country-gardens, which led up to the present, his most important work, in which the author treats the whole history and theory of garden architecture. The work is a classic in its field, and is still of importance. As Hirschfeld loved nature, he much preferred the more natural English school of garden architecture above the more stylistic French and the too abundant Italian schools of garden architecture. He did much to promote the English garden in Germany, and paved the way for the new ideas that a garden, though cultivated, should be in harmony with nature.
