Theatrical Street Ballads PDF Download
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Author: Society for Theatre Research
Publisher: London : Society for Theatre Research
ISBN:
Category : Poetry
Languages : en
Pages : 120
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Book Description
Author: Society for Theatre Research
Publisher: London : Society for Theatre Research
ISBN:
Category : Poetry
Languages : en
Pages : 120
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Book Description
Author: Various
Publisher: Routledge
ISBN: 1317398920
Category : Performing Arts
Languages : en
Pages : 1622
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Book Description
Reissuing works originally published between 1971 and 1981, this compact set offers an outstanding collection of scholarship devoted to 19th Century, Victorian, theatre. A small set of performance history and criticism, this set includes a biography of Henry Irving, a look at the rise of the status of a career as actor, and a consideration of the advent of dramatic criticism. These volumes present together a lively picture of the development of the contemporary theatre.
Author: Elizabeth Hale Winkler
Publisher: University of Delaware Press
ISBN: 9780874133585
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
Author: Natascha Würzbach
Publisher: Cambridge University Press
ISBN: 9780521177443
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Natascha Würzbach's 1981 study of the street ballad was the first to investigate a specific genre of popular literature which had previously been vastly neglected. Attention is focused on the social and cultural conditions which accompanied its development. It is also looked at as a literary form.
Author: Henry Mayhew
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 552
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Book Description
Author: Linda Phyllis Austern
Publisher: Indiana University Press
ISBN: 0253024978
Category : Music
Languages : en
Pages : 334
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Book Description
English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 538
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Book Description
Author: Dianne Dugaw
Publisher: Routledge
ISBN: 1317357809
Category : Social Science
Languages : en
Pages : 362
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Book Description
Originally published in 1995. This book’s collection of key essays presents a coherent overview of touchstone statements and issues in the study of Anglo-American popular ballad traditions and suggests ways this panoramic view affords us a look at Euro-American scholarship’s questions, concerns and methods. The study of ballads in English began early in the eighteenth century with Joseph Addison’s discussions which marked the onset of an aesthetic and scholarly interest in popular traditions. Therefore the collection begins with him and then chronologically includes scholars whose views mark pivotal moments which taken together tell a story that does not emerge through an examination of the ballads themselves. The book addresses debates in tradition, orality, performance and community as well as national genealogies and connections to contexts. Each selected piece is pre-empted by an introductory section on its importance and relevance.
Author: Hanns-Werner Heister
Publisher: Springer Nature
ISBN: 3662629070
Category : Technology & Engineering
Languages : en
Pages : 724
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Book Description
This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore). Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author’s research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and – conscious – “blurring”. In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a “Philosophy of Fuzzy Logic”. Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.
Author: Henry Mayhew
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Book Description
