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Author: George Frideric Handel
Publisher: Alfred Music Publishing
ISBN: 9780757937859
Category : Music
Languages : de
Pages : 0
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Book Description
The allegorical play The Triumph of Time and Truth is based upon a work which Handel composed at Rome about 1708, to Italian words by Cardinal Panfili. In the year 1737 he brought it before the London public, still in its Italian dress, but considerably transformed and enlarged. SATB or SSATB with SSATB Soli
Author: George Frideric Handel
Publisher: Alfred Music Publishing
ISBN: 9780757937859
Category : Music
Languages : de
Pages : 0
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Book Description
The allegorical play The Triumph of Time and Truth is based upon a work which Handel composed at Rome about 1708, to Italian words by Cardinal Panfili. In the year 1737 he brought it before the London public, still in its Italian dress, but considerably transformed and enlarged. SATB or SSATB with SSATB Soli
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457469008
Category : Music
Languages : en
Pages : 196
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Book Description
The allegorical play The Triumph of Time and Truth is based upon a work which Handel composed at Rome about 1708, to Italian words by Cardinal Panfili. In the year 1737 he brought it before the London public, still in its Italian dress, but considerably transformed and enlarged. SATB or SSATB with SSATB Sol
Author: George Frideric Handel
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 202
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Book Description
Author: Donald Burrows
Publisher: OUP USA
ISBN: 0199737363
Category : Biography & Autobiography
Languages : en
Pages : 652
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Book Description
Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.
Author: David Vickers
Publisher: Boydell & Brewer
ISBN: 1783271469
Category : Music
Languages : en
Pages : 476
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Book Description
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Author: Victor Schoelcher
Publisher: London, Trübner and Company
ISBN:
Category : Composers
Languages : en
Pages : 488
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Book Description
Author: Ellen T. Harris
Publisher: W. W. Norton & Company
ISBN: 0393245896
Category : Music
Languages : en
Pages : 496
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Book Description
During his lifetime, the sounds of Handel’s music reached from court to theater, echoed in cathedrals, and filled crowded taverns, but the man himself—known to most as the composer of Messiah—is a bit of a mystery. Though he took meticulous care of his musical manuscripts and even provided for their preservation on his death, very little of an intimate nature survives. One document—Handel’s will—offers us a narrow window into his personal life. In it, he remembers not only family and close colleagues but also neighborhood friends. In search of the private man behind the public figure, Ellen T. Harris has spent years tracking down the letters, diaries, personal accounts, legal cases, and other documents connected to these bequests. The result is a tightly woven tapestry of London in the first half of the eighteenth century, one that interlaces vibrant descriptions of Handel’s music with stories of loyalty, cunning, and betrayal. With this wholly new approach, Harris has achieved something greater than biography. Layering the interconnecting stories of Handel’s friends like the subjects and countersubjects of a fugue, Harris introduces us to an ambitious, shrewd, generous, brilliant, and flawed man, hiding in full view behind his public persona.
Author: Annie Wilson Patterson
Publisher:
ISBN:
Category : Oratorio
Languages : en
Pages : 288
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Book Description
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 9780807812945
Category : Music
Languages : en
Pages : 420
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Book Description
History of the Oratorio: Vol. 2: the Oratorio in the Baroque Era: Protestant Germany and England
