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Author: Stephanie Pearson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110700891
Category : Art
Languages : en
Pages : 272
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Book Description
From gleaming hardstone statues to bright frescoes, the unexpected and often spectacular Egyptian objects discovered in Roman Italy have long presented an interpretive challenge. How they shaped and were shaped by religion, politics, and identity formation has now been well researched. But one crucial function of these objects remains to be explored: their role as precious goods in a collector’s economy. The Romans imported and recreated Egyptian goods in the most opulent materials available – gold, gems, expensive wood, ivory, luxurious textiles – and displayed them like true treasures. This is due in part to the way Romans encountered these items, as argued in this book: first as dazzling spolia from the war against Cleopatra, then as costly wares exchanged over the expanding Roman trade routes. In this respect, Romans treated Egyptian art surprisingly similarly to Greek art. By examining the concrete mechanisms through which Egyptian objects were acquired and displayed in Rome, this book offers a new understanding of this impressive material at the crossroads of Hellenistic, Roman, and Egyptian culture.
Author: Stephanie Pearson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110700891
Category : Art
Languages : en
Pages : 272
Get Book
Book Description
From gleaming hardstone statues to bright frescoes, the unexpected and often spectacular Egyptian objects discovered in Roman Italy have long presented an interpretive challenge. How they shaped and were shaped by religion, politics, and identity formation has now been well researched. But one crucial function of these objects remains to be explored: their role as precious goods in a collector’s economy. The Romans imported and recreated Egyptian goods in the most opulent materials available – gold, gems, expensive wood, ivory, luxurious textiles – and displayed them like true treasures. This is due in part to the way Romans encountered these items, as argued in this book: first as dazzling spolia from the war against Cleopatra, then as costly wares exchanged over the expanding Roman trade routes. In this respect, Romans treated Egyptian art surprisingly similarly to Greek art. By examining the concrete mechanisms through which Egyptian objects were acquired and displayed in Rome, this book offers a new understanding of this impressive material at the crossroads of Hellenistic, Roman, and Egyptian culture.
Author: Stephanie Pearson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311070093X
Category : Art
Languages : en
Pages : 373
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Book Description
From gleaming hardstone statues to bright frescoes, the unexpected and often spectacular Egyptian objects discovered in Roman Italy have long presented an interpretive challenge. How they shaped and were shaped by religion, politics, and identity formation has now been well researched. But one crucial function of these objects remains to be explored: their role as precious goods in a collector’s economy. The Romans imported and recreated Egyptian goods in the most opulent materials available – gold, gems, expensive wood, ivory, luxurious textiles – and displayed them like true treasures. This is due in part to the way Romans encountered these items, as argued in this book: first as dazzling spolia from the war against Cleopatra, then as costly wares exchanged over the expanding Roman trade routes. In this respect, Romans treated Egyptian art surprisingly similarly to Greek art. By examining the concrete mechanisms through which Egyptian objects were acquired and displayed in Rome, this book offers a new understanding of this impressive material at the crossroads of Hellenistic, Roman, and Egyptian culture.
Author: Scott Weiss
Publisher: Taylor & Francis
ISBN: 1000988759
Category : History
Languages : en
Pages : 246
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Book Description
During the reign of Nero, Roman culture produced some of its most spectacular works of art and literature, and some of its strangest. This study explores these effects across textual and visual media in an integrated way. Weiss' analysis allows for appreciation of the shared strategies of composition, overlaps between literary and visual rhetoric, the role of context in shaping the reception of a work, and the authority of the reader/viewer to generate meaning. The volume offers an account of Roman visual-literary interactions in the mid-first century ᴄᴇ that considers these dynamics as informing broad cultural phenomena. The results reveal features pervasive in a literary and artistic culture invested in exploring the edges of expression. The Neronian Grotesque is a fascinating study on the literary and artistic production in the Neronian period, and has wider implications for anyone working in the field of Roman cultural history and visual studies more broadly.
Author:
Publisher: BRILL
ISBN: 9004682708
Category : History
Languages : en
Pages : 310
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Book Description
Plundering and taking home precious objects from a defeated enemy was a widespread activity in the Greek and Hellenistic-Roman world. In this volume literary critics, historians and archaeologists join forces in investigating this phenomenon in terms of appropriation and cultural change. In-depth interpretations of famous ancient spoliations, like that of the Greeks after Plataea or the Romans after the capture of Jerusalem, reveal a fascinating paradox: while the material record shows an eager incorporation of new objects, the texts display abhorrence of the negative effects they were thought to bring along. As this volume demonstrates, both reactions testify to the crucial innovative impact objects from abroad may have.
Author: Mantha Zarmakoupi
Publisher: Getty Publications
ISBN: 1606068482
Category : Architecture
Languages : en
Pages : 212
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Book Description
A groundbreaking ecocritical study that examines how ideas about the natural and built environment informed architectural and decorative trends of the Roman Late Republican and Early Imperial periods. Landscape emerged as a significant theme in the Roman Late Republican and Early Imperial periods. Writers described landscape in texts and treatises, its qualities were praised and sought out in everyday life, and contemporary perceptions of the natural and built environment, as well as ideas about nature and art, were intertwined with architectural and decorative trends. This illustrated volume examines how representations of real and depicted landscapes, and the merging of both in visual space, contributed to the creation of novel languages of art and architecture. Drawing on a diverse body of archaeological, art historical, and literary evidence, this study applies an ecocritical lens that moves beyond the limits of traditional iconography. Chapters consider, for example, how garden designs and paintings appropriated the cultures and ecosystems brought under Roman control and the ways miniature landscape paintings chronicled the transformation of the Italian shoreline with colonnaded villas, pointing to the changing relationship of humans with nature. Making a timely and original contribution to current discourses on ecology and art and architectural history, Shaping Roman Landscape reveals how Roman ideas of landscape, and the decorative strategies at imperial domus and villa complexes that gave these ideas shape, were richly embedded with meanings of nature, culture, and labor.
Author: Sally-Ann Ashton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Accompanying an exhibition held at the Fitzwilliam Museum, Cambridge, from September 2004 to May 2005, this volume contains more than one hundred objects which reflect the earliest episode of Egyptomania. Sally-Ann Ashton explores the Egyptian objects that were taken to and received in Italy and how this spawned a tradition of copying elements of this exotic and alien culture, as well as the development of existing cultural and artistic traditions in Egypt under Roman rule. Her discussion of these different forms of acculturation is set alongside beautifully photographed objects from the exhibition.
Author: Lindsey A. Mazurek
Publisher: Cambridge University Press
ISBN: 1316517012
Category : Art
Languages : en
Pages : 293
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Book Description
It introduces a religious dimension to the study of ethnic identity and globalization in the provinces of the Roman Empire.
Author: Simon Connor
Publisher: American University in Cairo Press
ISBN: 1649032595
Category : History
Languages : en
Pages : 205
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Book Description
A fascinating, richly illustrated study of the role and significance of ancient statues in Egyptian history and belief Why do ancient Egyptian statues so often have their noses, hands, or genitals broken? Although the Late Antiquity period appears to have been one of the major moments of large-scale vandalism against pagan monuments, various contexts bear witness to several phases of reuse, modification, or mutilation of statues throughout and after the pharaonic period. Reasons for this range from a desire to erase the memory of specific rulers or individuals for ideological reasons to personal vengeance, war, tomb plundering, and the avoidance of a curse; or simply the reuse of material for construction or the need to ritually “deactivate” and bury old statues, without the added motive of explicit hostility toward the subject in question. Drawing on the latest scholarship and over 100 carefully selected illustrations, Ancient Egyptian Statues proceeds from a general discussion of the production and meaning of sculptures, and the mechanisms of their destruction, to review the role of ancient statuary in Egyptian history and belief. It then moves on to explore the various means of damage and their significance, and the role of restoration and reuse. Art historian Simon Connor offers an innovative and lucidly written reflection on beliefs and practices relating to statuary, and images more broadly, in ancient Egypt, showing how statues were regarded as the active manifestations of the entities they represented, and the ways in which they could endure many lives before being finally buried or forgotten.
Author: Annetta Alexandridis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757966
Category : Art
Languages : en
Pages : 620
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Book Description
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.
Author: Fredrik Hagen
Publisher: Royal Danish Academy of Sciences and Letters
ISBN: 9788773044001
Category : Antique dealers
Languages : en
Pages : 333
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Book Description
The vast collections of Egyptian objects on display in Western museums attract millions of visitors every year, and they reinforce a cultural fascination for this ancient civilisation that has been a feature of European intellectual history since Roman times. This book tells the story of how these objects came to be here. The book presents the first in-depth analysis of this market during its golden age in Egypt in the late 19th and early 20th Century. It is primarily based on the archival material of the Danish Egyptologist H. O. Lange (1863-1943) who, during two prolonged stays in Egypt (1899/1900 and 1929/1930), bought objects on behalf of Danish museums. The travel diaries, and the accompanying photographs, are complemented by a wide range of other sources, including contemporary travel guides and various travel memoirs, which together paint an extraordinarily detailed picture of the extensive antiquities trade. The book looks at the laws governing trade and export, both in theory and practice, and the changes over time. The practicalities of the trade are described: its seasons, the networks of supply, the various methods available for acquiring antiquities, and the subsequent routes of transmission of objects, as well as the different types of dealers operating in Egypt. The geographical distribution of dealers is mapped, and the role of the Egyptian state as a dealer is investigated, both through official sale rooms, and as a seller and exporter of more or less complete tomb-chapels. The final part of the book contains a list, with short biographies, of over 250 dealers active in Egypt from the 1880s until the abolishment of the trade in 1983. Most of them are described here in detail for the first time. The book will be of interest to archaeologists, Egyptologists, papyrologists, museum curators, and historians of science, and is a useful starting point for anyone wishing to understand how the great Western collections of Egyptian antiquities were formed.
